Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
26202
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
26203
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
26204
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
26205
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
26206
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
26207
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
26208
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
26209
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
26210
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
26211
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
26212
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
26213
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
26214
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
26215
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
26216
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
26217
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
26218
Attributed to John Carter, 1748–1817
Springing of groins
1815
26219
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
26220
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
26221
Print made by James Basire II, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
26222
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
26223
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
26224
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
26225
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
26226
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
26227
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
26228
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
26229
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
26230
Thomas Rowlandson, 1756–1827
A Young Woman in a Blue Striped Dress
undated
26231
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
26232
Thomas Rowlandson, 1756–1827
Spanish Inquisition
undated
26233
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
26234
Thomas Rowlandson, 1756–1827
The London Citizen
undated
26235
Thomas Rowlandson, 1756–1827
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
26236
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
26237
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
26238
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
26239
Thomas Rowlandson, 1756–1827
One Way to Stop Your Horse
undated
26240
Thomas Rowlandson, 1756–1827
A Bit of Blood
undated
26241
Thomas Rowlandson, 1756–1827
The Arrival of a Company of Militia at an Inn
undated
26242
Thomas Rowlandson, 1756–1827
Venus Crowned by Cupid
between 1810 and 1815
26243
Thomas Rowlandson, 1756–1827
Mr. and Mrs. Jolly at their Country House
undated
26244
Thomas Rowlandson, 1756–1827
Concerto a la Catalani
undated
26245
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
26246
Thomas Rowlandson, 1756–1827
How to Ride Genteel and Agreeably Downhill
undated
26247
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
26248
Thomas Rowlandson, 1756–1827
The Kill
undated
26249
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
26250
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
26251
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
26252
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
26253
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
26254
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
26255
unknown artist
Sky study
undated
26256
unknown artist
Sky study
undated
26257
unknown artist
Sky study
undated
26258
unknown artist
Sky study
undated
26259
unknown artist
Sky study
undated
26260
unknown artist
Sky study
undated
26261
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
26262
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
26263
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
26264
unknown artist
Sky study
undated
26265
Thomas Rowlandson, 1756–1827
The Family Picture
1817
26266
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
26267
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
26268
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
26269
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
26270
Thomas Rowlandson, 1756–1827
Mad'elle du de l'Opera
undated
26271
Thomas Rowlandson, 1756–1827
Elegant Company Dancing
undated
26272
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
26273
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
26274
Thomas Rowlandson, 1756–1827
Fruit and Nut Picking
undated
26275
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
26276
Thomas Rowlandson, 1756–1827
A Tour in a Cathedral
undated
26277
Thomas Rowlandson, 1756–1827
The Sailor's Return
undated
26278
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
26279
Thomas Rowlandson, 1756–1827
Two Studies of a (?) French Cavalryman
undated
26280
Thomas Rowlandson, 1756–1827
Scene in a Monastery
undated
26281
Thomas Rowlandson, 1756–1827
A Black Leg Detected Secreting Cards
undated
26282
Thomas Rowlandson, 1756–1827
Dr Syntax Alarmed by a Whale
1812
26283
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
26284
Thomas Rowlandson, 1756–1827
The Slaughterhouse
undated
26285
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
26286
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
26287
Thomas Mann Baynes, 1794–1854
Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate
1836
26288
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
26289
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
26290
Thomas Mann Baynes, 1794–1854
Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard
1836
26291
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
26292
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
26293
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Standing Man
ca. 1835
26294
Thomas Mann Baynes, 1794–1854
Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose
1836
26295
Thomas Mann Baynes, 1794–1854
Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose
1836
26296
Print made by unknown artist
Collection of Prints by Notable Dilettanti
ca. 1780
26297
Print made by unknown artist
Collection of Prints by Notable Dilettanti
ca. 1780
26298
Print made by unknown artist
Collection of Prints by Notable Dilettanti
ca. 1780
26299
Print made by unknown artist
Collection of Prints by Notable Dilettanti
1756
26300
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Male Nude from Panel of "God Separating the Waters..."