III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
19
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
20
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
21
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
22
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
23
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
24
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
25
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
26
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
27
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
28
John Dixon, ca. 1740–1811
A Tigress
1773
29
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
30
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
31
James Ward, 1769–1859
Study of Undergrowth
undated
32
unknown artist
Docks, September 6, 1777
1777
33
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
34
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
35
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
36
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
37
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
38
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
39
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
40
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
41
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
42
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
43
Print made by Thomas Bewick, 1753–1828
The Mastif Fox
1909
44
Print made by unknown artist
Illustrations used for 17th Century Chapbook
1909
45
Print made by unknown artist
The Merry Tales of the Wise Man of Gotham
1909
46
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
47
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
48
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
49
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
50
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
51
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
52
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
53
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
54
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
55
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
56
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
57
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
58
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
59
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
60
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
61
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
62
Francis Barlow, 1622–1704
Hare Hunting
undated
63
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
64
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
65
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
66
unknown artist
67
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
68
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
69
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
70
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
71
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
72
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
73
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
74
Print made by George Bickham the Elder, 1683/4–1758
A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)
1731
75
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
76
Print made by Henry Bonnart, 1642–1711
Mater Purissima
undated
77
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
78
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
79
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
80
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
81
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
82
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
83
Print made by William Woollett, 1735–1785
Solitude
1778
84
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
85
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
87
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
88
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
89
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 1
1757
90
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
91
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
92
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
93
Thomas Hearne, 1744–1817
Cottage
undated
94
Henry Monro, 1791–1814
A Wooded Track
1813
95
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
96
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
97
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
98
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh