Credit Line: Yale Center for British Art, Paul Mellon Collection

17201. From an Album of Sixty-one Topographical Sketches

Creator:: John Varley, 1778–1842
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17202. From an Album of Sixty-one Topographical Sketches

Creator:: John Varley, 1778–1842
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17203. From an Album of Sixty-one Topographical Sketches

Creator:: John Varley, 1778–1842
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17204. From an Album of Sixty-one Topographical Sketches

Creator:: John Varley, 1778–1842
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17205. Saltwood Castle, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17206. Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Dimensions:: Spine: 16 3/8in. (41.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17207. Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1802 to 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Spine: 16 1/2in. (41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17208. Winchester Cathedral, Hampshire, from the North-East

Creator:: Thomas Girtin, 1775–1802
Date:: after 1794
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 12 11/16 inches (23.8 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17209. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17210. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17211. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17212. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17213. Layer Marney Hall, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 11 11/16 inches (24.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17214. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17215. Tolleshunt-Beckingham, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17216. Great Marlow Church, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17217. Warkworth Castle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17218. Dustanborough Castle from a Distance

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17219. Distant View of Jedburgh

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/16 inches (16.5 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17220. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17221. Flint Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17222. Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17223. Turver's Farm, Wimbish, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17224. Man with a riding crop

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 6 inches (19.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17225. Kirkstall Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17226. Design for a Ceiling

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 12 3/8 inches (43.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17227. Bristol: Sketch of Boats and Buildings

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 × 6 5/8 inches (7.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17228. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17229. Stokesay Castle: Interior of a Raftered Hall

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 x 17 5/8 inches (28.1 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17230. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17231. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17232. Warkworth Castle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17233. Ouse Bridge, York

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:: Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17234. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17235. On the Banks of the Lago di Como

Creator:: Monro School
Date:: ca. 1796
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17236. Dover

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 1/4 inches (20.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17237. In the Farnese Gardens, Rome

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17238. The Duomo at Brescia, Interior

Creator:: David Roberts, 1796–1864
Date:: 1851
Materials & Techniques:: Graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 9 15/16 × 7 1/8 inches (25.2 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17239. From London Bridge

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17240. Westminster

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17241. Group of Figures, Gadshill

Creator:: David Roberts, 1796–1864
Date:: 1862
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, green wove paper
Dimensions:: Sheet: 4 7/16 × 6 7/8 inches (11.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17242. Studies of Figures in a Church

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 8 inches (10.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17243. Hillslap

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17244. Montague House, Whitehall

Creator:: David Roberts, 1796–1864
Date:: 1862
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17245. Suez

Creator:: David Roberts, 1796–1864
Date:: 1839
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/8 × 9 9/16 inches (4.1 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17246. Interior of Durham Cathedral

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 13 15/16 × 9 3/4 inches (35.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17247. The Duomo at Brescia

Creator:: David Roberts, 1796–1864
Date:: 1851
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 9 7/8 inches (17.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17248. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17249. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17250. The Pass of Pancorbo, The Pyrenees

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 7/16 inches (26.7 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17251. Trees in Northwick Park

Creator:: David Roberts, 1796–1864
Date:: 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 1/16 x 8 7/8in. (35.7 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17252. On the Appian Way

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17253. Ruins at Capua

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17254. Fondi: Il Castello

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 inches (38.7 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17255. Tufara

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 12 5/8 inches (35.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17256. An Old House and a Man Climbing a Stile

Creator:: Attributed to John Berney Ladbrooke, 1803–1879
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 7 3/8 inches (14.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17257. An Album of 17 Views of Erlestoke House, Park and Surroundings

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17258. Christ Disputing with the Elders in the Temple

Creator:: Louis Laguerre, 1663–1721
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17259. A Young Man Asleep

Creator:: George Lambert, 1700–1765
Date:: undated
Materials & Techniques:: Red chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17260. A Woody Landscape

Creator:: George Lambert, 1700–1765
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17261. A Village Pond with Farm Buildings

Creator:: George Lambert, 1700–1765
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 12 7/16in. (20.3 x 31.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17262. St. James's Chapel, Southover, Lewes

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1762
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17263. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17264. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17265. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17266. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17267. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17268. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17269. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17270. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17271. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17272. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17273. Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: ca. 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17274. Sir Massey Storey Cooking the Turtle

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Brown wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 x 8 5/8 inches (18.4 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17275. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17276. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17277. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Creator:: J. W. Wageman, active 1824
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17278. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:: Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17279. Moody Hall: Front Elevation and Principal Floor Plan

Creator:: Attributed to Batty Langley, 1696–1751
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, pen and black ink, pen and gray ink, watercolor, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 16 1/2in. (31.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17280. Moody Hall: Floor Plan of the First Design

Creator:: Attributed to Batty Langley, 1696–1751
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 13 1/8 inches (19.7 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17281. Day - Landscape with Rapids and Cattle

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card
Dimensions:: Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17282. A Man in a Broad Brimmed Hat, Smoking a Pipe

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: undated
Materials & Techniques:: Pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/4 inches (10.2 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17283. The Tea Party

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1770
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17284. A Poor Man's Burial

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: 1704
Materials & Techniques:: Brown wash with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 11 3/8 inches (12.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17285. Two Children and a dog, called Marcellus and John Laroon

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 9/16 x 7 1/2in. (24.3 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17286. Landscape with figures walking

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: 1744
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 1/4 × 13 3/8 inches (41.3 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17287. Double Portrait of a Figure in Both Male and Female Attire

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17288. Portrait Study of Henry Gataker

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 8 inches (18.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17289. Study of an Arrangement of Anemones

Creator:: attributed to Sir Thomas Lawrence, 1769–1830
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 7 5/8 inches (24.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17290. Mrs. Thomas Linley, née Mary Johnson

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: 1790 to 1800
Materials & Techniques:: Graphite on medium, slightly textured, pale blue laid paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17291. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17292. Windsor Castle, Berkshire: East View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17293. Windsor Castle, Berkshire: Elevation of the North Terrace

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/2 inches (31.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17294. Monmouth Toll House: Three Elevations

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 12 5/8 inches (48.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17295. The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 14 9/16 × 20 7/8 inches (37 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17296. The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper with black ink border
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17297. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17298. Windsor Castle, Berkshire: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 21 1/16 × 29 1/2 inches (53.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17299. Unidentified Office or Stables: Front Elevation

Creator:: James Gibbs, 1682–1754
Date:: ca. 1720
Materials & Techniques:: Watercolor with pen and ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 14 1/2 inches (20.6 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17300. Windsor Castle, Berkshire: Plan

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 21 1/2 × 29 5/16 inches (54.6 × 74.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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17201. From an Album of Sixty-one Topographical Sketches

17202. From an Album of Sixty-one Topographical Sketches

17203. From an Album of Sixty-one Topographical Sketches

17204. From an Album of Sixty-one Topographical Sketches

17205. Saltwood Castle, Kent

17206. Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.

17207. Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]

17208. Winchester Cathedral, Hampshire, from the North-East

17209. Set of Six Views in London, (Turn Pike series)

17210. Set of Six Views in London, (Turn Pike series)

17211. Set of Six Views in London, (Turn Pike series)

17212. St. Paul's Cathedral, from St. Martin's-le-Grand, London

17213. Layer Marney Hall, Essex

17214. Set of Six Views in London, (Turn Pike series)

17215. Tolleshunt-Beckingham, Essex

17216. Great Marlow Church, Buckinghamshire

17217. Warkworth Castle, Northumberland

17218. Dustanborough Castle from a Distance

17219. Distant View of Jedburgh

17220. A Devonshire Farm

17221. Flint Castle

17222. Trees and Pond near Bromley, Kent

17223. Turver's Farm, Wimbish, Essex

17224. Man with a riding crop

17225. Kirkstall Abbey, Yorkshire

17226. Design for a Ceiling

17227. Bristol: Sketch of Boats and Buildings

17228. The Tithe Barn at Abbotsbury with the Abbey on the hill...

17229. Stokesay Castle: Interior of a Raftered Hall

17230. Glasgow Cathedral

17231. The Abbey Mill, Knaresborough

17232. Warkworth Castle, Northumberland

17233. Ouse Bridge, York

17234. Ruins of Savoy Palace

17235. On the Banks of the Lago di Como

17236. Dover

17237. In the Farnese Gardens, Rome

17238. The Duomo at Brescia, Interior

17239. From London Bridge

17240. Westminster

17241. Group of Figures, Gadshill

17242. Studies of Figures in a Church

17243. Hillslap

17244. Montague House, Whitehall

17245. Suez

17246. Interior of Durham Cathedral

17247. The Duomo at Brescia

17248. Saint Lo

17249. View of St. Peters, Rome

17250. The Pass of Pancorbo, The Pyrenees

17251. Trees in Northwick Park

17252. On the Appian Way

17253. Ruins at Capua

17254. Fondi: Il Castello

17255. Tufara

17256. An Old House and a Man Climbing a Stile

17257. An Album of 17 Views of Erlestoke House, Park and Surroundings

17258. Christ Disputing with the Elders in the Temple

17259. A Young Man Asleep

17260. A Woody Landscape

17261. A Village Pond with Farm Buildings

17262. St. James's Chapel, Southover, Lewes

17263. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

17264. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

17265. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

17266. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

17267. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

17268. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

17269. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

17270. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

17271. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

17272. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

17273. Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains

17274. Sir Massey Storey Cooking the Turtle

17275. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords