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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms sitting

Classification Prints

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

William Blake The Ecchoing Green (Plate 8)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 8)

1789

William Blake The Chimney Sweeper (Plate 10)

Print made by William Blake, 1757–1827

The Chimney Sweeper (Plate 10)

1789

William Blake Laughing Song (Plate 14)

Print made by William Blake, 1757–1827

Laughing Song (Plate 14)

1789

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Famine (Plate 8)

Print made by William Blake, 1757–1827

Famine (Plate 8)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake The Ecchoing Green (Plate 10)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 10)

1789

William Blake On Anothers Sorrow (Plate 24)

Print made by William Blake, 1757–1827

On Anothers Sorrow (Plate 24)

1789

William Blake Laughing Song (Plate 28)

Print made by William Blake, 1757–1827

Laughing Song (Plate 28)

1789

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake There Is No Natural Religion; Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

There Is No Natural Religion; Frontispiece (Plate 1)

ca. 1788

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

Matthew Darly Statue Hall or the Modern Register Office

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

James Duffield Harding View of the Clifton Suspension Bridge

James Duffield Harding, 1798–1863

View of the Clifton Suspension Bridge

undated

John Crome Landscape with Oak Trees

Print made by John Crome, 1768–1821

Landscape with Oak Trees

ca. 1812

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

John Crome Wooded Landscape

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Robert Dixon West Tower, Wymondham Church

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Robert Dixon Cottage at Diss

Robert Dixon, 1780–1815

Cottage at Diss

1811

Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale de l'Eglise de l'Abbaye de Tournus

1825

Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Benjamin Fawcett Scene Illustration: Milton's 'L'Allegro'

Print made by Benjamin Fawcett, 1808–1893

Scene Illustration: Milton's 'L'Allegro'

between 1860 and 1885

Bradshaw & Blacklock Swiss Costumes

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

John Raphael Smith Madona Col Bambino

John Raphael Smith, 1752–1812

Madona Col Bambino

1791

Edward Fisher Laurence Sterne, A.M.

Edward Fisher, 1722–1785

Laurence Sterne, A.M

1760

George Baxter The Bride, Paul and Virginia, the Chalees Satoon, East India

Imitator of George Baxter, 1804–1867

The Bride, Paul and Virginia, the Chalees Satoon, East India

after 1850

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Oriental Scenes

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Bradshaw & Blacklock Albanian Scenes

Print made by Bradshaw & Blacklock, active ca.1850

Albanian Scenes

after 1850

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Bradshaw & Blacklock Ben Nevis

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Bradshaw & Blacklock Double Hairpin Set

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

John Dixon William Robertson, D.D.

Print made by John Dixon, ca. 1740–1811

William Robertson, D.D

1772

John Dixon Nelly O'Brien (Lady Mary O'Brien)

John Dixon, ca. 1740–1811

Nelly O'Brien (Lady Mary O'Brien)

1774

Francesco Bartolozzi Medallions of F. Hutcheson and L. Natter

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Ebenezer Challis The Baron's Hall

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

unknown artist The Double Deliverance, 1588–1605

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

John Hassell Clapham Manor-House, Surry

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

Edward Fisher Laurence Sterne, A.M.

Edward Fisher, 1722–1785

Laurence Sterne, A.M

1760

Edward Fisher Sir Thomas Harrison

Edward Fisher, 1722–1785

Sir Thomas Harrison

1765

John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Print made by John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

John Dixon William Robert Fitzgerald, Second Duke of Leinster

John Dixon, ca. 1740–1811

William Robert Fitzgerald, Second Duke of Leinster

1775

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Print made by Robert Isaac Cruikshank, 1789–1856

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

Robert Barnes Girl at a Window

Print made by Robert Barnes, 1840–1895

Girl at a Window

undated

Robert Barnes Girl Pinning Flowers on a Hat

Print made by Robert Barnes, 1840–1895

Girl Pinning Flowers on a Hat

undated

Robert Barnes Two Boys

Print made by Robert Barnes, 1840–1895

Two Boys

undated

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

M. Gauci George Vertue

M. Gauci, 1810–1846

George Vertue

1821

John Doyle ('H.B.') A Lecture on Elocution, the Professor Enforcing his Precepts by Example

Print made by John Doyle ('H.B.'), 1797–1868

A Lecture on Elocution, the Professor Enforcing his Precepts by Example

1847

John Doyle ('H.B.') A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

Print made by John Doyle ('H.B.'), 1797–1868

A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

1847

John Doyle ('H.B.') An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

Print made by John Doyle ('H.B.'), 1797–1868

An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

1847

John Doyle ('H.B.') The Rivals: Extremes Meet

Print made by John Doyle ('H.B.'), 1797–1868

The Rivals: Extremes Meet

1848

John Doyle ('H.B.') A Parliamentary "Souvenir"

Print made by John Doyle ('H.B.'), 1797–1868

A Parliamentary "Souvenir"

1848

Thomas Chambars Nicholas Laniere

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

James S. Storer Birmingham

Print made by James S. Storer, 1771–1853

Birmingham

1795

Bartholomew Howlett Sleaford Church

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Joseph Powell Winchester Cross

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Joseph Powell Winchester Cross

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

John Chalon Study

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Alexander van Haecken Francis Smith, Architect

Alexander van Haecken, 1701–1758

Francis Smith, Architect

ca. 1755

George Chinnery Henry Tresham, Esq, R.A.

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Thomas Chambars Peter Tillemans

Print made by Thomas Chambars, ca. 1724–1789

Peter Tillemans

undated

George Cruikshank George Cruikshank, self-portrait

Print made by George Cruikshank, 1792–1878

George Cruikshank, self-portrait

undated

William Daniell John Hoppner, R.A.

Print made by William Daniell, 1769–1837

John Hoppner, R.A

1810