PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
25302
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
25303
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
25304
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
25305
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
25306
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
25307
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
25308
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
25309
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
25310
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
25311
Print made by unknown artist
Part of the Front of the Vestibule
1843
25312
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
25313
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
25314
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
25315
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
25316
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
25317
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
25318
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
25319
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
25320
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
25321
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
25322
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
25323
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
25324
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
25325
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
25326
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
25327
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
25328
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
25329
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
25330
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
25331
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
25332
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
25333
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
25334
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
25335
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
25336
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
25337
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
25338
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
25339
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
25340
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
25341
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
25342
Robert Dodd, 1748–1816
Howe's Victory off Ushant
1795
25343
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
25344
Print made by Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban, Leaning on Book
1760
25345
Print made by Thomas Frye, 1710–1762
Portrait of a Young Woman with a Feather in Her Hair
1760
25346
James Heath, 1757–1834
Wooginoos or Bruces Antidysenterica
1789
25347
unknown artist
Plan of the Island and Harbour of Masuah
1814
25348
James Heath, 1757–1834
Papyrus
1790
25349
James Heath, 1757–1834
Wooginoos or Bruces Antidysenterica
1789
25350
Print made by John Chalon, 1738 – 1795
Study
1789-1790
25351
James Heath, 1757–1834
Papyrus
1790
25352
James Heath, 1757–1834
Geshe el Aube
ca. 1789
25353
James Heath, 1757–1834
Papyrus
1790
25354
James Heath, 1757–1834
Balessan
1789
25355
James Heath, 1757–1834
Tett
ca. 1790
25356
James Heath, 1757–1834
Balessan
1789
25357
James Heath, 1757–1834
Tett
ca. 1790
25358
James Heath, 1757–1834
Balesson
ca. 1789
25359
James Heath, 1757–1834
Balessan
1789
25360
James Heath, 1757–1834
Ergett el Krome 1789
1789
25361
James Heath, 1757–1834
Ergett el Krome 1789
1789
25362
James Heath, 1757–1834
Sassa 1789
1789
25363
James Heath, 1757–1834
Balesson
ca. 1789
25364
James Heath, 1757–1834
Ergett el Krome 1789
1789
25365
James Heath, 1757–1834
Sassa 1789
1789
25366
James Heath, 1757–1834
Sassa 1789
1789
25367
James Heath, 1757–1834
Ergett Dimmo 1789
1789
25368
James Heath, 1757–1834
Ergett Dimmo 1789
1789
25369
James Heath, 1757–1834
Ergett Dimmo 1789
1789
25370
James Heath, 1757–1834
Kantuffa 1789
1789
25371
James Heath, 1757–1834
Kantutta 1789
1789
25372
James Heath, 1757–1834
Ensete 1789
1789
25373
James Heath, 1757–1834
Ensete 1789
1789
25374
James Heath, 1757–1834
Ensete 1789
1789
25375
James Heath, 1757–1834
Kantutta 1789
1789
25376
James Heath, 1757–1834
Ensete 1789
1789
25377
James Heath, 1757–1834
Kolquall 1789
1789
25378
James Heath, 1757–1834
Ensete 1789
1789
25379
Samuel Ireland, 1744–1800
New Inn
1800
25380
Samuel Ireland, 1744–1800
North Front of Temple Hall
1800
25381
Samuel Ireland, 1744–1800
Furnival's Inn
1800
25382
Samuel Ireland, 1744–1800
Clifford's Inn
1800
25383
Samuel Ireland, 1744–1800
Lincoln's Inn Gate
1800
25384
Samuel Ireland, 1744–1800
Rolls Chapel
1800
25385
Samuel Ireland, 1744–1800
Westminster Hall
1800
25386
Samuel Ireland, 1744–1800
Garden Front of Furnival's Inn
1800
25387
Samuel Ireland, 1744–1800
Lincoln's Inn Hall and Chapel
1800
25388
Samuel Ireland, 1744–1800
Barnard's Inn
between 1794 and 1800
25389
Valentine Green, 1739–1813
Elizabeth, Countess of Ancrum (1745-1780)
1771
25390
Print made by John Faber the Younger, ca. 1695–1756
Margaret, Lady Hardwicke (d.1761)
1741
25391
Thomas Rowlandson, 1756–1827
Venus
undated
25392
Thomas Rowlandson, 1756–1827
Ceres
undated
25393
Thomas Rowlandson, 1756–1827
Melpomene
undated
25394
Thomas Rowlandson, 1756–1827
Milkmaids and Gentlemen in St. James's Park
undated
25395
Thomas Rowlandson, 1756–1827
Antinous as Osiris
undated
25396
Thomas Rowlandson, 1756–1827
Antique Seat of White Marble, from the Original at Rome