Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row
1710
14908
John Faber the Elder, ca. 1660–1721
Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow
1710
14909
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
14910
unknown artist
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
14911
Paul Sandby, 1731–1809
Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania
1758-1760
14912
Print made by Paul Sandby, 1731–1809
A View in Hudson's River of Pakepsey & the Catts-Kill Mountains, from Sopos Island in Hudson's River
1768
14913
Edward Rooker, 1724–1774
Scenographia Americana: A View of the City of the Havana, taken from the Road near Colonel Howe's Battery
1758-1760
14914
James Seymour, 1702–1752
Studies of Stags' Heads
undated
14915
James Seymour, 1702–1752
A Hound Facing Left
undated
14916
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
14917
Cecil Charles Windsor Aldin, 1870–1935
Micky in an Armchair
undated
14918
William Daniell, 1769–1837
An Indian Elephant at Lucknow, September 1, 1789
1789
14919
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
14920
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
14921
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
14922
George Louis Palmella Busson Du Maurier, 1834–1896
Women and their Garments Artistically Described
1874
14923
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
14924
Edward Duncan, 1803–1882
The First Thames Steamboat: Pearl
undated
14925
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
14926
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
14927
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
14928
Daniel Maclise, 1806–1870
An Elephant, walking to left
undated
14929
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
14930
Joseph Farington, 1747–1821
Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal
c.1798
14931
George Moutard Woodward, ca. 1760–1809
Sketchbook of George M. Woodward
14932
James Gillray, 1756–1815
Gillray Caricatures
14933
James Gillray, 1756–1815
The Injured Countess
1786-1788
14934
James Gillray, 1756–1815
Sawney in the Bog-House
1779
14935
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
14936
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
14937
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
14938
James Gillray, 1756–1815
The Fall of Phaeton
1788
14939
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
14940
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
14941
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
14942
James Gillray, 1756–1815
Patience on a Monument
1791
14943
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
14944
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
14945
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
14946
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
14947
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
14948
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
14949
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
14950
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
14951
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
14952
James Gillray, 1756–1815
Wha Wants Me?
1792
14953
James Gillray, 1756–1815
National Conveniences
1796
14954
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
14955
James Gillray, 1756–1815
Fashionable Jockeyship
1796
14956
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
14957
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
14958
James Gillray, 1756–1815
Brisk Cathartic
1804
14959
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
14960
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
14961
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
14962
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
14963
James Gillray, 1756–1815
The Grand - Signior retiring
1796
14964
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
14965
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
14966
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
14967
James Gillray, 1756–1815
Palemon and Lavinia
1805
14968
James Gillray, 1756–1815
Evacuation of Malta
1803
14969
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
14970
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
14971
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
14972
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
14973
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
14974
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
14975
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
14976
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
14977
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
14978
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
14979
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
14980
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
14981
Amos Green, 1735–1807
Views in England, Scotland and Wales
1803
14982
Benjamin Robert Haydon, 1786–1846
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
14983
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
14984
unknown artist
A view of the inside of Westminster Hall
ca. 1700
14985
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
14986
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
14987
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
14988
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
14989
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
14990
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
14991
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
14992
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
14993
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
14994
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
14995
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
14996
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
14997
Print made by unknown artist
Part of the Front of the Vestibule
1843
14998
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
14999
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
15000
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel