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10801. Lyme Regis

Lyme Regis
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10802. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10803. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10804. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10805. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10806. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10807. Virginia Water No. 1

Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10808. Studies of Spider Crabs, Venice

Studies of Spider Crabs, Venice
Creator:
Myles Birket Foster, 1825–1899
Date:
1874
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10809. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10810. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10811. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10812. Study of Fish, Venice

Study of Fish, Venice
Creator:
Myles Birket Foster, 1825–1899
Date:
1874
Materials & Techniques:
Watercolor and gouache over graphite on card on thick, moderately textured, card
Dimensions:
Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10813. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10814. Rain, Steam and Speed

Rain, Steam and Speed
Creator:
Myles Birket Foster, 1825–1899
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/4 × 5 inches (5.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10815. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10816. Palace of La Belle Gabrielle

Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10817. Palace of La Belle Gabrielle

Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10818. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10819. The Sea The Sea (vignette)

The Sea The Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10820. The Sea The Sea (vignette)

The Sea The Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10821. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10822. View of Sheerness

View of Sheerness
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 3/8 x 12 inches (16.2 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10823. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10824. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10825. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10826. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10827. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10828. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite ( Engraver's Proof )
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10829. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10830. Boats on a Calm Sea

Boats on a Calm Sea
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10831. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10832. Fall of the Tees

Fall of the Tees
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10833. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10834. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

Full-length Figure of a Man Dressed in Black Holding a Walking Stick
Creator:
Robert, Frankland, baronet, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10835. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10836. Fall of the Tees

Fall of the Tees
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10837. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10838. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10839. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (finished)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10840. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10841. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10842. The Puckally

The Puckally
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10843. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10844. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10845. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10846. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10847. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10848. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10849. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10850. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10851. The Checkoo or Oil Mill

The Checkoo or Oil Mill
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10852. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10853. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10854. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10855. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10856. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10857. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10858. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (later)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10859. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10860. The Temple of Jupiter in the Island of Aegina

The Temple of Jupiter in the Island of Aegina
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10861. Palankeen Bearers

Palankeen Bearers
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10862. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10863. The Basket Maker

The Basket Maker
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10864. Regiae Anglicae Maiestatis Pictura Coloniae

Regiae Anglicae Maiestatis Pictura Coloniae
Creator:
Crispyn de Passe the Elder, ca. 1565–1637
Date:
1604
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 7/8 x 5 5/16in. (17.5 x 13.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10865. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10866. Building and Repairing Masoola Boats

Building and Repairing Masoola Boats
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10867. Air Man, July 10, 1828

Air Man, July 10, 1828
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10868. The Hall, Rugby School

The Hall, Rugby School
Creator:
John Gendall, 1790–1865
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and white gouache on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10869. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10870. A Notebook of Portrait Compositions

A Notebook of Portrait Compositions
Creator:
Thomas Bardwell, 1704–1767
Date:
ca. 1730
Materials & Techniques:
Volume of fifty-four pen and ink and watercolor drawings on medium, slightly textured, cream laid paper
Dimensions:
Spine: 5 3/8 inches (13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10871. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Materials & Techniques:
Volume of drawings
Dimensions:
Sheet: 10 7/16 × 7 1/16 inches (26.5 × 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10872. The Sleeper

The Sleeper
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10873. Island of Mayo, Cape de Verde, 2 November

Island of Mayo, Cape de Verde, 2 November
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10874. St. Jago, Cape de Verde, 3 November

St. Jago, Cape de Verde, 3 November
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10875. Off Rio de Janeiro

Off Rio de Janeiro
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 9 3/16 inches (9.5 × 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10876. Island of St. Pauls

Island of St. Pauls
Creator:
Henry William Parish, active 1792
Date:
1793
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 11/16 × 9 inches (9.4 × 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10877. View of Rochester

View of Rochester
Creator:
Thomas Girtin, 1775–1802
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10878. Tristan d' Acunha, January

Tristan d' Acunha, January
Creator:
Henry William Parish, active 1792
Date:
1793
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 9 1/8 inches (9.5 × 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10879. St. Alban's Cathedral, Hertfordshire

St. Alban's Cathedral, Hertfordshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10880. The Heralds

The Heralds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10881. Naval Officers and a Bowl of Punch

Naval Officers and a Bowl of Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 6 inches (14.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10882. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10883. Portrait Study of John Philip Kemble

Portrait Study of John Philip Kemble
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray-brown ink and graphite, with watercolor, and pen and ink line border on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 5 1/16 inches (14.3 x 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10884. Lyme Regis, Dorset

Lyme Regis, Dorset
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10885. Harrow-on-the-Hill, Middlesex

Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10886. Near Sterzing, Tyrol

Near Sterzing, Tyrol
Creator:
Monro School
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10887. Valley of the Conway

Valley of the Conway
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1800
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on thick, moderately textured, beige cardtridge paper
Dimensions:
Sheet: 9 1/4 x 20 11/16 inches (23.5 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10888. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10889. The Extinguisher

The Extinguisher
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10890. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10891. Coffee-House Characters, or Hints to the Readers of Newspapers: The Private Declaimer

Coffee-House Characters, or Hints to the Readers of Newspapers: The Private Declaimer
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10892. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10893. The Monopolizer

The Monopolizer
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10894. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10895. Classical Composition

Classical Composition
Creator:
Thomas Girtin, 1775–1802
Date:
1798 to 1799
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:
Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10896. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10897. The Oracle

The Oracle
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10898. The Everlasting Peruser

The Everlasting Peruser
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10899. Eton College from Datchet Road

Eton College from Datchet Road
Creator:
Thomas Girtin, 1775–1802
Date:
1790
Materials & Techniques:
Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10900. Teneriffe, to the East of Santa Cruz, 22 October

Teneriffe, to the East of Santa Cruz, 22 October
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection