The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
1805
25503
unknown artist
Information for the Public
undated
25504
James Gillray, 1756–1815
Taking Physic
1800
25505
Thomas Rowlandson, 1756–1827
Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
1804
25506
James Gillray, 1756–1815
Brisk Cathartic
1804
25507
James Gillray, 1756–1815
Charming Well Again
1804
25508
James Gillray, 1756–1815
A Standing dish at Boodles
1800
25509
James Gillray, 1756–1815
Breathing a Vein
1804
25510
John Cawse, 1779–1862
Boreas Effecting what Health & Modesty could not
1800
25511
James Gillray, 1756–1815
Brisk Cathartic
1804
25512
James Gillray, 1756–1815
Visiting the Sick
1806
25513
Isaac Cruikshank, 1764–1811
General Sorrow, touring the French Directory into Russia
1799
25514
Thomas Rowlandson, 1756–1827
Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
1801
25515
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
25516
Isaac Cruikshank, 1764–1811
The Maid of Bath or Mac in her Teens
1792
25517
Richard Newton, 1777–1798
The Ins and Outs or the Jesuits treatment of his friends
1797
25518
James Gillray, 1756–1815
A Masonic Anecdote
1786
25519
Isaac Cruikshank, 1764–1811
Royal Recreation
1795
25520
unknown artist
The Triumph of Sentiment / The Prospect of Happiness
1800
25521
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
25522
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
25523
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
25524
Isaac Cruikshank, 1764–1811
Table D'Hote
1821
25525
Charles Williams, active 1796–1830
Close Shaveing or the will our own way
1802
25526
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
25527
Thomas Rowlandson, 1756–1827
The Westminster Watchman
1784
25528
Print made by unknown artist
[ Caricature of two men and a woman, one of the men blowing smoke ]
ca. 1823
25529
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
25530
Thomas Rowlandson, 1756–1827
The Fall of Dagon or Rare News for Leadenhall Street
1784
25531
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
25532
Print made by Thomas Picken, 1815–1870
The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852
1853
25533
Paul Sandby, 1731–1809
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania
1761
25534
William Elliot, active 1774, died 1792
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad
1761
25535
James Peak, 1703–1782
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm
1761
25536
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: An East View of Montreal in Canada
1762
25537
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
1769-1770
25538
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
1770
25539
unknown artist
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
25540
unknown artist
Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
1769
25541
Print made by John Simon, 1675–1751
Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations
ca. 1755
25542
Pieter Schenck I, 1660–1719
Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
1710
25543
Pieter Schenck I, 1660–1719
Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien
1710
25544
Print made by Bernard Lens II, 1659–1725
Portraits of Four Indian Kings of Canada: The Four Indian Kings
1710
25545
John Faber the Elder, ca. 1660–1721
Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow
1710
25546
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
25547
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
25548
Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
1778
25549
unknown artist
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
25550
Print made by Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
25551
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
25552
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
25553
James Seymour, 1702–1752
A Horse Lying Down
undated
25554
James Seymour, 1702–1752
Studies of Stags' Heads
undated
25555
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
25556
Hablot Knight Browne, 1815–1882
Mr. Hawks thinks he had Better Turn Back
undated
25557
Attributed to Francis Cotes, 1726–1770
An Artist Sketching, possibly Paul Sandby
ca. 1755
25558
unknown artist
Ships and Cannons
undated
25559
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
25560
Unknown artist (Company style)
Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826
1826
25561
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
25562
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
25563
attributed to John Ruskin, 1819–1900
Hills and Sky
undated
25564
John Ruskin, 1819–1900
Mountainous Landscape
undated
25565
John Michael Rysbrack, 1694–1770
A Scene on Mount Olympus
undated
25566
Print made by John Raphael Smith, 1752–1812
Painting
1783
25567
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
25568
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
25569
John Raphael Smith, 1752–1812
The Charmer
ca. 1780
25570
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
25571
Thomas Rowlandson, 1756–1827
Soldiers Carousing at an Inn
undated
25572
Thomas Rowlandson, 1756–1827
A Town Crier
undated
25573
Thomas Rowlandson, 1756–1827
Rustic Scene with a River and a Bridge
1818
25574
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
25575
Thomas Rowlandson, 1756–1827
Soldiers Embarking
undated
25576
Thomas Rowlandson, 1756–1827
The Doctor's Consultation
1815-1820
25577
Thomas Rowlandson, 1756–1827
A Village Street with Cattle and Sheep Being Driven Through