Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: water / Classification: Prints

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Bridge and Cows

1807

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

Print made by William Blake, 1757–1827

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

Print made by William Blake, 1757–1827

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22 (Bentley 24)

1794

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5 (Bentley 12)

1794

Print made by William Blake, 1757–1827

Help! Help!; Plate 12

1793

Print made by William Blake, 1757–1827

Water; Plate 4

1793

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

1793

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 7 (Bentley 12)

1794

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by Sir Frank Short, 1857–1945

Narcissus and Echo

1896

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James Walker, 1748–1808

Rochester

1794

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by William Forrest, 1802–1889

Fingal's Cave Staffa

1836

Print made by William Richardson, active 1842–1877

Ashestiel

1835

Thomas Girtin, 1775–1802

View of Pont St. Michel, taken from Pont Neuf

1803

Thomas Girtin, 1775–1802

View of Pont St. Michel, taken from Pont Neuf

1802

Print made by Richard Cosway, 1742–1821

Richard and Maria Cosway, and Ottobah Cugoano

1784

Print made by Sir Charles D'Oyly, 1781–1845

A Bheesty or Water Carrier

ca. 1830

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by John Martin, 1789–1854

The Deluge

1828

George H. Phillips, active 1819–1825

The Paphian Bower

1826

John Nixon, ca. 1760–1818

Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus

1771

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

1834

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey

1828

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by Robert Barnes, 1840–1895

Boy Playing by the Sea

undated

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Print made by William Woollett, 1735–1785

The Fishery

1768

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by Edward Calvert, 1799–1883

The Brook

1829

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Alfred William Warren, active 1791–1809

The Bending Pillars at Staffa (from Smith's Geography)

1810

Print made by Ralph Hudson, active ca. 1820

The Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

unknown artist

Plas Crug, near Aberystwith, Cardiganshire; page fifteen (Volume Three)

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

George Clint, 1770–1854

Robert Haldane, Esq

1805

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms water

Classification Prints

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms water

Classification Prints

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