Credit Line: Yale Center for British Art, Paul Mellon Collection

1901. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite, and pen with red ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/8 inches (51.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1902. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1903. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1904. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1905. Dorking Hen, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1906. Horses Fighting

Creator:: after George Stubbs, 1724–1806
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1907. Get Thee Behind Me, Satan

Creator:: John Flaxman, 1755–1826
Date:: between 1783 and 1787
Materials & Techniques:: Gray ink with graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 21 7/8 inches (40.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

1908. The Creation of the Heavens

Creator:: John Flaxman, 1755–1826
Date:: ca. 1790
Materials & Techniques:: Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

1909. Horse Dealers (Ward's Repository, No.1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1919
Materials & Techniques:: Lithograph on laid paper
Dimensions:: Sheet: 14 x 18in. (35.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1910. Study for the Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Graphite, squared for transfer
Dimensions:: Sheet: 11 3/4 x 11 1/4in. (29.8 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1911. The Pink Apron

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1904
Materials & Techniques:: Charcoal and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 9/16 × 10 1/2 inches (42.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1912. Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 11/16 × 18 1/8 inches (37.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1913. The Caller at the Mill, with sketches outside margin

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918-1919
Materials & Techniques:: Crayon
Dimensions:: Sheet: 13 3/4 x 17 1/16in. (34.9 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1914. The Meet, with further sketches in margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash heightened with white
Dimensions:: Sheet: 13 1/2 x 20 5/16in. (34.3 x 51.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1915. Found, with further sketches in the margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash
Dimensions:: Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1916. Fields Farm, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 14 7/8 inches (35.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1917. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1918. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1919. The Hunt

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and red watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1920. Hay Carts, Cumberland Market (sketch)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 14 × 18 1/4 inches (35.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1921. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1922. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1923. Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Black chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1924. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1925. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1926. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1898
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 3/8 inches (28.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1927. A Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black crayon
Dimensions:: Sheet: 9 13/16 x 13 1/4in. (24.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1928. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1929. Horse in Breton Yard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Charcoal on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1930. Horse Dealers at the Barbican (Barbican No. 2)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Lithograph on handmade paper
Dimensions:: Sheet: 15 x 17in. (38.1 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1931. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1932. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1933. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1934. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1935. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1936. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1937. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1938. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1939. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1940. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1941. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1942. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1943. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1944. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Creator:: William Hogarth, 1697–1764
Date:: 1718
Materials & Techniques:: Line engraving (reprint)
Dimensions:: Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1945. Scholars at a Lecture (A Chorus of Singers)

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1946. The Four Times of Day, Plate I: Morning

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1947. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state
Dimensions:: Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1948. The Four Times of Day, Plate IV: Night

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1949. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1950. Southwark Fair

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1951. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1952. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1953. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1954. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1955. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1956. Colombus breaking the Egg

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1957. A Rake's Progress, Plate VI: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1958. A Rake's Progress, Plate VIII: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1959. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1960. A Consultation of Physicians

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1961. The Sleeping Congregation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1962. The Stage Coach; Or Country Inn Yard

Creator:: William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1963. Strolling Actresses Dressing in a Barn

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1964. The Distrest(ed) Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1965. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1966. Subscription Ticket: Three Characters and Four Caricaturas

Creator:: William Hogarth, 1697–1764
Date:: 1743
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1967. Gulielmus Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1968. The First Stage of Cruelty: First, Children Torturing Animals

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1969. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1970. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1971. Simon Lord Lovat

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1972. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1973. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1974. The Invasion, Plate I: France

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1975. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1976. The Polling, Plate III

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1977. The Invasion, Plate II: England

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1978. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1979. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1980. The Bench

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1981. The Cockpit

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1982. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1983. The Laughing Audience

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1984. Fair Scene

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1985. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1986. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1987. Prospectus print "Crown & Mitre"

Creator:: William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1988. William Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1764
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1989. Gabriel Hunt

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1990. Hymen

Creator:: William Hogarth, 1697–1764
Date:: ca. 1748
Materials & Techniques:: Black chalk on medium, slightly textured, brown paper
Dimensions:: Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1991. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1992. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1993. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1994. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1995. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1996. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1997. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1998. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1999. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2000. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

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1901. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

1902. Fowl Body, Lateral View

1903. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

1904. Fowl Body, Lateral View (Outline drawing, related to Table XV)

1905. Dorking Hen, Lateral View

1906. Horses Fighting

1907. Get Thee Behind Me, Satan

1908. The Creation of the Heavens

1909. Horse Dealers (Ward's Repository, No.1)

1910. Study for the Horse Dealers

1911. The Pink Apron

1912. Sussex Cart Horse

1913. The Caller at the Mill, with sketches outside margin

1914. The Meet, with further sketches in margin

1915. Found, with further sketches in the margin

1916. Fields Farm, Clayhidon

1917. The Flying Pack

1918. Hounds in Covert

1919. The Hunt

1920. Hay Carts, Cumberland Market (sketch)

1921. Study for Hay Carts, Cumberland Market

1922. Horses Threshing, Pont Aven

1923. Horse Dealers

1924. The Meet

1925. The Meet

1926. Huntsman and Hounds

1927. A Sussex Cart Horse

1928. Two Bridges

1929. Horse in Breton Yard

1930. Horse Dealers at the Barbican (Barbican No. 2)

1931. The Skylark

1932. Opening the Fold

1933. The Skylark

1934. The Weary Ploughman

1935. The Willow

1936. Christmas

1937. Christmas

1938. The Early Ploughman

1939. The Early Ploughman

1940. The Early Ploughman

1941. The Morning of Life

1942. Opening the Fold

1943. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

1944. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

1945. Scholars at a Lecture (A Chorus of Singers)

1946. The Four Times of Day, Plate I: Morning

1947. The Four Times of Day, Plate II: Noon

1948. The Four Times of Day, Plate IV: Night

1949. A Midnight Modern Conversation

1950. Southwark Fair

1951. A Rake's Progress, Plate I: He Takes Possession

1952. A Rake's Progress, Plate III: He Revels

1953. A Rake's Progress, Plate II: His Levee

1954. A Rake's Progress, Plate IV: Goes to Court

1955. A Rake's Progress, Plate V: He Marries

1956. Colombus breaking the Egg

1957. A Rake's Progress, Plate VI: He Gambles

1958. A Rake's Progress, Plate VIII: In Bedlam

1959. A Rake's Progress, Plate VII: In Fleet Street Prison

1960. A Consultation of Physicians

1961. The Sleeping Congregation

1962. The Stage Coach; Or Country Inn Yard

1963. Strolling Actresses Dressing in a Barn

1964. The Distrest(ed) Poet

1965. The Enraged Musician

1966. Subscription Ticket: Three Characters and Four Caricaturas

1967. Gulielmus Hogarth

1968. The First Stage of Cruelty: First, Children Torturing Animals

1969. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

1970. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

1971. Simon Lord Lovat

1972. Analysis of Beauty, Plate I: A Statuary's Yard

1973. Analysis of Beauty, Plate II: A Country Dance

1974. The Invasion, Plate I: France

1975. An Election Entertainment, Plate I