Credit Line: Yale Center for British Art, Paul Mellon Collection

11901. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11902. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11903. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11904. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11905. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11906. John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

Creator:: Charles E. Wagstaff, 1808–
Date:: 1846
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11907. James Gibbs

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11908. Robert Hills

Creator:: William Thomas Fry, 1789–1843
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11909. Nathaniel Hone

Creator:: Edward Fisher, 1722–1785
Date:: between 1758 and 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 × 9 5/16 inches (32.6 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11910. William Faithorne

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 8 3/4 inches (27.9 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11911. John Hoppner, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: 1810
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 x 12 5/16 inches (47.4 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11912. Sir George Hayter

Creator:: Sir George Hayter, 1792–1871
Date:: 1822
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 15 1/16 x 10 15/16 inches (38.2 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11913. Benjamin Robert Haydon

Creator:: Sir David Wilkie, 1785–1841
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11914. Thomas Hardwick

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11915. Abraham Hondius

Creator:: John Smith, 1652–1743
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 8 5/8 x 7 3/8in. (21.9 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11916. Heads: Fancynina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11917. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11918. Heads: Allegora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11919. Heads: Publicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11920. Heads: Virginia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11921. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11922. Heads: Flora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11923. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11924. Henry Gyles

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11925. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11926. Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11927. Coming-In at the Death

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11928. Cockney-Sportsmen Shooting-Flying

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11929. Evening or the Sportsman's Return

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1795
Materials & Techniques:: Mezzotint, printed and hand colored
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11930. Cockney-Sportsmen finding a Hare

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11931. Coaching: The Early Delivery

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11932. Fore's Stable Scenes: Thorough Breds

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11933. Coaching: The Right Sort

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11934. Fore's Stable Scenes: The Hunting Stud

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11935. Fores's National Sports: Racing - The Run In

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11936. Fores's National Sports: Racing - A False Start

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11937. Fore's Stable Scenes: The Team

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11938. Fores's National Sports: Racing - Returning to Weigh

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11939. John Gilbert, R.A.

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11940. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11941. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11942. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11943. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11944. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11945. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11946. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11947. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11948. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11949. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11950. Sir Godfrey Kneller

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11951. Sir Thomas Lawrence

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11952. Thomas Lawrence, Late President of the Royal Academy

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11953. Major General Lambert

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11954. Alphonse Legros

Creator:: Alphonse Legros, 1837–1911
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11955. Daniel Maclise

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1857
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with gray chine collé
Dimensions:: Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11956. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11957. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11958. The Swain's Amusement

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11959. The Housewife's Employment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11960. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11961. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11962. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11963. Thomas Gainsborough, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11964. Marc Garrard

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11965. Edmund Garvey, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/16 inches (43.2 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11966. Prince Hoare

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 5/8 x 13 5/16 inches (49.9 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11967. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11968. Prince Hoare

Creator:: Charles Turner, 1774–1857
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11969. Heads: Epicurum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11970. Christ giving sight to the blind

Creator:: John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Etching, unfinished proof
Dimensions:: Sheet: 21 7/8 x 27 3/4in. (55.6 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11971. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11972. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11973. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11974. Heads: Battleorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11975. Heads: Nunina.

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11976. Mr. and Mrs. Gibbons

Creator:: John Smith, 1652–1743
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11977. Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11978. Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11979. Hounds in Finding

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11980. Hounds Throwing-Off

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11981. Cockney-Sportsmen Re-charging

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11982. Coaching: The Last Change Down

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11983. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11984. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11985. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11986. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11987. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11988. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Creator:: William Pether, ca. 1738–1821
Date:: 1789
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11989. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11990. Ticket for the Theatre Royal, Haymarket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11991. Ticket for the Theatre Royal, Covent Garden

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11992. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11993. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11994. Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Etching, stipple engraving and line engraving on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11995. Cupid and Psyche

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11996. The Love Letter

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11997. Knives or Scissors to Grind

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11998. Study of a Woman in a Mob Cap

Creator:: Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 5 3/8 inches (19.4 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11999. Figure Costume Study: French Lady of Quality in 1501

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite, gray wash and violet chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12000. From an Album of Sixty-one Topographical Sketches

Creator:: John Varley, 1778–1842
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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11901. The Waterworks at Marli; and St. Germain en Laye seen in the distance

11902. View of the Palace and Village of Choisi on the Banks of the Seine

11903. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

11904. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

11905. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

11906. John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

11907. James Gibbs

11908. Robert Hills

11909. Nathaniel Hone

11910. William Faithorne

11911. John Hoppner, R.A.

11912. Sir George Hayter

11913. Benjamin Robert Haydon

11914. Thomas Hardwick

11915. Abraham Hondius

11916. Heads: Fancynina

11917. Heads: Barberorum

11918. Heads: Allegora

11919. Heads: Publicorum

11920. Heads: Virginia

11921. Mr. and Mrs. Gibson

11922. Heads: Flora

11923. Heads: Physicorum

11924. Henry Gyles

11925. Rievaulx Abbey

11926. Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

11927. Coming-In at the Death

11928. Cockney-Sportsmen Shooting-Flying

11929. Evening or the Sportsman's Return

11930. Cockney-Sportsmen finding a Hare

11931. Coaching: The Early Delivery

11932. Fore's Stable Scenes: Thorough Breds

11933. Coaching: The Right Sort

11934. Fore's Stable Scenes: The Hunting Stud

11935. Fores's National Sports: Racing - The Run In

11936. Fores's National Sports: Racing - A False Start

11937. Fore's Stable Scenes: The Team

11938. Fores's National Sports: Racing - Returning to Weigh

11939. John Gilbert, R.A.

11940. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

11941. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

11942. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

11943. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

11944. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

11945. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

11946. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

11947. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

11948. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

11949. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

11950. Sir Godfrey Kneller

11951. Sir Thomas Lawrence

11952. Thomas Lawrence, Late President of the Royal Academy

11953. Major General Lambert

11954. Alphonse Legros

11955. Daniel Maclise

11956. Sir Thomas Lawrence P. R. A.

11957. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

11958. The Swain's Amusement

11959. The Housewife's Employment

11960. Young Male Shearing a Sheep

11961. A Girl Spinning Thread

11962. Mr. and Mrs. Gibson

11963. Thomas Gainsborough, Esq. R.A.

11964. Marc Garrard

11965. Edmund Garvey, R.A.

11966. Prince Hoare

11967. Hogarth

11968. Prince Hoare

11969. Heads: Epicurum

11970. Christ giving sight to the blind

11971. Heads: Hazardorum

11972. Heads: Billingsgatina

11973. Heads: Penserosa

11974. Heads: Battleorum

11975. Heads: Nunina.