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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Mountain Torrent

The Mountain Torrent
Creator:
Francis Danby, 1793–1861
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
39 5/16 × 61 inches (99.9 × 154.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Fire in London, Seen from Hampstead

Fire in London, Seen from Hampstead
Creator:
Attributed to John Constable, 1776–1837
Date:
ca. 1826
Materials & Techniques:
Oil on paper laid on panel
Dimensions:
3 3/4 x 6 inches (9.5 x 15.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Landscape with Chestnut Tree

Landscape with Chestnut Tree
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1835
Materials & Techniques:
Oil on card
Dimensions:
12 1/4 x 12 1/8 inches (31.1 x 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Academy by Lamplight

Academy by Lamplight
Creator:
Joseph Wright of Derby, 1734–1797
Date:
1769
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 39 3/4 inches (127 x 101 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Seated Turk

Seated Turk
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/4 x 16 1/4 inches (33.7 x 41.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Corso Sant'Anastasia, Verona

Corso Sant'Anastasia, Verona
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Oil on millboard
Dimensions:
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The Haunted Wood

The Haunted Wood
Creator:
Francis Danby, 1793–1861
Date:
undated
Materials & Techniques:
Brown wash and brown ink with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 7/8 inches (15.9 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sepulchre

The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1800; impression printed in 1924
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Rispah: 2nd Book of Samuel, Chap. 21

Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Maid

A Maid
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1774
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 15/16 x 7 1/8 inches (27.8 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Wanderer

The Wanderer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Dog and the Shadow

Dog and the Shadow
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1909
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/16 x 4 1/8 inches (8.1 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Letter Woman

The Letter Woman
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
ca. 1769
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Unlucky Boy

The Unlucky Boy
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 20 1/16 × 14 inches (51 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Oyster Woman

The Oyster Woman
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Pretty Maid with Her Apron Before the Candle

The Pretty Maid with Her Apron Before the Candle
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/16 inches (38.8 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Maria Siddons

Maria Siddons
Creator:
Print made by George Clint, 1770–1854
Date:
between 1800 and 1830
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 3/4 x 10 13/16 inches (35 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Pretty Ballad Singer

The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 11 15/16 inches (42 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Valley of the Shadow of Death

The Valley of the Shadow of Death
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Garrick as Abel Drugger in "The Alchemist"

Garrick as Abel Drugger in "The Alchemist"
Creator:
Print finished by John Dixon, ca. 1740–1811
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 12 1/4 inches (42.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Londres. Vue Prise de la Tour de l'Eglise de St. Paul
Creator:
Print made by Henry Walter, 1786–1849
Date:
1860
Materials & Techniques:
Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. And Ah! Let Pity Turn Her Dewy Eyes...

And Ah! Let Pity Turn Her Dewy Eyes...
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1768
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Garrick, In the Character of Abel Drugger

Garrick, In the Character of Abel Drugger
Creator:
Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/8 x 15 7/8 inches (58.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Cobham Hall, Kent: Elevation of Fireplace and Overmantel

Cobham Hall, Kent: Elevation of Fireplace and Overmantel
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 16 3/4 inches (27 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Exeter College, Oxford

Exeter College, Oxford
Creator:
Joseph Murray Ince, 1806–1859
Date:
1835
Materials & Techniques:
Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Dog and The Shadow

The Dog and The Shadow
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 inches (18.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Dead Hare and a Cooked Lobster on a Bench

A Dead Hare and a Cooked Lobster on a Bench
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1827
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Hen

A Hen
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 x 3 5/8 inches (7.6 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. William Short

William Short
Creator:
John Linnell, 1792–1882
Date:
1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 7 1/4 inches (24.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Looking South From the Black Stream Bridge, 6 September 1841

Looking South From the Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 4 3/16 inches (12.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, orange laid paper
Dimensions:
Mount: 3 3/8 x 2 5/16 inches (8.6 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Study of a Woman in a Mob Cap

Study of a Woman in a Mob Cap
Creator:
Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 5 3/8 inches (19.4 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection