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A Bheesty or Water Carrier
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 13/16 x 6 1/2 inches (25 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Female Attendants
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17003. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 9/16 inches (12.7 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17004. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Finding things not exactly what he expected - Plate 2
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Young Woman with a Feather in Her Hair
Creator:
Print made by Thomas Frye, 1710–1762
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 9/16 × 14 3/8 inches (49.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris, A View of Pont au Changes
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1800 to 1802
Materials & Techniques:
Hand colored soft-ground etching with brown, gray, and blue wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 19 5/16 inches (23.2 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Island and Harbour of Masuah
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17013. Balessan

Balessan
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17014. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 3/4 × 4 inches (12.1 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17016. Sassa 1789

Sassa 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17017. Balesson

Balesson
Creator:
James Heath, 1757–1834
Date:
ca. 1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17018. Sassa 1789

Sassa 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17019. Balessan

Balessan
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ergett Dimmo 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17021. Sassa 1789

Sassa 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17022. Waalia

Waalia
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17023. Sheregrig

Sheregrig
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17024. Bee Cuckoo

Bee Cuckoo
Creator:
James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the Canja
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the Canja
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canja Undersail
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17028. Nisser Tokoor

Nisser Tokoor
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 1 - A Table of Hieroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 2 A Table of Heiroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 1 - A Table of Hieroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 2 A Table of Heiroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 1 - A Table of Hieroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 2 A Table of Heiroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 1 - A Table of Hieroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Obelisk at Axum
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 2 A Table of Heiroglyphics found at Axum
Creator:
James Heath, 1757–1834
Date:
1771-1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Obelisk at Axum
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Examples of Ceremonial Dress of Soldiers
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Examples of Ceremonial Dress of Soldiers
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Obelisk at Axum
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17042. Mikeas

Mikeas
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17043. Mikeas

Mikeas
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Examples of Ceremonial Dress of Soldiers
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Examples of Ceremonial Dress of Soldiers
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the first battle of Serbraxos fought 16 May 1772
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
1 of 2 finished drawings of Arch at Hydra and a double page of details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 31 5/8 × 20 3/4 inches (80.3 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of Warriors on Horseback and Horseheads
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 14 3/8 inches (24.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17050. Pearls

Pearls
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17051. Pearls

Pearls
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Last Stage of Cruelty, or a Mercifull Example of Quaerism (sic) at Brighton
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Color-printed etching and mezzotint, proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Popular Indignation of John Bull in a Rage
Creator:
Charles Williams, active 1796–1830
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Color-printed etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Etching, proof, colored
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Matrimonial Mania - or - Poor Jonny Ridden to Death
Creator:
Charles Williams, active 1796–1830
Date:
1818
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HOGARTHS roast beef REALISED
Creator:
William Heath, 1795–1840
Date:
1810
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apothecaries, Taylors & c. Conquering France and Spain
Creator:
James Gillray, 1756–1815
Date:
1779
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
National Discourse
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Nabob Rumbled or A Lord Advocates Amusement
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sweating Sickness; or, the Imaginary Malady
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Small Blunders or Irish Bulls
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Magnanimous Ally
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scotch Poney - commonly call'd a Galloway
Creator:
James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Standing-dish at Boodles
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 10 x 7 5/8in. (25.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/2 x 22 5/16in. (47 x 56.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Great Cohoes Falls, on the Mohawk River
Creator:
Print made by William Elliot, active 1774, died 1792
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rider in Armor, and Two Horses Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Charles I of England, Mounted
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 4 1/4 inches (15.9 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of one of the Figures
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the King's Entrance &c. From the South-West
Creator:
Print made by Charles Burton, active 1830–1840
Date:
1835
Materials & Techniques:
Lithograph on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/16 × 18 1/4 inches (28.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ceiling to Boudoir House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Destruction by Fire of the Houses of Parliament
Creator:
Print made by M. Gauci, 1810–1846
Date:
after 1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
John Coney, 1786–1833
Date:
1813
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Etching, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 14 13/16 inches (37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Modern Gateway in South East Angle of Dean's Yard
Creator:
John Carter, 1748–1817
Date:
between 1780 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
1792
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doorway, Dean's Yard, Westminster
Creator:
Attributed to Sir Charles Barry, 1795–1860
Date:
1837
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection