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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Tenth Plague of Egypt

Tenth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 69, "Then all the Males...."

Jerusalem, Plate 69, "Then all the Males...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 78, "The Spectres of..."

Jerusalem, Plate 78, "The Spectres of..."
Creator:
William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Air; Plate 6

Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Does Thy God O Priest Take such Vengeance as This?; Plate 14

Does Thy God O Priest Take such Vengeance as This?; Plate 14
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. America. A Prophecy, Plate 8, "The Morning Comes...."

America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. For the Sexes: The Gates of Paradise, Plate 6, "Air"

For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. For the Sexes: The Gates of Paradise, Plate 4, "Water"

For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Europe. A Prophecy, Plate 8 (Bentley 9)

Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Road Scene, Trowse Hall, near Norwich

Road Scene, Trowse Hall, near Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Cottage at Diss

Cottage at Diss
Creator:
Robert Dixon, 1780–1815
Date:
1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. West Tower, Wymondham Church

West Tower, Wymondham Church
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Birmingham

Birmingham
Creator:
Print made by James S. Storer, 1771–1853
Date:
1795
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Sleaford Church

Sleaford Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1801
Materials & Techniques:
Line engraving, proof on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. George Cruikshank, self-portrait

George Cruikshank, self-portrait
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/8 inches (20.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Francis Smith, Architect

Francis Smith, Architect
Creator:
Alexander van Haecken, 1701–1758
Date:
ca. 1755
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 × 9 13/16 inches (35.3 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Henry Tresham, Esq, R.A.

Henry Tresham, Esq, R.A.
Creator:
Print made by George Chinnery, 1774–1852
Date:
1802
Materials & Techniques:
Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Peter Tillemans

Peter Tillemans
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. John Hoppner, R.A.

John Hoppner, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1810
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 x 12 5/16 inches (47.4 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (30.9 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A Parliamentary "Souvenir"

A Parliamentary "Souvenir"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 18 1/8 x 11 15/16 inches (46 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

A Lecture on Elocution, the Professor Enforcing his Precepts by Example
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Rivals: Extremes Meet

The Rivals: Extremes Meet
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Nicholas Laniere

Nicholas Laniere
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/16 inches (30.2 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. George Vertue

George Vertue
Creator:
M. Gauci, 1810–1846
Date:
1821
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 16 15/16 x 12 11/16 inches (43.1 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 11 inches (37.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Sir Thomas Harrison

Sir Thomas Harrison
Creator:
Edward Fisher, 1722–1785
Date:
1765
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 11 inches (38 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. William Robertson, D.D.

William Robertson, D.D.
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. William Robert Fitzgerald, Second Duke of Leinster

William Robert Fitzgerald, Second Duke of Leinster
Creator:
John Dixon, ca. 1740–1811
Date:
1775
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 13/16 × 14 1/16 inches (50.4 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Nelly O'Brien (Lady Mary O'Brien)

Nelly O'Brien (Lady Mary O'Brien)
Creator:
John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 13/16 × 13 7/8 inches (50.4 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Landscape with Oak Trees

Landscape with Oak Trees
Creator:
Print made by John Crome, 1768–1821
Date:
ca. 1812
Materials & Techniques:
Etching on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 9 11/16 x 7 3/8 inches (24.6 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Wooded Landscape

Wooded Landscape
Creator:
Print made by John Crome, 1768–1821
Date:
ca. 1812
Materials & Techniques:
Etching on medium, smooth, beige Aisian paper
Dimensions:
Sheet: 6 9/16 × 6 3/16 inches (16.7 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Ben Nevis

Ben Nevis
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Double Hairpin Set

Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 11 3/4 inches (39.7 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 14 13/16 inches (49.8 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Two Boys

Two Boys
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/8 x 8 inches (15.5 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Bride, Paul and Virginia, the Chalees Satoon, East India

The Bride, Paul and Virginia, the Chalees Satoon, East India
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:
Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Albanian Scenes

Albanian Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Swiss Costumes

Swiss Costumes
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and stipple engraving, with color woodcut on cream card mounted in beige card
Dimensions:
Sheet: 5 1/4 × 7 15/16 inches (13.3 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Scene Illustration: Milton's 'L'Allegro'

Scene Illustration: Milton's 'L'Allegro'
Creator:
Print made by Benjamin Fawcett, 1808–1893
Date:
between 1860 and 1885
Materials & Techniques:
Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Statue Hall or the Modern Register Office

Statue Hall or the Modern Register Office
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1769
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 x 15 13/16 inches (28 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Madona Col Bambino

Madona Col Bambino
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Double Deliverance, 1588–1605

The Double Deliverance, 1588–1605
Creator:
Print made by unknown artist
Date:
1621
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Clapham Manor-House, Surry

Clapham Manor-House, Surry
Creator:
John Hassell, 1767–1825
Date:
between 1804 and 1822
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Medallions of F. Hutcheson and L. Natter

Medallions of F. Hutcheson and L. Natter
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Baron's Hall

The Baron's Hall
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1844
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Girl at a Window

Girl at a Window
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 7/8 x 5 11/16 inches (20 x 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Girl Pinning Flowers on a Hat

Girl Pinning Flowers on a Hat
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 7 13/16 inches (17.4 x 19.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection