Copy of Constable's Painting, Dedham Lock and Mill
undated
10106
William Simpson, 1823–1899
Elephant Battery
1864
10107
William Simpson, 1823–1899
The Village Well
1864
10108
William Simpson, 1823–1899
Thugs in the School of Industry, Jubblepoor
undated
10109
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
10110
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
undated
10111
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Road near Potten End
1811 to 1813
10112
Michel Jean Cazabon, 1813–1888
Port of Spain, from the Harbour
1851
10113
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of a Young Man (short list, mathematical calculations scribbled on right side of sheet)
10114
Michel Jean Cazabon, 1813–1888
North Coast of Trinidad, from the North Post
1851
10115
William Callow, 1812–1908
Château d'Ecouen
1833
10116
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
10117
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
10118
George Shepheard, ca. 1770–1842
Devereux House, the Strand, London
1811
10119
Francis Place, 1647–1728
Extensive View of Windsor Castle
undated
10120
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
10121
William Westall, 1781–1850
Whampoa and the Canton River
1845
10122
Jacques Le Moyne de Morgues, ca. 1533–before 1588
A Young Daughter of the Picts
ca. 1585
10123
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
10124
Edward Francis Burney, 1760–1848
Homage to Nelson
undated
10125
unknown artist
Interior of Milan Cathedral
undated
10126
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
10127
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
10128
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
10129
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hill Sketch
undated
10130
Sir George Howland Beaumont seventh Baronet, 1753–1827
View over Valley
undated
10131
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree by Steps
undated
10132
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
10133
George Barret Jr., 1767–1842
A Cottage in the Isle of Wight
undated
10134
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
10135
George Bryant Campion, 1796–1870
Dedham
undated
10136
Sir George Howland Beaumont seventh Baronet, 1753–1827
Figure in Tree near Pond
undated
10137
Sir George Howland Beaumont seventh Baronet, 1753–1827
Man Sitting
1811
10138
Sir George Howland Beaumont seventh Baronet, 1753–1827
Part of Brind Gill in Ligburthwaite
undated
10139
Sir George Howland Beaumont seventh Baronet, 1753–1827
Church in Trees
undated
10140
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
10141
Sir George Howland Beaumont seventh Baronet, 1753–1827
Bridge over Stream, North Wales
1800
10142
Richard Beavis, 1824–1896
Block House Fort, Gosport, Hampshire
undated
10143
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
10144
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
10145
Richard Parkes Bonington, 1802–1828
A Seascape
undated
10146
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
10147
Louis Philippe Boitard, active 1734–1760
A Young Peasant Girl with Arms Folded
undated
10148
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
10149
follower of Thomas Shotter Boys, 1803–1874
Mantes
undated
10150
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
10151
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
10152
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
10153
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
10154
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
10155
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
10156
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
10157
Thomas Shotter Boys, 1803–1874
The Castle Mills Bridge, York
1839
10158
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
10159
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
10160
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
10161
Thomas Shotter Boys, 1803–1874
A Christening
undated
10162
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
10163
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
10164
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
10165
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
10166
John Thomas Smith, 1766–1833
The Smock Exposed
1817
10167
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
10168
John Thomas Smith, 1766–1833
The Reconcilation
1817
10169
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
10170
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
10171
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
10172
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
10173
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
10174
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
10175
William Henry Brooke, 1772–1860
Portrait of a Girl Sketching
undated
10176
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
10177
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
10178
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
10179
Richard Brookes, 1721–1763
Crystals and Fossils
ca. 1760
10180
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
10181
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
10182
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
10183
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
10184
Richard Brookes, 1721–1763
The Humble Bee and Insects
1760
10185
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
10186
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
10187
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
10188
Rev. James Bulwer, 1794–1879
Holyhead, Highwater
undated
10189
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
10190
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
10191
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
10192
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
10193
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
10194
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance