Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: temple

1. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

Creator:: David Roberts, 1796–1864
Date:: 1849
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Temple, Fountain and Cave in Sezincote Park

Creator:: Thomas Daniell, 1749–1840
Date:: 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 39 15/16 × 50 inches (101.4 × 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Indian Landscape with Temple

Creator:: George Chinnery, 1774–1852
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/16 x 9 1/2 inches (20.5 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: ca. 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 43 1/4 x 53 inches (109.9 x 134.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Indian Temple, Said to Be the Mosque of Abo-ul-Nabi, Muttra

Creator:: Thomas Daniell, 1749–1840
Date:: 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 42 1/2 x 56 1/4 inches (108 x 142.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Thomas Graham, Baron Lynedoch

Creator:: Attributed to David Allan, 1744–1796
Date:: ca. 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 54 1/2 x 38 3/4 inches (138.4 x 98.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Banks of the Ganges

Creator:: Attributed to William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 29 inches (63.5 x 73.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Indian Landscape with Temple Ruins

Creator:: Thomas Daniell, 1749–1840
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Hilly Landscape in India

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Thomas Graham

Creator:: Thomas Hickey, 1741–1824
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 25 inches (78.7 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Louis-Francois Roubiliac Modelling His Monument to Shakespeare

Creator:: Adrien Carpentiers, active 1739–1778
Date:: between 1760 and 1761
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/4 x 39 3/4 inches (127.6 x 101 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A View of Edinburgh from the West

Creator:: Alexander Nasmyth, 1758–1840
Date:: 1822 to 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/4 x 36 1/4 inches (61.6 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne

Creator:: Nathaniel Dance, 1735–1811
Date:: ca. 1760
Materials & Techniques:: Oil on canvas
Dimensions:: 38 5/8 x 48 3/4 inches (98.1 x 123.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Erechtheum, Athens, with Figures in the Foreground

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 26 3/8 x 35 1/4 inches (67 x 89.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Tivoli with the Temple of the Sybil and the Cascades

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and aquatint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Amada, 9:30 am, 12 February 1867

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 4 7/8 x 13 3/4 inches (12.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of a Valley with Ruins at Sardis

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 5/16 inches (37.8 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Members of a Corinthian Temple in Ruins at Ephesus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 5/16 x 15 3/16 inches (54.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 1/8 inches (54 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Details of a Composite Order from the Temple of Augustus at Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 1/16 inches (54 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Plan and View of a Cave, Temple, or Tomb

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Temple of Jupiter Panhellenios at Aegina

Creator:: William Pars, 1742–1782
Date:: between 1764 and 1766
Materials & Techniques:: Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Ramesseum at Thebes

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Temple of Edfou, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Karnak

Creator:: William James Muller, 1812–1845
Date:: between 1838 and 1839
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 7/8 x 15 1/16 inches (27.6 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Garden of Gethsemane

Creator:: Sir David Wilkie, 1785–1841
Date:: 1841
Materials & Techniques:: Black chalk, white chalk, and red chalk over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 x 19 5/16 inches (33 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Christ Preaching to the Elders in the Temple

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Christ with Three Figures

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Details of a Corinthian Temple on the Acropolis of Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of Ruins of the Asclepium at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Temple of Minerva Medica, Rome

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:: Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Temple of Venus, Bay of Baie

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1788-1820
Materials & Techniques:: Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Temple

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Classical Scene: Minerva as the Goddess of Arts and Sciences

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Italian sketchbook

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Tempio di Clitumno, Rome, after Piranesi

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Great Temple of Amon Karnak, The Hypostyle Hall

Creator:: David Roberts, 1796–1864
Date:: 1838
Materials & Techniques:: Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. From under the Portico of the Temple of Edfu, Upper Egypt

Creator:: David Roberts, 1796–1864
Date:: 1846
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 3/4 inches (34.6 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Temple near Brighton

Creator:: Mary Smirke, 1779–1853
Date:: undated
Materials & Techniques:: Pen and ink and watercolor over graphite on medium, smooth, white wove paper
Dimensions:: Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Religious Ceremony in Ancient Greece

Creator:: Francis Oliver Finch, 1802–1862
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Landscape with a Temple and Figures by a River

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Entrance into the Temple of the Sun in Palmira from the East

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Remains of the Great Temple in Palmira seen from the West. ...

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Temple of Venus and Rome, Palatine

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and brown wash on slightly textured, thin, white laid paper
Dimensions:: Sheet: 9 9/16 × 16 3/16 inches (24.3 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1816
Materials & Techniques:: Etching on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Inside of the Pantheon at Rome

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

Creator:: Carington Bowles, 1724–1793
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Christ Disputing with the Elders in the Temple

Creator:: Louis Laguerre, 1663–1721
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Temple of Aphaia at Aegina: Perspective of Roof

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream wove paper
Dimensions:: Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Temple of Venus in the Port at Aegina: Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1811
Materials & Techniques:: Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:: Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Temple of Aphaia at Aegina: Ground Plan

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Temple by the Lake

Creator:: George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Watercolor with brown and black ink over pencil on medium, slightly textured, cream wove paper
Dimensions:: Image: 2 3/8 × 6 7/8 inches (6 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Figure Seated by an Indian Temple

Creator:: George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 5/8 × 11 1/4 inches (24.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ruins of a Temple, Sunset

Creator:: George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Temple to Maha Deo at Puttugotta (Puttergotta)

Creator:: Samuel Davis, 1760–1819
Date:: between 1777 and 1809
Materials & Techniques:: Pen and black ink, pen and brown ink, graphite, gray wash and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Temple of Wangdutse

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 19 inches (34 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A Scene between Galle and Matura, about Six Miles from Galle

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 17 7/8 inches (31.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Temple of Aphaia at Aegina: Wall Section

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Facade for a Temple of Peace, Kew Gardens, Surrey

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ruined Temple after Richard Wilson

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium slightly textured cream wove paper
Dimensions:: Sheet: 4 x 6 5/8 inches (10.2 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Temple of Diana near Baia

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Landscape with a Ruined Temple

Creator:: Alexander Cozens, 1717–1786
Date:: between 1746 and 1750
Materials & Techniques:: Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Temple of Aphaia at Aegina: Molding Details

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Temple of Aphaia at Aegina: Survey

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on slightly textured, thin, white wove paper
Dimensions:: Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Temple of Apollo Epikourios: View of the Interior

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A High Caste Woman Standing by a Wall

Creator:: William Daniell, 1769–1837
Date:: ca. 1829
Materials & Techniques:: Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Design for the Old Lime Kiln Seat, Home Park, Windsor

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 7/16 × 7 1/2 inches (29.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms temple

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1. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

2. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

3. Temple, Fountain and Cave in Sezincote Park

4. Indian Landscape with Temple

5. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton

6. Indian Temple, Said to Be the Mosque of Abo-ul-Nabi, Muttra

7. Thomas Graham, Baron Lynedoch

8. The Banks of the Ganges

9. Indian Landscape with Temple Ruins

10. Hilly Landscape in India

11. Thomas Graham

12. Louis-Francois Roubiliac Modelling His Monument to Shakespeare

13. A View of Edinburgh from the West

14. James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne

15. The Erechtheum, Athens, with Figures in the Foreground

16. Tivoli with the Temple of the Sybil and the Cascades

17. The Hindoo Worshipper

18. The Hindoo Worshipper

19. Amada, 9:30 am, 12 February 1867

20. View of a Valley with Ruins at Sardis

21. The Members of a Corinthian Temple in Ruins at Ephesus

22. Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

23. Details of a Composite Order from the Temple of Augustus at Mylasa

24. Plan and View of a Cave, Temple, or Tomb

25. Temple of Jupiter Panhellenios at Aegina

26. The Ramesseum at Thebes

27. Temple of Edfou, Upper Egypt

28. Illustration to Tonson's Ovid Metamorphosis (two of four)

29. Karnak

30. Garden of Gethsemane

31. Temple of Venus and Rome from the Colosseum

32. The Daughters of Jerusalem Weeping by the Waters of Babylon

33. Christ Preaching to the Elders in the Temple

34. Christ with Three Figures

35. Details of a Corinthian Temple on the Acropolis of Pergamon

36. View of Ruins of the Asclepium at Pergamon

37. Temple of Minerva Medica, Rome

38. Temple of Venus, Bay of Baie

39. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

40. A Temple

41. Classical Scene: Minerva as the Goddess of Arts and Sciences

42. Virginia Water No. 1

43. Tivoli, a Composition

44. Virginia Water No. 1

45. Tivoli, a Composition

46. Tivoli, a Composition

47. The Healing of the Lame Man

48. The Sacrifice at Lystra

49. St Paul Preaching in Athens

50. The Healing of the Lame Man

51. The Conversion of the Proconsul

52. The Sacrifice at Lystra

53. The Sacrifice at Lystra

54. Italian sketchbook

55. Tempio di Clitumno, Rome, after Piranesi

56. The Great Temple of Amon Karnak, The Hypostyle Hall

57. From under the Portico of the Temple of Edfu, Upper Egypt

58. Pantheum Romanum nunc Mariae Cognomento

59. The Temple near Brighton

60. Religious Ceremony in Ancient Greece

61. Landscape with a Temple and Figures by a River

62. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

63. Facade of Ruined (?) Roman Temple, with Columns and Doorway

64. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

65. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

66. The Entrance into the Temple of the Sun in Palmira from the East

67. The Remains of the Great Temple in Palmira seen from the West. ...

68. Temple of Venus and Rome, Palatine

69. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

70. The Inside of the Pantheon at Rome

71. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

72. Christ Disputing with the Elders in the Temple

73. The Temple of Aphaia at Aegina: Perspective of Roof

74. The Temple of Venus in the Port at Aegina: Elevations