Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: train - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms train

1. First Class—The Meeting. "And at first meeting loved."

First Class—The Meeting. "And at first meeting loved."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Railway Bridge over the River Cart, Paisley

Railway Bridge over the River Cart, Paisley

Creator:: Waller Hugh Paton, 1828–1895
Date:: 1857
Materials & Techniques:: Oil on canvas
Dimensions:: 27 × 39 inches (68.6 × 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire

The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire

Creator:: James Pollard, 1792–1867
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/4 x 12 1/8 inches (23.5 x 30.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Belfast from Bunker's Hill / On the Road to Hollywood

Belfast from Bunker's Hill / On the Road to Hollywood

Creator:: John O'Connor, 1830–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Rain, Steam and Speed

Rain, Steam and Speed

Creator:: Myles Birket Foster, 1825–1899
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/4 × 5 inches (5.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Viaduct over the Sankey Canal

The Viaduct over the Sankey Canal

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection