The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
14403
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
14404
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
14405
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
14406
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
14407
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
14408
James Gillray, 1756–1815
A Man of Importance
1799
14409
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
14410
James Gillray, 1756–1815
Independence
1799
14411
James Gillray, 1756–1815
A Portrait ------------
1799
14412
Augustus Edwin John, 1878–1961
Dorelia
undated
14413
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
14414
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
14415
Isaac Weld, 1774–1856
Studies of Roman Saddles
ca. 1818
14416
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
14417
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
14418
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
14419
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
14420
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison: Aerial Perspective
undated
14421
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
14422
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison
ca. 1830
14423
unknown artist
George III's Visit to Portsmouth
ca. 1794
14424
unknown artist
Dalmally, Western Highlands, Scotland
1813
14425
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
14426
unknown artist
Steam Packet Victory off Margate
1821
14427
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
14428
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
14429
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
14430
James Gillray, 1756–1815
Patience on a Monument
1791
14431
unknown artist
the East Prospect of the Ruins of Furness Abbey in Lancashire
1727
14432
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
14433
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
14434
John Young, 1755–1825
Chevy Chase
1813
14435
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
14436
unknown artist
A View of Windsor Castle
1813
14437
John Young, 1755–1825
Chevy Chase
1813
14438
Peltro W. Tomkins, 1760–1840
Three Actors in a Play
1785
14439
John Young, 1755–1825
The Surrender of Callais
1815
14440
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Peter at Rome
1765 to 1767
14441
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Mary at Rome
1765 to 1767
14442
John Young, 1755–1825
The Surrender of Callais
1815
14443
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of the New Prison at Rome
1765 to 1767
14444
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
14445
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
14446
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Temple of Bacchus at Rome
1765 to 1767
14447
Gwen John, 1876–1939
Study of a Nun
between 1916 and 1918
14448
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Church
1765 to 1767
14449
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Sepulchrale Church
1765 to 1767
14450
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
14451
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
14452
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
14453
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
14454
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
14455
James Gillray, 1756–1815
The Royal Academy
1786
14456
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
14457
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
14458
Gwen John, 1876–1939
Rue Terre Neuve
ca. 1921
14459
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
14460
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
14461
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
14462
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
14463
Edward Duncan, 1803–1882
Launch of S. S. Forth at Leith
1842
14464
Francesco Bartolozzi, 1728–1815
The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
1786
14465
Francesco Bartolozzi, 1728–1815
Certificate From The Royal Academy, Appointing John Opie, As An Academician
1788
14466
Francis Jukes, 1747–1812
View of Jedburgh Abbey
1793
14467
Gwen John, 1876–1939
Portrait of Marie Hamonet
between 1918 and 1919
14468
John Goldar, 1729–1795
The Honey-moon from Modern Love III: Modern Love Pl. 2
1766
14469
unknown artist
A Morning Frolic or the Transmutation of Sexes
undated
14470
unknown artist
Kitty Coaxer driving Dupe, towards Rotten Row
1779
14471
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
14472
unknown artist
The Feathered Fair in a Fright
undated
14473
unknown artist
The Manchester Hero, or Arts yieId to Arms
undated
14474
James Gillray, 1756–1815
The Bubbles of Opposition
1788
14475
James Gillray, 1756–1815
The Friendly Agent
1787
14476
Gwen John, 1876–1939
Girl with Large Hat and Straw-Colored Hair
ca. 1910
14477
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
14478
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
14479
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
14480
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
14481
Anthony Walker, 1726–1765
A View of the New Bridge Over the Thames at Walton in Surrey
1750
14482
Gwen John, 1876–1939
Girl Sewing
between 1895 and 1898
14483
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
14484
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
14485
Print made by John Condé, 1765–1794
Melania
1792
14486
James Gillray, 1756–1815
John Bull Triumphant
1780
14487
James Gillray, 1756–1815
The Triumphant Britons
1780
14488
John Pine, 1690–1756
The East View of the Royal College of Eton
1742
14489
William S. Leney, 1769–1831
The Soldier's Wife
1793
14490
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
14491
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
14492
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
14493
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
14494
Gwen John, 1876–1939
Little Boy with Hands Clasped, wearing a Hat, by Lamplight
ca. 1916
14495
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
14496
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
14497
Gwen John, 1876–1939
Young Woman playing a Violin
between 1897 and 1898
14498
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
14499
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig