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Luigi Balugani Unidentified Fish
Luigi Balugani, 1737–1770
Unidentified Fish
undated
Luigi Balugani Unidentified Fish
Luigi Balugani, 1737–1770
Unidentified Fish
undated
Luigi Balugani Unidentified Fish
Luigi Balugani, 1737–1770
Unidentified Fish
undated
Mrs. P. D. H. Page Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
Mrs. P. D. H. Page, 20th century
Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
undated
Mrs. P. D. H. Page Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
Mrs. P. D. H. Page, 20th century
Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
undated
Lionel Grimston Fawkes Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance
Lionel Grimston Fawkes, 1849–1931
Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance
undated
John Tinney A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
John Tinney, died 1761
A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
undated
Lionel Grimston Fawkes Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer
Lionel Grimston Fawkes, 1849–1931
Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer
undated
unknown artist View of the Flower Garden, & part of the Palace of Fountainbleau
unknown artist
View of the Flower Garden, & part of the Palace of Fountainbleau
Lionel Grimston Fawkes Leeward Islands: Nevis, Jan. 12, 1882
Lionel Grimston Fawkes, 1849–1931
Leeward Islands: Nevis, Jan. 12, 1882
1882
Lionel Grimston Fawkes Leeward Islands: St. Thomas
Lionel Grimston Fawkes, 1849–1931
Leeward Islands: St. Thomas
undated
Lionel Grimston Fawkes Windward Islands, Barbados: General Gamble's orderly while the troops were at Gun Hill during the yellow fever epidemic, 1881
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: General Gamble's orderly while the troops were at Gun Hill during the yellow fever epidemic, 1881
1881
Lionel Grimston Fawkes Windward Islands, Barbados: A Slight Dispute in the Kitchen
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: A Slight Dispute in the Kitchen
undated
Lionel Grimston Fawkes Windward Islands, Barbados: Mr. Norville's Coachman
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: Mr. Norville's Coachman
undated
unknown artist View of the Canal of Fountainbleau
unknown artist
View of the Canal of Fountainbleau
Samuel Cooper Portrait of a Man in Armor
Samuel Cooper, 1609–1672
Portrait of a Man in Armor
1650
Abraham Daniel Portrait of a Gentleman
Abraham Daniel, died 1806
Portrait of a Gentleman
undated
Lionel Grimston Fawkes Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau
Lionel Grimston Fawkes, 1849–1931
Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau
undated
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
James Scouler Portrait of a Cleric
James Scouler, 1741–1812
Portrait of a Cleric
1774
Paul Angier A View of Paris
Print made by Paul Angier, active 1749
A View of Paris
Robert Thew Henry IV, Part II: Act IV, The Palace at Westminster
Robert Thew, 1758–1802
Henry IV, Part II: Act IV, The Palace at Westminster
1803
Robert Thew Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc.
Robert Thew, 1758–1802
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
Thomas Ryder Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
Thomas Ryder, 1746–1810
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
1803
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
John Ogborne the Elder Henry VI, Part I: Act II, Scene IV, London. The Temple Garden.
John Ogborne the Elder, 1755–1795
Henry VI, Part I: Act II, Scene IV, London. The Temple Garden
1803
Charles Gauthier Playter Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
Charles Gauthier Playter, died 1809
Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
1803
Nathaniel Parr A Perspective View of the Cascade of St. Cloud
Nathaniel Parr, active 1742–1751
A Perspective View of the Cascade of St. Cloud
John Ogborne the Elder Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . . .
John Ogborne the Elder, 1755–1795
Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . .
1803
Isaac Taylor Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc.
Isaac Taylor, 1759–1829
Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc
1803
Robert Thew Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
Robert Thew, 1758–1802
Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
1803
Jean B. Michel Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
Jean B. Michel, active 1803
Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
1803
Jean B. Michel King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Joseph Collyer Henry VIII, Act V, Scene IV, The Palace
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
Robert Thew Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
James Caldwall Coriolanus, Act IV, Scene III, Coriolanus, etc.
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
Johann G. Facius Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
Thomas Kirk Titus Andromicus, Act IV, Scene I, Titus' House
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
Robert Thew Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc.
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
Thomas Ryder Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
unknown artist A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
unknown artist
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
Francis Legat Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
Thomas Ryder Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
J. Couse A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
J. Couse, active 1750
A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
unknown artist The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal...
unknown artist
The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..
John Tinney A View of the Chapel of the Palace of Versailles
John Tinney, died 1761
A View of the Chapel of the Palace of Versailles
unknown artist The Battle of Blenheim
Print made by unknown artist
The Battle of Blenheim
undated
Thomas Bowles The Church of St. Mary Le Bow in Cheapside London
Thomas Bowles, ca. 1712–died 1753
The Church of St. Mary Le Bow in Cheapside London
Thomas Bowles The Inside View of the Royal Exchange at London
Thomas Bowles, ca. 1712–died 1753
The Inside View of the Royal Exchange at London
George Alken Foxhunting: Drawing Covert
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
unknown artist Mid-Day
unknown artist
Mid-Day
1799
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
Henry Thomas Alken A Gentleman Riding With a Groom, and Coversing
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
George Alken Exercising a Racehorse
George Alken, 1794–active 1837
Exercising a Racehorse
undated
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
Thomas Rowlandson An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
Thomas Rowlandson, 1756–1827
An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
Thomas Bowles A View of Somerset House with St. Mary's Church in the Strand London
Thomas Bowles, ca. 1712–died 1753
A View of Somerset House with St. Mary's Church in the Strand London
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken "Scraps", No. 39: Mounted Hussars
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman Standing Beside a Horse
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman on a Horse
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
Henry Thomas Alken Knight in Armour Standing by a Plumed and Caparisoned Horse
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
unknown artist A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
unknown artist
A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
Charles Robert Cockerell Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
Henry Thomas Alken Head and Neck of a Frightened Horse, Left Profile
Henry Thomas Alken, 1785–1851
Head and Neck of a Frightened Horse, Left Profile
undated
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Home
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Morning Ride
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
John Collet Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated