Credit Line: Yale Center for British Art, Paul Mellon Collection

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by John Scott, 1774–1828

Aske Hall

1821

unknown artist

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

1737

unknown artist

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

1737

unknown artist

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

1737

Print made by Samuel Middiman, ca. 1750–1831

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

unknown artist

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

1737

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Le Keux, 1783–1846

Simmer Lake, near Askrig

1821

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1818-1823

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountains

1822

Print made by George Cooke, 1781–1834

Crichton Castle

1819

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1819

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by James Mitan, 1776–1822

Turin, from the Portico of the Superga Church

1820

Print made by Robert Wallis, 1794–1878

1826

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking Towards Hornby Castle

1821

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

unknown artist

Fraser's Panoramic Plan of London

1831

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

unknown artist

A View of London about the Year 1560

1738

unknown artist

Plan of the Regent's Canal in the County of Middlesex

1819

Print made by Thomas Shotter Boys, 1803–1874

Quayside, Notre Dame in Distance

undated

Jacques Christophe Le Blon, 1667–1741

Self-portrait of Antonie van Dyck

1738

Robert Bremmel Schnebbelie, active 1803–1849

Plan of St. James's Market

undated

Jacques Christophe Le Blon, 1667–1741

Self-portrait of Antonie van Dyck

1738

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Jacques Christophe Le Blon, 1667–1741

Self-portrait of Antonie van Dyck

1738

Attributed to Willey Reveley, 1760–1799

Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey

ca. 1785

Jacques Christophe Le Blon, 1667–1741

Self-portrait of Antonie van Dyck

1738

Willey Reveley, 1760–1799

Views in the Levant: A Ruined Byzantine Church

ca. 1785

Workshop of Willey Reveley, 1760–1799

Views in the Levant: Place of Worship with Three Bell Towers with Crosses

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: View of a Harbour and Town From the Sea, Turkey

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Study of a Woman Wearing Turkish Costume

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Corner of a Stone Building with Palm Tree at Right

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

ca. 1785

Willey Reveley, 1760–1799

Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

ca. 1785

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by William Miller, 1796–1882

Straits of Dover

1828

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

Print made by W. R. Smith, active 1819–1851

Entrance to Fowey Harbour, Cornwall

1829

Print made by Edward Goodall, 1795–1870

Prudoe Castle, Northumberland

1828

unknown artist

Views in the Levant: Death of Wolfe, Study of a Gem

undated

Print made by Robert Brandard, 1805–1862

Lancaster Sands

1828

Print made by Edward Goodall, 1795–1870

Prudoe Castle, Northumberland

1828

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Thomas Jeavons, ca. 1800–1867

Knaresborough, Yorkshire

1828

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Print made by James Tibbits Willmore, 1800–1863

Richmond, Yorkshire

1828

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by James Tibbits Willmore, 1800–1863

Kilgarren Castle, Pembroke

1829

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1829

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by J. C. Varrall, active 1815–1827

Malmsbury Abbey, Wiltshire

1829

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

William Pars, 1742–1782

Measured Drawing of Sculpture in Gymnasium at Ephesus

undated

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

William Pars, 1742–1782

Figures with a Bull From Parthenon Frieze

undated

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Charles Westwood, active 1819–1838

Hampton Court Palace

1829

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

William Pars, 1742–1782

Sketch of a Horseman, From the Parthenon Frieze

undated

William Pars, 1742–1782

Sketch of Centaurs and Lapiths From a Frieze

undated

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Credit Line Yale Center for British Art, Paul Mellon Collection

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