Credit Line: Yale Center for British Art, Paul Mellon Collection

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Alexander Bannerman, ca. 1730–1780

Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker

1767

Robert Blyth, 1750–1784

Portraits of Two Historical or Biblical Characters (a pair)

1782

John Hamilton Mortimer, 1740–1779

Presentation of the Lusiad to Britannia

Anthony Walker, 1726–1765

Marcus Curius Dentatus rejecting the Bribes of the Samnites

Charles Reuben Ryley, 1752–1798

Soldier with A Pike

1780

Robert Blyth, 1750–1784

Portraits of Two Historical or Biblical Characters (a pair)

1782

Robert Blyth, 1750–1784

Rustick Dance

1780

Robert Blyth, 1750–1784

Banditti Conversing

1779

Simon François Ravenet, 1706–1774

The Shepherds in Arcadia

John Ogborne the Elder, 1755–1795

The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

1797

Robert Blyth, 1750–1784

Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)

1783

John Martin, 1789–1854

The Destroying Angel

1836

John Martin, 1789–1854

Joshua Commanding the Sun to Stand Still

1827

Edwin Jewitt, active 1855

City Steam and Boat Company: The Children

John Martin, 1789–1854

Marcus Curtius

Print made by John Martin, 1789–1854

Pandemonium

1831

Edwin Jewitt, active 1855

The Fleet of the City Steam Boats Passing in Review Order off Chalsea on the London Annual Commemoration

ca. 1850

Print made by David Lucas, 1802–1881

The Bride

Print made by Robert Pollard, 1755–1838

His Majesty Reviewing His Troops on Black Heath

1797

Samuel Ireland, active 1760–died 1800

Three etchings laid down on one sheet: Three Soldiers

John Middleton, 1826–1856

A Path through the Wood

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Robert Blyth, 1750–1784

Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)

1782

Joseph Haynes, 1760–1829

Saint Paul Preaching to the Britons

1780

Robert Blyth, 1750–1784

Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)

1781

William Wynne Ryland, 1732–1783

The Ratifying Magna Charta by King John (number 37 of Catalogue Mortimer Exhibition 1968)

Samuel Ireland, active 1760–died 1800

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

Joseph Haynes, 1760–1829

A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)

1784

Joseph Haynes, 1760–1829

Death on a Pale Horse

1784

Samuel Ireland, active 1760–died 1800

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

Simon François Ravenet, 1706–1774

The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Robert Blyth, 1750–1784

Silenus

1779

John Hall, 1739–1797

Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)

John Hall, 1739–1797

Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)

John Hall, 1739–1797

Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)

1780

John Hall, 1739–1797

Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)

unknown artist

Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)

1781

Joseph Haynes, 1760–1829

Banditti

1780

George August Periam, active 1838–1858

Florimel and the Witch

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

George C. Finden, 1811–1885

A Mythological Battle

1853

W. Taylor, active 1790–1810

Reading the News

John Pye, 1782–1874

..'with Dirges due in sad array,/ slow through the churchway path we saw in him borne.../Approach an dread...'

James S. Storer, 1771–1853

Stoke Church, Bucks

Rivers, active 1799–1804

Second Dudley Lord North

undated

William Woolnoth, active 1806–1830

Stoke Park, Buckingshire

undated

George Vertue, 1684–1756

William Shakespeare

1719

unknown artist

Henry Hastings, Earl of Huntingdon

Print made by William Doughty, 1757–1782

Mr. Thomas Gray

undated

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

George Vertue, 1684–1756

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'

1750

Richard Sawyer The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

after Richard Sawyer, active 1820–1830

The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

1830

unknown artist

The Ladies Hero of the Unfortunate James McLeane Esq

unknown artist

View of Peterhouse Chapel and New Buildings on the Eastern Court, Below on same sheet; Inside the Library at Peterhouse

William Camden Edwards, 1777–1855

Study of a Head of a Man

B. Pym, active 1793–1805

Henry James Pye, Esq

1801

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

John Hamilton Mortimer, 1740–1779

'Poet, from A Midsummer Night's Dream, Act V, Scene i'

1775

unknown artist

A Cavalier

undated

John Hamilton Mortimer, 1740–1779

Tragedy

1778

Henry Ninham, 1793–1874

The Old Mill - Composition

Henry Ninham, 1793–1874

View at Sherrignham, Norfolk

1830

Print made by Samuel William Reynolds, 1773–1835

Death of Captain Alexander Hood

1798

Print made by Francis Legat, 1755–1809

King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)

1790

Samuel William Reynolds, 1773–1835

Louisa Catherine, Marchioness of Sligo

Robert Havell, 1769–1832

Peckwater Quadrangle, Christ Church, Oxford

John Buckler FSA Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.

John Buckler FSA, 1770–1851

Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr

undated