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26201. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26202. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26203. Marriage of Henry the seventh

Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26204. Henry the Seventh's Chapel

Henry the Seventh's Chapel
Creator:
Print made by Edward Rooker, 1724–1774
Date:
undated
Materials & Techniques:
Etching on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26205. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26206. Henry VII Chapel (Exterior)

Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26207. Henry VII's Shrine

Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26208. Henry VII Chapel

Henry VII Chapel
Creator:
William Capon, 1757–1827
Date:
ca. 1793
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Spine:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26209. South East View of the Towers of the Abbey, &c. from College St. Westminster

South East View of the Towers of the Abbey, &c. from College St. Westminster
Creator:
John Carter, 1748–1817
Date:
1782
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26210. Seats in Henry VII Chapel, Westminster Abbey

Seats in Henry VII Chapel, Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26211. Continuation of the Preceeding Ornaments

Continuation of the Preceeding Ornaments
Creator:
Attributed to John Carter, 1748–1817
Date:
1793
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26212. Door-way in Wall of South Precints of Westminster Abbey

Door-way in Wall of South Precints of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26213. View of Modern Gateway in South East Angle of Dean's Yard

View of Modern Gateway in South East Angle of Dean's Yard
Creator:
John Carter, 1748–1817
Date:
between 1780 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26214. Houses Adjacent to Westminster Abbey in the Process of Demolition

Houses Adjacent to Westminster Abbey in the Process of Demolition
Creator:
John Phillipps Emslie, 1839–1913
Date:
1896
Materials & Techniques:
Graphite and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26215. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26216. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
1792
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26217. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26218. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26219. Doorway, Dean's Yard, Westminster

Doorway, Dean's Yard, Westminster
Creator:
Attributed to Sir Charles Barry, 1795–1860
Date:
1837
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26220. South View of the Abbey Church, Westminster, Taken from Dean's Yard

South View of the Abbey Church, Westminster, Taken from Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
1785
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26221. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26222. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26223. Line of Buildings on East Side, Dean's Yard

Line of Buildings on East Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26224. Buildings on North Side, Dean's Yard

Buildings on North Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26225. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26226. Detail for Preceding Elevations

Detail for Preceding Elevations
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26227. Continuation of Details

Continuation of Details
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26228. Buildings on East Side of Dean's Yard

Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26229. Window, Dean's Yard

Window, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26230. A Young Woman in a Blue Striped Dress

A Young Woman in a Blue Striped Dress
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 inches (19.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26231. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26232. Spanish Inquisition

Spanish Inquisition
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26233. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26234. The London Citizen

The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26235. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Preparatory sketch for 'Dr Syntax Sketching the Lake'
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26236. Figure study, Henry VII Chapel

Figure study, Henry VII Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26237. Interior of a Dressing Room with Jack Bannister

Interior of a Dressing Room with Jack Bannister
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26238. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26239. One Way to Stop Your Horse

One Way to Stop Your Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 4 3/8 x 4 5/8 inches (11.1 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26240. A Bit of Blood

A Bit of Blood
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 4 7/16 x 4 7/16 inches (11.3 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26241. The Arrival of a Company of Militia at an Inn

The Arrival of a Company of Militia at an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray and pen and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 5/8 inches (14.9 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26242. Venus Crowned by Cupid

Venus Crowned by Cupid
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, with pen and brown, gray, red-brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26243. Mr. and Mrs. Jolly at their Country House

Mr. and Mrs. Jolly at their Country House
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and red brown ink on medium, lightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26244. Concerto a la Catalani

Concerto a la Catalani
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26245. Valley of Stones, Lynton, Devon

Valley of Stones, Lynton, Devon
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26246. How to Ride Genteel and Agreeably Downhill

How to Ride Genteel and Agreeably Downhill
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 4 3/16 x 4 5/16 inches (10.6 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26247. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26248. The Kill

The Kill
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26249. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26250. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26251. The Esquire's Intrusion

The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26252. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26253. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26254. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26255. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26256. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper laid to card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26257. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26258. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on wove paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26259. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26260. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26261. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26262. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26263. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26264. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26265. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26266. Crowd by a Gibbet

Crowd by a Gibbet
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, smooth, beige wove paper, mounted on board
Dimensions:
Sheet: 6 x 8 3/8 inches (15.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26267. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26268. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26269. Jealousy, Rage, Disappointment...

Jealousy, Rage, Disappointment...
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26270. Mad'elle du de l'Opera

Mad'elle du de l'Opera
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and red-brown, and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26271. Elegant Company Dancing

Elegant Company Dancing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/8 inches (11.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26272. Diners in a Chop Shop

Diners in a Chop Shop
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26273. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26274. Fruit and Nut Picking

Fruit and Nut Picking
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper, mounted on board
Dimensions:
Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26275. Comforts of Bath: Gouty Gourmands at Dinner

Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26276. A Tour in a Cathedral

A Tour in a Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26277. The Sailor's Return

The Sailor's Return
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26278. Rag Fair or Rosemary Lane

Rag Fair or Rosemary Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26279. Two Studies of a (?) French Cavalryman.

Two Studies of a (?) French Cavalryman.
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/4 x 5 3/4 inches (10.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26280. Scene in a Monastery

Scene in a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26281. A Black Leg Detected Secreting Cards

A Black Leg Detected Secreting Cards
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 13/16 inches (12.7 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26282. Dr Syntax Alarmed by a Whale

Dr Syntax Alarmed by a Whale
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26283. A Cavalry Barracks

A Cavalry Barracks
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26284. The Slaughterhouse

The Slaughterhouse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and black and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 x 7 9/16 inches (15.2 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26285. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26286. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26287. Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate
Creator:
Thomas Mann Baynes, 1794–1854
Date:
1836
Materials & Techniques:
Hand colored lithographs
Dimensions:
Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26288. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26289. View of the Thames at Kingston

View of the Thames at Kingston
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26290. Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard
Creator:
Thomas Mann Baynes, 1794–1854
Date:
1836
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26291. Houses at Kingston on the Thames

Houses at Kingston on the Thames
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26292. Houses at Teddington on the Thames

Houses at Teddington on the Thames
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26293. Sketches from Life in Paris: Seated Woman and Standing Man

Sketches from Life in Paris: Seated Woman and Standing Man
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26294. Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose
Creator:
Thomas Mann Baynes, 1794–1854
Date:
1836
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26295. Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose
Creator:
Thomas Mann Baynes, 1794–1854
Date:
1836
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26296. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
ca. 1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26297. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
ca. 1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26298. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
ca. 1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26299. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1756
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26300. Male Nude from Panel of "God Separating the Waters..."

Male Nude from Panel of "God Separating the Waters..."
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection