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Samuel Whitbread Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1806
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert Wilks Esq.
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1732
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 10 inches (34.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harry Woodward
Creator:
James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/2 × 9 1/2 inches (34.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Scott, 1st Earl of Eldon
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
1813
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 28 1/4 × 19 1/8 inches (71.8 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Christopher Wren
Creator:
John Smith, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 7 3/4 inches (25.6 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Dalrymple Hamilton
Creator:
John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 16 3/8 inches (55.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 24 3/4 inches (50.5 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Edward VI presenting the Charter for Bridewell to Sir George Barnes
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Amphitheatrum, Quod in Exquiliis non Procul a Templo S. Crucis in Hierusalem
Creator:
Print made by unknown artist
Date:
1560
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Two Country Carts and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieutenant-General Charles Schaw Cathart, 9th Earl Cathcart
Creator:
James McArdell, ca. 1729–1765
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 11/16 × 10 1/16 inches (34.8 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Cholmondley
Creator:
Print made by James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 × 9 13/16 inches (35.4 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honorable Edward, Earl of Clarendon
Creator:
Thomas Johnson, 1651–1685
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 9 13/16 inches (35.7 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice - the Dogana
Creator:
Print made by unknown artist
Date:
1869
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22821. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pastoral Scene
Creator:
John Powell, active 1769–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honorable Jospeh Addison, Esqr.
Creator:
John Simon, 1675–1755
Date:
undated
Materials & Techniques:
Mezzotint on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mary Bertie (née Panton) Duchess of Ancaster and Kesteven
Creator:
James Watson, 1740–1790
Date:
1801
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22829. Fetcham Park

Fetcham Park
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838-1852
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isabella Molyneux (née Stanhope), Countess of Sefton
Creator:
James Watson, 1740–1790
Date:
1770
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 15/16 inches (39.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Francis Rawdon-Hastings, 1st Marquess of Hastings
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1793-1816
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 × 16 inches (53.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Honorable Miss Mary Monkton
Creator:
Johann Jacobé, 1733–1797
Date:
1781
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 1/4 × 15 15/16 inches (66.7 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
General George Monck
Creator:
after ? Michael van der Gucht, 1660–1725
Date:
undated
Materials & Techniques:
Stipple and line engraving on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 3 15/16 inches (16.5 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir John Moore
Creator:
Charles Turner, 1774–1857
Date:
1809
Materials & Techniques:
Mezzotint on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 24 3/8 × 17 3/8 inches (61.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Henry Moncrieff Willwood
Creator:
Charles Turner, 1774–1857
Date:
1812
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 13 13/16 inches (49.5 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22837. Mrs. Montagu

Mrs. Montagu
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 20 1/2 × 14 5/8 inches (52.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Mary O'Brien
Creator:
John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/16 × 15 1/4 inches (53.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22840. Palmerston

Palmerston
Creator:
John S. Templeton, active 1830–1857
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Brenckburn Priory, Northunberland; page 44 (Volume One)
Creator:
M. J. Starling, active 1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burnshead Hall, Westmorland; page 45 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1835
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burghley House from the Gardens; page 48 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burn House; page 51 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burns's Mausoleum at Dumfries (with text); page 52 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burton Constable; page 53 (Volume One)
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
Creator:
William Watts, 1752–1851
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carstairs (Central View) Lanarkshire; page 57 (Volume One)
Creator:
John J. Hinchliff, 1805–1875
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Date:
1836
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Cathcart's House, Whitehall; page 58 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chantilly; page 60 (Volume One)
Creator:
S. C. Merzgot
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chancer's Inn, Canterbury; page 61 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
Creator:
William Angus, 1752–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chester Castle; page 63 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coltman's Castle, Co. Cork; page 70 (Volume One)
Creator:
H. Winkles, Active 1834–1840
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chip Chase Castle, Northumberland; page 66 (Volume One)
Creator:
Joseph C. Bentley, 1809–1851
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of ye Inside of ye Kitchen of Christ Church College, Oxon formerly Cardinal College; [not numbered] (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coliseum, Regent's Park; page 72 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1827
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copenhagen House; page 73 (Volume One)
Creator:
Print made by C. J. Williams, active ca. 1820
Date:
1809
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conservatory at Weisbaden; [not numbered] (Volume One)
Creator:
J. Steed, active 1830–1832
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Craigstone, Aberdeenshire; page 77 (Volume One)
Creator:
S. Lacey, active 1830s
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowley's House at Chertsey; page 75 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baynard's Castle (published by Harding); page 28 (Volume One)
Creator:
A. Birrell, ca.1770–ca. 1820
Date:
1790
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hall of Croydon Palace; page 82 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cullands Grove Southgate, The Seat of William Curtis, Esquire; page 83 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Culzean Castle, South East View, Ayrshire; page 84 (Volume One)
Creator:
William Radclyffe, 1780–1855
Date:
1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cumner-Place, Berkshire (with text)(from the Mirror?); page 85 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dalkeith Palace, Midlothian; page 86 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drumlanris House, Dumfrieshire; page 92 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dolauhamin House, Ayrshire; page 87 (Volume One)
Creator:
James S. Storer, 1771–1853
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duneira; page 93 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Town of Banff, with Duff House and the Bridge over the Doveron (published by J. Johnson); page 97 (Volume One)
Creator:
J. Dudley
Date:
1806
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The House in which he was born at Rotterdam; page 107 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Fraser, Aberdeenshire; page 4 (Volume Two)
Creator:
William Deeble, active 1814–1849
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edzell Castle, [Forfarshire?]; page 101 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Foundling Hospital for the Beauties of England and Wales; page 3 (Volume Two)
Creator:
Elizabeth Byrne, active 1812–1850
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibbon, in his garden as Lausanne from The Mirror, Volume XVI T, Number 454, Saturday, October 9, 1830 (front page with text verso and next sheet); page 7 & 8 (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guildhall (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
Creator:
John Rogers, 1808–ca.1888
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brain Hermitage; page 38 (Volume One)
Creator:
Edward Mitchell, active 1805–1816
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Breaching Castle, Angus Shire; page 37 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brownholme Hall; page 41 (Volume One)
Creator:
F. Mansell, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brewer's Alms House, Mile End; page 40 (Volume One)
Creator:
Robert Tingle, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1787
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
Creator:
Francis Stephen Cary, 1808–1880
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Native House at Elstow; page 46 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Vestry Chair (with text) from the mirror; page 47 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection