Credit Line: Yale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

The Waterworks at Marli; and St. Germain en Laye seen in the distance

1802

Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi on the Banks of the Seine

1803

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1802

Thomas Girtin, 1775–1802

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1803

Charles E. Wagstaff, 1808–

John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

1846

Alexander Bannerman, ca. 1730–1780

James Gibbs

undated

William Thomas Fry, 1789–1843

Robert Hills

Edward Fisher, 1722–1785

Nathaniel Hone

between 1758 and 1782

Alexander Bannerman, ca. 1730–1780

William Faithorne

undated

Print made by William Daniell, 1769–1837

John Hoppner, R.A

1810

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Sir David Wilkie, 1785–1841

Benjamin Robert Haydon

Print made by William Daniell, 1769–1837

Thomas Hardwick

between 1802 and 1814

John Smith, 1652–1743

Abraham Hondius

Thomas Rowlandson, 1756–1827

Heads: Fancynina

1800

Thomas Rowlandson, 1756–1827

Heads: Barberorum

1800

Thomas Rowlandson, 1756–1827

Heads: Allegora

1800

Thomas Rowlandson, 1756–1827

Heads: Publicorum

1800

Thomas Rowlandson, 1756–1827

Heads: Virginia

1800

Anthony Walker, 1726–1765

Mr. and Mrs. Gibson

Thomas Rowlandson, 1756–1827

Heads: Flora

1800

Thomas Rowlandson, 1756–1827

Heads: Physicorum

1800

unknown artist

Henry Gyles

Print made by Joseph C. Bentley, 1809–1851

Rievaulx Abbey

1834-1836

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

1853

James Gillray, 1756–1815

Coming-In at the Death

1800

James Gillray, 1756–1815

Cockney-Sportsmen Shooting-Flying

1800

Joseph Grozer, ca. 1755–1798

Evening or the Sportsman's Return

1795

James Gillray, 1756–1815

Cockney-Sportsmen finding a Hare

1800

John Harris, 1811–1865

Coaching: The Early Delivery

1863

John Harris, 1811–1865

Fore's Stable Scenes: Thorough Breds

1846

John Harris, 1811–1865

Coaching: The Right Sort

1863

John Harris, 1811–1865

Fore's Stable Scenes: The Hunting Stud

1846

John Harris, 1811–1865

Fores's National Sports: Racing - The Run In

1866

John Harris, 1811–1865

Fores's National Sports: Racing - A False Start

1866

John Harris, 1811–1865

Fore's Stable Scenes: The Team

1846

John Harris, 1811–1865

Fores's National Sports: Racing - Returning to Weigh

1866

unknown artist

John Gilbert, R.A

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

1837

William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

William Hincks, 1752–1797

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water

1791

William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

William Hincks, 1752–1797

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

1791

William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

William Hincks, 1752–1797

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

1791

William Hincks, 1752–1797

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

1791

William Hincks, 1752–1797

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

1791

William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

William Hincks, 1752–1797

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

1791

William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

William Hincks, 1752–1797

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..

1791

William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

William Hincks, 1752–1797

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

1791

John Faber the Younger, ca. 1695–1756

Sir Godfrey Kneller

1735

Richard James Lane, 1800–1872

Sir Thomas Lawrence

1830

unknown artist

Thomas Lawrence, Late President of the Royal Academy

Alexander Bannerman, ca. 1730–1780

Major General Lambert

undated

Alphonse Legros, 1837–1911

Alphonse Legros

Print made by Charles Baugniet, 1814–1886

Daniel Maclise

1857

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Richard James Lane, 1800–1872

Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

1830

Print made by John Faber the Younger, ca. 1695–1756

The Swain's Amusement

between 1748 and 1756

Print made by John Faber the Younger, ca. 1695–1756

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756

Young Male Shearing a Sheep

undated

Print made by John Faber the Younger, ca. 1695–1756

A Girl Spinning Thread

undated

Anthony Walker, 1726–1765

Mr. and Mrs. Gibson

Henry Hoppner Meyer, ca. 1782–1847

Thomas Gainsborough, Esq. R.A

1810

Alexander Bannerman, ca. 1730–1780

Marc Garrard

undated

Print made by William Daniell, 1769–1837

Edmund Garvey, R.A

between 1802 and 1814

Print made by William Daniell, 1769–1837

Prince Hoare

1814

Charles Townley, 1746–c.1800

Hogarth

1781

Charles Turner, 1774–1857

Prince Hoare

1831

Thomas Rowlandson, 1756–1827

Heads: Epicurum

1800

John Young, 1755–1825

Christ giving sight to the blind

1816

Thomas Rowlandson, 1756–1827

Heads: Hazardorum

1800

Thomas Rowlandson, 1756–1827

Heads: Billingsgatina

1800

Thomas Rowlandson, 1756–1827

Heads: Penserosa

1800

Thomas Rowlandson, 1756–1827

Heads: Battleorum

1800

Thomas Rowlandson, 1756–1827

Heads: Nunina

1800

John Smith, 1652–1743

Mr. and Mrs. Gibbons

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

1853

James Gillray, 1756–1815

Hounds in Finding

1800

James Gillray, 1756–1815

Hounds Throwing-Off

1800

James Gillray, 1756–1815

Cockney-Sportsmen Re-charging

1800

John Harris, 1811–1865

Coaching: The Last Change Down

1863

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

1837

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791