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Credit Line Yale Center for British Art, Paul Mellon Collection

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Charles Towne Old Billy, a Draught Horse, Aged 62
Charles Towne, 1763–1840
Old Billy, a Draught Horse, Aged 62
1823
Not on view
Benjamin West Gentlemen Fishing
Benjamin West, 1738–1820
Gentlemen Fishing
1794
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
Thomas Daniell The Rope Bridge at Serinagur
Thomas Daniell, 1749–1840
The Rope Bridge at Serinagur
ca. 1800
Not on view
William Daniell The Banks of the Ganges
Attributed to William Daniell, 1769–1837
The Banks of the Ganges
ca. 1825
Not on view
Richard Wilson Italian Landscape (Morning)
Richard Wilson, ca. 1712–1782
Italian Landscape (Morning)
between 1760 and 1765
Not on view
Henry Dawson London from Greenwich Hill
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
Philippe-Jacques de Loutherbourg The Evening Coach, London in the Distance
Philippe-Jacques de Loutherbourg, 1740–1812
The Evening Coach, London in the Distance
1805
Not on view
Philippe-Jacques de Loutherbourg The Rainbow
Philippe-Jacques de Loutherbourg, 1740–1812
The Rainbow
1784
Not on view
Lionel Constable Old Barn
Lionel Constable, 1828–1887
Old Barn
ca. 1855
Not on view
Arthur Devis A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
John Berney Crome Sailing Boats and Barges on a Dutch(?) Estuary
John Berney Crome, 1794–1842
Sailing Boats and Barges on a Dutch(?) Estuary
ca. 1825
Not on view
Thomas Creswick The Well of St. Keyne
Thomas Creswick, 1811–1869
The Well of St. Keyne
ca. 1838
Not on view
Thomas Creswick The Summer Bower, Derwent Water
Thomas Creswick, 1811–1869
The Summer Bower, Derwent Water
ca. 1838
Not on view
Walter Richard Sickert L'Ospedale Civile, Venice
Walter Richard Sickert, 1860–1942
L'Ospedale Civile, Venice
ca. 1901
Not on view
Francis Wheatley The Browne Family
Francis Wheatley, 1747–1801
The Browne Family
ca. 1778
Not on view
Hendrik Frans de Cort Chepstow Castle
Hendrik Frans de Cort, 1742–1810
Chepstow Castle
ca. 1795
Not on view
Marmaduke Cradock Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
Marmaduke Cradock, 1660–1716
Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
ca. 1700
Not on view
unknown artist A Mallard, Black Bird and Tree Sparrow
unknown artist
A Mallard, Black Bird and Tree Sparrow
ca. 1700
Not on view
Lionel Constable View on the River Sid, near Sidmouth
Lionel Constable, 1828–1887
View on the River Sid, near Sidmouth
ca. 1852
Not on view
unknown artist Windsor Castle from the Buckinghamshire Bank
unknown artist
Windsor Castle from the Buckinghamshire Bank
ca. 1705
Not on view
John Theodore Heins Allegory of Trade
John Theodore Heins, 1697–1756
Allegory of Trade
1743
Not on view
John Dunthorne The Rainbow, near Salisbury
John Dunthorne, 1798–1832
The Rainbow, near Salisbury
ca. 1829
Not on view
Gainsborough Dupont A Wooded Landscape with Cattle and Herdsman
Gainsborough Dupont, 1754–1797
A Wooded Landscape with Cattle and Herdsman
before 1796
Not on view
Lionel Constable A Rainbow - View of the Stour
Lionel Constable, 1828–1887
A Rainbow - View of the Stour
ca. 1845
Not on view
unknown artist A Country House in a River Landscape, Previously Identified as Oatlands
unknown artist
A Country House in a River Landscape, Previously Identified as Oatlands
ca. 1805
Not on view
Joseph Farington Trees in a Woodland Glade
Attributed to Joseph Farington, 1747–1821
Trees in a Woodland Glade
ca. 1800
Not on view
Thomas Gainsborough Landscape with Milkmaid
Thomas Gainsborough, 1727–1788
Landscape with Milkmaid
between 1754 and 1756
Not on view
William Groombridge A View of a Lake with Fishermen
William Groombridge, 1748–1811
A View of a Lake with Fishermen
1788
Not on view
John Linnell Coast Scene at Cullercoats near Whitley Bay
Attributed to John Linnell, 1792–1882
Coast Scene at Cullercoats near Whitley Bay
ca. 1834
Not on view
John Linnell In Dovedale
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
John Linnell A River Landscape, Sunset
John Linnell, 1792–1882
A River Landscape, Sunset
ca. 1860
Not on view
Peter Monamy Shipping in a Calm
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
George Morland Rocky Landscape with Two Men on a Horse
George Morland, 1763–1804
Rocky Landscape with Two Men on a Horse
1791
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
D. Robert Tomb of Sher Shah, Sasaram, Bihar
D. Robert, active ca. 1775–1800
Tomb of Sher Shah, Sasaram, Bihar
ca. 1790
Not on view
William James Muller A View of Eton and the Fellows Eyot
William James Muller, 1812–1845
A View of Eton and the Fellows Eyot
ca. 1840
Not on view
George Lambert Landscape with Farmworkers
George Lambert, 1700–1765
Landscape with Farmworkers
ca. 1735
Not on view
unknown artist A Family Group Called 'The Stafford Family'
unknown artist
A Family Group Called 'The Stafford Family'
ca. 1730
Not on view
Julius Caesar Ibbetson Langdale Pikes from Lowood
Julius Caesar Ibbetson, 1759–1817
Langdale Pikes from Lowood
between 1800 and 1806
Not on view
Julius Caesar Ibbetson Lake Windermere
Julius Caesar Ibbetson, 1759–1817
Lake Windermere
between 1801 and 1805
Not on view
Leonard Knyff The Southeast Prospect of Hampton Court, Herefordshire
Leonard Knyff, 1650–1721
The Southeast Prospect of Hampton Court, Herefordshire
ca. 1699
Not on view
Sir Edwin Henry Landseer A Highland Landscape
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
John Linnell Evening, Bayswater
John Linnell, 1792–1882
Evening, Bayswater
1818
Not on view
John Linnell Landscape with Figures
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
John Linnell In Dovedale
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
Matthias Read Whitehaven, Cumbria, Showing Flatt Hall
Matthias Read, 1669–1747
Whitehaven, Cumbria, Showing Flatt Hall
between 1730 and 1735
Not on view
William James Muller Hanham Lock on the Avon
William James Muller, 1812–1845
Hanham Lock on the Avon
ca. 1840
Not on view
William James Muller Gillingham on the Medway
William James Muller, 1812–1845
Gillingham on the Medway
1842
Not on view
William Mulready Lock gate
Attributed to William Mulready, 1786–1863
Lock gate
undated
Not on view
Frederick Nash The Monument and London Bridge
Frederick Nash, 1782–1856
The Monument and London Bridge
ca. 1825
Not on view
Frederick Nash Somerset House, London
Frederick Nash, 1782–1856
Somerset House, London
ca. 1825
Not on view
Frederick Nash Rochester Cathedral and Castle
Frederick Nash, 1782–1856
Rochester Cathedral and Castle
ca. 1825
Not on view
Frederick Nash The Thames and Waterloo Bridge from Somerset House
Frederick Nash, 1782–1856
The Thames and Waterloo Bridge from Somerset House
ca. 1825
Not on view
Frederick Nash Westminster Bridge
Frederick Nash, 1782–1856
Westminster Bridge
ca. 1825
Not on view
Alexander Nasmyth Loch Awe, Argyllshire
Alexander Nasmyth, 1758–1840
Loch Awe, Argyllshire
ca. 1785
Not on view
Alexander Nasmyth Hawthornden Castle, near Edinburgh
Alexander Nasmyth, 1758–1840
Hawthornden Castle, near Edinburgh
between 1820 and 1822
Not on view
Patrick Nasmyth A View of Cessford and the Village of Caverton, Roxboroughshire in the Distance
Patrick Nasmyth, 1787–1831
A View of Cessford and the Village of Caverton, Roxboroughshire in the Distance
1813
Not on view
Balthazar Nebot Aysgarth Falls, Yorkshire
Balthazar Nebot, active 1730–1762
Aysgarth Falls, Yorkshire
between 1750 and 1762
Not on view
Sebastian Pether River Scene
Sebastian Pether, 1790–1844
River Scene
1840
Not on view
Abraham Pether Wooded Hilly Landscape
Abraham Pether, 1756–1812
Wooded Hilly Landscape
1785
Not on view
James Baker Pyne The Entrance to the Menai Straits
James Baker Pyne, 1800–1870
The Entrance to the Menai Straits
1847
Not on view
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer Evening, Cattle Watering
Samuel Palmer, 1805–1881
Evening, Cattle Watering
undated
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Urizen Swims through Dark Waters (Plate 5)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Urizen Swims through Dark Waters (Plate 7)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798