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25501. The Cries of Westminster - No 1 Newcastle Salmon

The Cries of Westminster - No 1 Newcastle Salmon
Creator:
William Heath, 1795–1840
Date:
1829
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25502. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25503. Information for the Public

Information for the Public
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25504. Taking Physic

Taking Physic
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25505. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25506. Brisk Cathartic

Brisk Cathartic
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25507. Charming Well Again

Charming Well Again
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25508. A Standing dish at Boodles

A Standing dish at Boodles
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25509. Breathing a Vein

Breathing a Vein
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25510. Boreas Effecting what Health & Modesty could not

Boreas Effecting what Health & Modesty could not
Creator:
John Cawse, 1779–1862
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25511. Brisk Cathartic

Brisk Cathartic
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25512. Visiting the Sick

Visiting the Sick
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25513. General Sorrow, touring the French Directory into Russia

General Sorrow, touring the French Directory into Russia
Creator:
Isaac Cruikshank, 1764–1811
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25514. Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O

Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25515. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25516. The Maid of Bath or Mac in her Teens

The Maid of Bath or Mac in her Teens
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25517. The Ins and Outs or the Jesuits treatment of his friends

The Ins and Outs or the Jesuits treatment of his friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25518. A Masonic Anecdote

A Masonic Anecdote
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25519. Royal Recreation

Royal Recreation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25520. The Triumph of Sentiment / The Prospect of Happiness

The Triumph of Sentiment / The Prospect of Happiness
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25521. A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25522. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25523. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25524. Table D'Hote

Table D'Hote
Creator:
Isaac Cruikshank, 1764–1811
Date:
1821
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25525. Close Shaveing or the will our own way

Close Shaveing or the will our own way
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25526. Britania's Assassination or The Republican's Amusement

Britania's Assassination or The Republican's Amusement
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25527. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25528. [ Caricature of two men and a woman, one of the men blowing smoke ]

[ Caricature of two men and a woman, one of the men blowing smoke ]
Creator:
Print made by unknown artist
Date:
ca. 1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25529. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25530. The Fall of Dagon or Rare News for Leadenhall Street

The Fall of Dagon or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25531. The Nabob Rumbled or a Lord Advocates Amusement

The Nabob Rumbled or a Lord Advocates Amusement
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25532. The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.
Creator:
Print made by Thomas Picken, 1815–1870
Date:
1853
Materials & Techniques:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 3/4in. (54 x 73cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25533. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.
Creator:
Paul Sandby, 1731–1809
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/8 x 20 15/16in. (34 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25534. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
Creator:
William Elliot, active 1774, died 1792
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 15/16in. (33.7 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25535. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.
Creator:
James Peak, 1703–1782
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/8 x 20 9/16in. (33.3 x 52.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25536. Views of Montreal and Louisburg: An East View of Montreal in Canada

Views of Montreal and Louisburg: An East View of Montreal in Canada
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1762
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/16 x 21 1/16in. (33.5 x 53.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25537. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
Creator:
unknown artist
Date:
1769-1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25538. Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 22in. (44.8 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25539. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25540. Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins

Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
Creator:
unknown artist
Date:
1769
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 21 5/8in. (44.8 x 54.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25541. Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations
Creator:
Print made by John Simon, 1675–1751
Date:
ca. 1755
Materials & Techniques:
Mezzotint, third state
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25542. Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 10 x 7 5/8in. (25.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25543. Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien

Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 1/2 x 6 5/16in. (21.6 x 16cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25544. Portraits of Four Indian Kings of Canada: The Four Indian Kings

Portraits of Four Indian Kings of Canada: The Four Indian Kings
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1710
Materials & Techniques:
Mezzotint; four oval busts on one sheet, each with an elaborate frame, incorporating a feathered crown and crossed weapons above.
Dimensions:
Sheet: 17 13/16 x 11 3/8in. (45.2 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25545. Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow
Creator:
John Faber the Elder, ca. 1660–1721
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 x 5 15/16in. (20.3 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25546. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25547. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25548. A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/2 x 22 5/16in. (47 x 56.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25549. Scenographia Americana: Untitled view (perhaps of Boston?)

Scenographia Americana: Untitled view (perhaps of Boston?)
Creator:
unknown artist
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25550. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
Creator:
Print made by Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25551. Two Studies of Tumbler, a Dog

Two Studies of Tumbler, a Dog
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25552. Horse with Rider Wearing Tricorne Hat, Walking to Right

Horse with Rider Wearing Tricorne Hat, Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25553. A Horse Lying Down

A Horse Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25554. Studies of Stags' Heads

Studies of Stags' Heads
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25555. Horse and Rider Walking to Right

Horse and Rider Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25556. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25557. An Artist Sketching, possibly Paul Sandby

An Artist Sketching, possibly Paul Sandby
Creator:
Attributed to Francis Cotes, 1726–1770
Date:
ca. 1755
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Frame: 13 1/4 × 10 11/16 × 13/16 inches (33.6 × 27.2 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25558. Ships and Cannons

Ships and Cannons
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 x 4 1/2 inches (8.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25559. A Zebra

A Zebra
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1807
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25560. Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826
Creator:
Unknown artist (Company style)
Date:
1826
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25561. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25562. Plan of Westminster Showing the Coronation Route of George II

Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25563. Hills and Sky

Hills and Sky
Creator:
attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 9 7/8 inches (10.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25564. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 1/4 inches (11.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25565. A Scene on Mount Olympus

A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25566. Painting

Painting
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint; open letter proof on wove paper
Dimensions:
Sheet: 17 1/4 × 13 inches (43.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25567. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25568. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25569. The Charmer

The Charmer
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1780
Materials & Techniques:
Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25570. An Evening Walk

An Evening Walk
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1783
Materials & Techniques:
Black chalk, graphite, red chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 8 1/8 inches (21 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25571. Soldiers Carousing at an Inn

Soldiers Carousing at an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25572. A Town Crier

A Town Crier
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25573. Rustic Scene with a River and a Bridge

Rustic Scene with a River and a Bridge
Creator:
Thomas Rowlandson, 1756–1827
Date:
1818
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25574. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25575. Soldiers Embarking

Soldiers Embarking
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25576. The Doctor's Consultation

The Doctor's Consultation
Creator:
Thomas Rowlandson, 1756–1827
Date:
1815-1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25577. A Village Street with Cattle and Sheep Being Driven Through

A Village Street with Cattle and Sheep Being Driven Through
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25578. Pidcock, Dealer in Birds and Beasts

Pidcock, Dealer in Birds and Beasts
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25579. Portrait of a Bearded Man

Portrait of a Bearded Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 8 1/16 inches (28.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25580. Loading a Cart for Market

Loading a Cart for Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25581. The Shipwrecked Sailors

The Shipwrecked Sailors
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 8 inches (26.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25582. Dunmow

Dunmow
Creator:
Thomas Rowlandson, 1756–1827
Date:
Undated
Materials & Techniques:
Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25583. The Glass Works

The Glass Works
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25584. A Village Fountain

A Village Fountain
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25585. Two Coaches - Travelling in France?

Two Coaches - Travelling in France?
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 11 11/16 inches (19.2 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25586. An Elderly Buck walking with a Lady

An Elderly Buck walking with a Lady
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1820
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 6 5/8 x 5 3/4 inches (16.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25587. Dr Syntax & Dairymaid

Dr Syntax & Dairymaid
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25588. Hyde Park Corner

Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25589. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25590. An Audience Watching a Play at Drury Lane Theatre

An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25591. Feeding the Ducklings

Feeding the Ducklings
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25592. A Woodcutter's Picnic

A Woodcutter's Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25593. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25594. Hungarian and Highland Broadsword Exercise

Hungarian and Highland Broadsword Exercise
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 10 11/16 inches (20.8 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25595. Three Full-Length Figures of Men Talking

Three Full-Length Figures of Men Talking
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Pen and red-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/8 inches (23.5 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25596. Dudley Castle

Dudley Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 x 16 13/16 inches (14.8 x 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25597. Skating on the Serpentine

Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25598. A High Waterfall

A High Waterfall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 12 5/16 inches (21.7 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25599. A Village Scene with Peasants Resting

A Village Scene with Peasants Resting
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red and black ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25600. The Gourmand

The Gourmand
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 x 7 3/8 inches (24.1 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection