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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms pillow

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1. Eleanora Frances Murray

Eleanora Frances Murray
Creator:
Tilly Kettle, 1735–1786
Date:
in or before 1768
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 39 15/16 inches (127 x 101.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. An Unknown Woman

An Unknown Woman
Creator:
Francesco Renaldi, 1755–1800
Date:
1789
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/2 × 27 1/2 inches (57.2 × 69.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Death of Chatterton

The Death of Chatterton
Creator:
Henry Wallis, 1830–1916
Date:
ca. 1856
Materials & Techniques:
Oil on panel
Dimensions:
8 15/16 x 11 7/8 inches (22.7 x 30.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Virtuous Comforted by Sympathy

The Virtuous Comforted by Sympathy
Creator:
Edward Penny, 1714–1791
Date:
1774
Materials & Techniques:
Oil on canvas
Dimensions:
50 × 40 1/2 inches (127 × 102.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Introduction (Plate 34)

Introduction (Plate 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Chamber Idyll

The Chamber Idyll
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1831
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Alick Shepeler

Alick Shepeler
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 19 5/8 inches (34.6 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Rev. William Cooper

Rev. William Cooper
Creator:
James Heath, 1757–1834
Date:
undated
Materials & Techniques:
Stipple engraving with etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 × 8 9/16 inches (27.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1811
Materials & Techniques:
Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection