Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales
1775
12704
James Gillray, 1756–1815
John Bull Ground Down
1795
12705
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
12706
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
12707
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
12708
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
12709
James Gillray, 1756–1815
The Death of the Great Wolf
1795
12710
unknown artist
St. Andrew's Church, Worcester, N.W
1820
12711
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
12712
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
12713
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
12714
James Gillray, 1756–1815
The Lover's Dream
1795
12715
James Gillray, 1756–1815
Copenhagen House
1795
12716
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
12717
James Gillray, 1756–1815
Presages of the Millenium
1795
12718
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
12719
John Le Keux, 1783–1846
Worcester Cathedral. View from the North East
1832
12720
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Down --Heigh-Ho!!
12721
George Moutard Woodward, ca. 1760–1809
Desire
12722
unknown artist
The Royal Palace of Windsor
12723
George Moutard Woodward, ca. 1760–1809
Desire!
12724
unknown artist
Daguerreotype View of Rhuddlan Castle
between 1850 and 1860
12725
George Moutard Woodward, ca. 1760–1809
City Fluctuations!: Stocks are Up! --Huzza!!
12726
Richard Pettigrew Leitch, active 1870
Landscape
ca. 1870
12727
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
12728
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
12729
Richard Pettigrew Leitch, active 1870
Trees and Foliage
ca. 1870
12730
Thomas Stothard, 1755–1834
January 1st: "of all the birds on bush or tree" (Vol. 1, p.30)January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
undated
12731
Richard Pettigrew Leitch, active 1870
Trees
ca. 1870
12732
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
12733
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
12734
unknown artist
Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames
12735
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
12736
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
12737
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
12738
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
12739
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
12740
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
12741
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50)July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
12742
unknown artist
Margain Abbey, Glamorganshire
1805
12743
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
12744
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
12745
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
12746
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
12747
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
12748
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
12749
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
12750
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
12751
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
12752
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
12753
Print made by James Mason, 1710–1783
A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
12754
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
12755
Giles King, active 1732–1746
Water Fall at Powers Court
1744
12756
unknown artist
A Prospect of the Parliament House, in College Green, Dublin
12757
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
12758
Remi Parr, 1743–after 1750
The Place given up to Plunder;..
12759
Giles King, active 1732–1746
A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..
12760
Remi Parr, 1743–after 1750
How Sallies are defended and repulsed;..
12761
unknown artist
The Battle of Culloden, near Inverness in Scotland..
12762
Remi Parr, 1743–after 1750
An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..
12763
unknown artist
A Prospect of the Library of Trinity College, Dublin
undated
12764
Remi Parr, 1743–after 1750
The Attack of Two Bastions, the Breaches being Made by the Miner
1760 to 1770
12765
Print made by unknown artist
The City of Leipzig
12766
unknown artist
A General View of the City of Dantzick
12767
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
12768
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
12769
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
12770
Thomas Bowles III, ca. 1712–1767
A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam
undated
12771
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
12772
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
12773
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
12774
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
12775
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
12776
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
12777
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
12778
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
12779
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
12780
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
12781
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
12782
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
12783
Henry Thomas Alken, 1785–1851
Foxhunting: Full Cry
ca. 1830
12784
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
12785
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
12786
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
12787
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
12788
Print made by unknown artist
A General View of the City of Constantinople
12789
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
ca. 1830
12790
George Denholm Armour, 1864–1949
The Huntsman
undated
12791
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
12792
George Denholm Armour, 1864–1949
Insult to Injury
undated
12793
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
12794
George Denholm Armour, 1864–1949
The Reverend Dr. Hooker
undated
12795
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
12796
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
12797
unknown artist
A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg
12798
Print made by unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
12799
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket