Finding things not exactly what he expected - Plate 2
1820
17006
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
17007
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
17008
Philippe-Jacques de Loutherbourg, 1740–1812
Deuxième Suite des Figures
undated
17009
Robert Dodd, 1748–1816
Howe's Victory off Ushant
1795
17010
Print made by Thomas Frye, 1710–1762
Portrait of a Young Woman with a Feather in Her Hair
1760
17011
Print made by Thomas Girtin, 1775–1802
Paris, A View of Pont au Changes
1800 to 1802
17012
unknown artist
Plan of the Island and Harbour of Masuah
1814
17013
James Heath, 1757–1834
Balessan
1789
17014
Print made by John Chalon, 1738 – 1795
Study
1789-1790
17015
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
17016
James Heath, 1757–1834
Sassa 1789
1789
17017
James Heath, 1757–1834
Balesson
ca. 1789
17018
James Heath, 1757–1834
Sassa 1789
1789
17019
James Heath, 1757–1834
Balessan
1789
17020
James Heath, 1757–1834
Ergett Dimmo 1789
1789
17021
James Heath, 1757–1834
Sassa 1789
1789
17022
James Heath, 1757–1834
Waalia
1789
17023
James Heath, 1757–1834
Sheregrig
1789
17024
James Heath, 1757–1834
Bee Cuckoo
1790
17025
James Heath, 1757–1834
Section of the Canja
1789
17026
James Heath, 1757–1834
Section of the Canja
1789
17027
James Heath, 1757–1834
Canja Undersail
1789
17028
James Heath, 1757–1834
Nisser Tokoor
1789
17029
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
17030
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
17031
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
17032
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
17033
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
17034
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
17035
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
17036
James Heath, 1757–1834
Obelisk at Axum
1789
17037
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
17038
James Heath, 1757–1834
Obelisk at Axum
1789
17039
James Heath, 1757–1834
Examples of Ceremonial Dress of Soldiers
1789
17040
James Heath, 1757–1834
Examples of Ceremonial Dress of Soldiers
1789
17041
James Heath, 1757–1834
Obelisk at Axum
1789
17042
James Heath, 1757–1834
Mikeas
1789
17043
James Heath, 1757–1834
Mikeas
1789
17044
James Heath, 1757–1834
Examples of Ceremonial Dress of Soldiers
1789
17045
James Heath, 1757–1834
Examples of Ceremonial Dress of Soldiers
1789
17046
unknown artist
Plan of the first battle of Serbraxos fought 16 May 1772
17047
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
17048
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
17049
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
17050
unknown artist
Pearls
1789
17051
unknown artist
Pearls
1789
17052
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
17053
Cornelius Ploos Van Amstel, 1726–1798
Church Interior after Pieter Saenredam
17054
Charles Williams, active 1796–1830
The Last Stage of Cruelty, or a Mercifull Example of Quaerism (sic) at Brighton
1806
17055
Cornelius Ploos Van Amstel, 1726–1798
Church Interior after Pieter Saenredam
17056
Charles Williams, active 1796–1830
Popular Indignation of John Bull in a Rage
1805
17057
Cornelius Ploos Van Amstel, 1726–1798
Church Interior after Pieter Saenredam
17058
Cornelius Ploos Van Amstel, 1726–1798
Church Interior after Pieter Saenredam
17059
Charles Williams, active 1796–1830
The Matrimonial Mania - or - Poor Jonny Ridden to Death
1818
17060
William Heath, 1795–1840
HOGARTHS roast beef REALISED
1810
17061
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
17062
Thomas Rowlandson, 1756–1827
The Westminster Watchman
1784
17063
James Gillray, 1756–1815
National Discourse
1780
17064
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
17065
unknown artist
The Sweating Sickness; or, the Imaginary Malady
1799
17066
Thomas Rowlandson, 1756–1827
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
1805
17067
unknown artist
Small Blunders or Irish Bulls
1795
17068
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
17069
unknown artist
The Magnanimous Ally
1799
17070
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
17071
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
17072
Pieter Schenck I, 1660–1719
Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
1710
17073
Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
1778
17074
Print made by William Elliot, active 1774, died 1792
A View of the Great Cohoes Falls, on the Mohawk River
1768
17075
James Seymour, 1702–1752
Horse Walking to Left
undated
17076
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
17077
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
17078
James Seymour, 1702–1752
A Horse Lying Down
undated
17079
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
17080
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
17081
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
17082
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
17083
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
17084
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
17085
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
17086
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
17087
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
17088
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
17089
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
17090
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
17091
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
17092
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
17093
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
17094
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
17095
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
17096
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
17097
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey