Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: road

301. Gowland's Cascade, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Black Stream Bridge, Gap of Dunlow, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. The Purple Mountains, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Looking North from Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. The Turnpike, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Lincoln from the River Witham

Creator:: Print made by S. T. Davies, active ca. 1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Edgar's Tower, Worcester

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1786
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper (page in book)
Dimensions:: Sheet: 13 1/2 x 8 9/16 inches (34.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Melville Castle, Midlothian

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Turver's Farm, Wimbish, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Ruins at Capua

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. A Timber Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. A Road by a Farm

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/8 inches (14.9 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. On the Killarney Road Leading to Ross Castle, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. New Radnor

Creator:: Francis Towne, 1740–1816
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 1/8 inches (16.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. The Chestnut Grove, Near Rocca del Papa Near Lake Albano

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Gray wash and black ink and watercolor over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 15 1/4 x 10 inches (38.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Entrance to the Grotto at Posilippo, Naples

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor and gray ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 12 5/8 x 9 1/8 inches (32.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Near Ambleside

Creator:: Francis Towne, 1740–1816
Date:: 1786
Materials & Techniques:: Watercolor and brown and gray ink with gum on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 9 1/8 inches (15.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Road to the Lake

Creator:: pupil of Francis Towne, 1740–1816
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 13 1/16 inches (40.5 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Mail Coach

Creator:: James Fittler, 1758–1835
Date:: ca. 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 11 5/16 inches (25 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, laid paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 7/16 inches (13.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Visitors Inspecting Abbey Ruins

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Two Men on Horseback Seen from Behind

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Entrance to Festiniog, Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Landscape with Two Figures on a Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Ecclesiastical Ruins beside the Thames (?)

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Landscape with Windmill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite with gray and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 4 5/8 inches (7.6 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Mountain Landscape with Two Figures on a Winding Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper prepared with yellow wash
Dimensions:: Sheet: 6 7/16 x 9 1/4 inches (16.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Snowdon

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:: Sheet: 6 1/4 x 10 1/16in. (15.9 x 25.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Classical Landscape with Two Figures on Horseback at Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Landscape with Two Horsemen on a Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 5/16 x 7 1/2 inches (13.5 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Landscape with Road in Foreground

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 inches (13.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Rocky Landscape with Two Figures on a Path in the Center

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash, brown wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:: Sheet: 5 3/8 x 8 1/8in. (13.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Landscape with Four Figures

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Landscape with Three Figures on a Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, moderately textured, beige laid paper, prepared with orange wash
Dimensions:: Sheet: 4 15/16 x 7 1/4 inches (12.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Two Figures on a Road with Castle in Center Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 5/8in. (12.7 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Two Figures on a Road by a Lake

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on moderately thick, slightly textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 4 11/16 x 7 3/8 inches (11.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Female huckster of Port Orotava

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor, pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. View from Martianez, Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1819
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Woman of Victoria, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Val d'Aosta, Piedmont

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 x 28 inches (49.2 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Near Sidmouth

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Place St. Barthélemy, Rouen

Creator:: David Cox, 1783–1859
Date:: 1829
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 8 1/2 inches (26.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Millbank

Creator:: David Cox, 1783–1859
Date:: ca. 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, and scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/2 x 21 1/4 inches (29.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. View of Norwich

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Brown wash, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Landscape with River and Mountains

Creator:: John Joseph Cotman, 1814–1878
Date:: 1872
Materials & Techniques:: Watercolor, brown ink, graphite, and gouache with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 × 31 inches (38.1 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Bridge and Patna Gate and Monghyr Fort

Creator:: William Daniell, 1769–1837
Date:: 1788
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: ca. 1800
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 3/8 inches (26.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Cottages in Westmoreland

Creator:: George Samuel, active 1785–died 1823
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper laid down on card
Dimensions:: Sheet: 8 x 13 1/4in. (20.3 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Lecture House, Watford

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 × 12 3/4 inches (25.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Farm

Creator:: Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Great Bookham, Surrey

Creator:: Henry Edridge, 1769–1821
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Landscape with Limekiln

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1809
Materials & Techniques:: Watercolor, gum, white gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Valley of Rocks, Lynton, North Devon

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. The Road to the Village

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 3 5/8 inches (6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: 1818
Materials & Techniques:: Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:: Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. A Yorkshire Road

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 7 5/8 x 16 7/8 inches (19.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. A Grove with Road and Haycart

Creator:: Pupil of John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on moderately thick, rough, gray laid paper
Dimensions:: Sheet: 13 3/8 x 19 7/16 inches (33.9 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Bromley Hill

Creator:: Peter DeWint, 1784–1849
Date:: 1812
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Budleigh, Salterton..from our own Garden

Creator:: Dr. William Crotch, 1775–1847
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium,slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 3/8 inches (14 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. A Road in a Mountain Landscape with Trees to the Right

Creator:: pupil of Alexander Cozens, 1717–1786
Date:: ca. 1780
Materials & Techniques:: Brushed black ink, gray wash and brown ground on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 14 1/8 inches (28.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Landscape

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 19 3/16 inches (34.8 x 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Mousehold Heath, Norwich

Creator:: François Louis Thomas Francia, 1772–1839
Date:: 1808
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The Coupée, Isle of Sark

Creator:: George Arthur Fripp, 1813–1896
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. A Lane, Great Borside

Creator:: Robert Hills, 1769–1844
Date:: ca. 1833
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Entrance to a Village Below an Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 14 3/16 inches (22.8 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. The Old Bayswater Turnpike

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 9 1/4 inches (18.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. At Bridge of Allan

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor, gouache, graphite, gum arabic, pen and brown ink, red ink, and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Newark (abbey?)

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor gouache, graphite, pen and red ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 13 3/16 inches (24.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Craigmillar Castle

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink, and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 3/16 inches (24.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. At Galldon

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink, and black ink on thick, rough, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 3/4 inches (24.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. At Tunbridge

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Goatfell Arran (view with pitcher)

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Landscape with Two Men on a Road

Creator:: George Lambert, 1700–1765
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 3/16in. (22.5 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms road

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301. Gowland's Cascade, Gap of Dunloh, 6 September 1841

302. Black Stream Bridge, Gap of Dunlow, 6 September 1841

303. The Purple Mountains, 6 September 1841

304. First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

305. Looking North from Black Stream Bridge, 6 September 1841

306. Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841

307. Ash Valley Lake in the Gap of Dunloh, September 1841

308. Black Stream Bridge, 6 September 1841

309. Looking South From the Black Stream Bridge, 6 September 1841

310. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

311. Augur's Lake, Gap of Dunloh, 6 September 1841

312. The Turnpike, 6 September 1841

313. Lincoln from the River Witham

314. Edgar's Tower, Worcester

315. Jedburgh Abbey, Roxburghshire

316. Lincoln Cathedral

317. Melville Castle, Midlothian

318. Turver's Farm, Wimbish, Essex

319. Berry Pomeroy Castle, Devon

320. Guisborough Priory

321. Ruins at Capua

322. St. Martin's Church Westminster

323. The Vicar's Family on the Road to Church

324. Mother Bundle in a Rage or Too late for the Stage

325. A Timber Waggon

326. Falls on the River Conwy, North Wales

327. A Road by a Farm

328. Abbotsbury Abbey, Dorset, England

329. Abbotsbury Abbey, Dorset, England

330. Abbotsbury Abbey, Dorset, England

331. Abbotsbury Abbey, Dorset, England

332. Abbotsbury Abbey, Dorset, England

333. On the Killarney Road Leading to Ross Castle, 4 September 1841

334. The High Street, Southampton

335. New Radnor

336. The Chestnut Grove, Near Rocca del Papa Near Lake Albano

337. Entrance to the Grotto at Posilippo, Naples

338. Near Ambleside

339. The Road to the Lake

340. Crofton

341. Crofton

342. Mail Coach

343. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

344. Church

345. Dr. Syntax Bound to a Tree by Highwaymen

346. Visitors Inspecting Abbey Ruins

347. Two Men on Horseback Seen from Behind

348. Entrance to Festiniog, Wales

349. Landscape with Two Figures on a Road

350. Ecclesiastical Ruins beside the Thames (?)

351. Landscape with Windmill

352. Mountain Landscape with Two Figures on a Winding Road

353. Snowdon

354. Classical Landscape with Two Figures on Horseback at Right

355. Landscape with Two Horsemen on a Road

356. Landscape with Road in Foreground

357. Rocky Landscape with Two Figures on a Path in the Center

358. Landscape with Four Figures

359. Landscape with Three Figures on a Road

360. Two Figures on a Road with Castle in Center Distance

361. Two Figures on a Road by a Lake

362. Female huckster of Port Orotava

363. View from Martianez, Port Orotava, Tenerife

364. Woman of Victoria, Tenerife

365. The Val d'Aosta, Piedmont

366. Near Sidmouth

367. Place St. Barthélemy, Rouen

368. Millbank

369. View of Norwich

370. Landscape with River and Mountains

371. Bridge and Patna Gate and Monghyr Fort

372. St. Alban's Abbey

373. Cottages in Westmoreland

374. The Lecture House, Watford