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James Gillray Brisk Cathartic
James Gillray, 1756–1815
Brisk Cathartic
1804
James Gillray Taking Physic
James Gillray, 1756–1815
Taking Physic
1800
Thomas Rowlandson The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
Thomas Rowlandson, 1756–1827
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
1805
William Heath The Cries of Westminster - No 1 Newcastle Salmon
William Heath, 1795–1840
The Cries of Westminster - No 1 Newcastle Salmon
1829
James Gillray Breathing a Vein
James Gillray, 1756–1815
Breathing a Vein
1804
unknown artist Information for the Public
unknown artist
Information for the Public
undated
James Gillray Charming Well Again
James Gillray, 1756–1815
Charming Well Again
1804
Isaac Cruikshank General Sorrow, touring the French Directory into Russia
Isaac Cruikshank, 1764–1811
General Sorrow, touring the French Directory into Russia
1799
James Gillray A Standing dish at Boodles
James Gillray, 1756–1815
A Standing dish at Boodles
1800
James Gillray Brisk Cathartic
James Gillray, 1756–1815
Brisk Cathartic
1804
John Cawse Boreas Effecting what Health & Modesty could not
John Cawse, 1779–1862
Boreas Effecting what Health & Modesty could not
1800
Henry Heath Integrity a Farce or Every Man tried by his actions
Henry Heath, active 1824–1835
Integrity a Farce or Every Man tried by his actions
1826
Isaac Cruikshank Royal Recreation
Isaac Cruikshank, 1764–1811
Royal Recreation
1795
Isaac Cruikshank Resignation the Greatest of all Virtues
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
Thomas Rowlandson Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
Thomas Rowlandson, 1756–1827
Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
1801
Isaac Cruikshank The Maid of Bath or Mac in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath or Mac in her Teens
1792
James Gillray A Masonic Anecdote
James Gillray, 1756–1815
A Masonic Anecdote
1786
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
Charles Williams Close Shaveing or the will our own way
Charles Williams, active 1796–1830
Close Shaveing or the will our own way
1802
unknown artist [ Caricature of two men and a woman, one of the men blowing smoke ]
Print made by unknown artist
[ Caricature of two men and a woman, one of the men blowing smoke ]
ca. 1823
William Elliot One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
William Elliot, active 1774, died 1792
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad
1761
unknown artist A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
unknown artist
A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
1770
unknown artist Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
unknown artist
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
Francis Jukes Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
James Seymour Profile of a Horse Facing Left
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
unknown artist Clare Hall, Cambridge
unknown artist
Clare Hall, Cambridge
undated
Philip William May A Man and a Boy Riding on a Beach
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
Philip William May The Dog Cart
Philip William May, 1864–1903
The Dog Cart
undated
William Marlow Full-length study of a Man carrying books
Attributed to William Marlow, 1740–1813
Full-length study of a Man carrying books
undated
Leonard Raven-Hill A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
Attributed to Leonard Raven-Hill, 1867–1942
A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse
undated
Paul Sandby Study of Cow Parsley
Paul Sandby, 1731–1809
Study of Cow Parsley
undated
Paul Sandby Edward Mason
Paul Sandby, 1731–1809
Edward Mason
between 1755 and 1760
Joseph Edward Southall At the Cottage Gate, July 16, 1906
Joseph Edward Southall, 1861–1944
At the Cottage Gate, July 16, 1906
1906
John Ruskin Study of an Oak Leaf
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
Sarah Stone A Scarlet Ibis
Sarah Stone, active 1786
A Scarlet Ibis
ca. 1786
Thomas Stothard A Tiger, Full-Length, in Profile, Walking Towards Right
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
James Ward Studies of Dogs lying down
James Ward, 1769–1859
Studies of Dogs lying down
undated
Gangaram Chintaman Tambat A Rhinoceros in the Peshwa's Menagerie at Poona
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
William Webb A Harrier
William Webb, ca. 1780–1845
A Harrier
undated
James Ward Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
James Ward Study of a Plunging Eagle
James Ward, 1769–1859
Study of a Plunging Eagle
undated
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
James Gillray Junction of Parties
James Gillray, 1756–1815
Junction of Parties
1783
Francesco Curti Guercino's Design Books
Print made by Francesco Curti, 1610–1690
Guercino's Design Books
between 1633 and 1653
James Gillray Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
James Gillray Duke William's Ghost
James Gillray, 1756–1815
Duke William's Ghost
1799
James Gillray Playing in Parts
James Gillray, 1756–1815
Playing in Parts
1801
James Gillray Miss, I have a Monstrous Crow to pluck with you!!
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
James Wyatt Projected Design for Fonthill Abbey, Wiltshire
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
Thomas Bradshaw Album of Landscape and Figure Studies
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies
unknown artist Plan of Westminster Showing the Coronation Route of George II
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
unknown artist View of the Coronation Procession of George IV
unknown artist
View of the Coronation Procession of George IV
ca. 1821
unknown artist Part of Westminster
Print made by unknown artist
Part of Westminster
ca. 1850
James Basire the younger Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
Thomas Hall A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
Sir John Soane Section of the Court of Common Pleas and the Robery Room
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
unknown artist Plan of the Old Parliament Houses, Westminster
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
unknown artist Elevations and Plans of the Court of Kings Bench
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
unknown artist Westminster Hall
unknown artist
Westminster Hall
ca. 1850
John Thomas Smith Ceiling of the Star Chamber
Print made by John Thomas Smith, 1766–1833
Ceiling of the Star Chamber
1805
unknown artist Westminster Hall
unknown artist
Westminster Hall
ca. 1820
Day & Co. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
B. Winkles Interior of Westminster Hall as Prepared for the Banquet
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
Day & Co. Chimney piece, Star Chamber, Westminster
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Westminster
ca. 1845
B. Winkles Longitudinal Section of Westminster Hall
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
unknown artist St. Stephen's Chapel, Speaker's House, &c. from the River
unknown artist
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
John Thomas Smith Cotton Garden, Westminster
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
unknown artist Mr. Lee's House After the Fire, House of Lords
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
William Francis Starling Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
James Basire the younger Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
T. Clarke Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
John Thomas Smith Geometrical Construction of the Freeze and Battlements in the House of Commons
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Le Keux Compartment on One Side, St Stephen's Chapel
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Carter Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
T. Clarke Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Robert William Billings Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780