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26301. The Prophet Ezekiel

The Prophet Ezekiel
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26302. The Prophet Joel

The Prophet Joel
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26303. The Prophet Jeremiah

The Prophet Jeremiah
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26304. The Prophet Zachariah

The Prophet Zachariah
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26305. The Prophet Jonah

The Prophet Jonah
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26306. Roboam, Ancestor of Christ

Roboam, Ancestor of Christ
Creator:
Print made by Adamo 'Ghisi' Scultori, ca.1530–1585
Date:
1550 to 1585
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26307. View from Port Orotava, Tenerife

View from Port Orotava, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26308. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Mr. Michell's Picture Gallery, Grove House, Enfield 1817
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26309. Venus Seated in Her Chariot

Venus Seated in Her Chariot
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 6 5/8 x 9 1/4in. (16.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26310. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 3/16 x 9in. (20.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26311. The Child Christ and Saint Joseph

The Child Christ and Saint Joseph
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 8 9/16 x 10 1/16in. (21.7 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26312. Virgin Holding Child Christ in Her Arm

Virgin Holding Child Christ in Her Arm
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 9 1/2 x 12 1/4in. (24.1 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26313. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26314. Landscape with a Man Seated on a Hummock Holding a Little Boy

Landscape with a Man Seated on a Hummock Holding a Little Boy
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching printed in red ink
Dimensions:
Sheet: 9 x 12 1/2in. (22.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26315. Landscape with a Ruined Bridge and Figures

Landscape with a Ruined Bridge and Figures
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 3/8 x 10 1/4in. (18.7 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26316. Landscape with a Tree in the Center and Figures in a Boat

Landscape with a Tree in the Center and Figures in a Boat
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 12 3/8in. (20.3 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26317. Landscape with Two Travellers Talking

Landscape with Two Travellers Talking
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 3/4 x 12 3/8in. (22.2 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26318. Labourers at Rest

Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26319. Landscape with a Seated Figure Cleaning a Gun

Landscape with a Seated Figure Cleaning a Gun
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 1/4 x 10 3/4in. (21 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26320. An Eagle Perching on a Branch

An Eagle Perching on a Branch
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 x 6 3/4in. (27.9 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26321. Landscape with a Bridge Connecting Two Parts of a Fortress

Landscape with a Bridge Connecting Two Parts of a Fortress
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 10 7/8in. (20.3 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26322. Caricature of William Conolly

Caricature of William Conolly
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736 to 1747
Materials & Techniques:
Etching
Dimensions:
Sheet: 14 3/8 x 9 3/8in. (36.5 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26323. Landscape with Figures Bathing in a River

Landscape with Figures Bathing in a River
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in red ink
Dimensions:
Sheet: 7 1/4 x 12in. (18.4 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26324. Caricature of the Italian Singer Carnacci

Caricature of the Italian Singer Carnacci
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1738
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/2 x 8 1/2in. (34.3 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26325. Abraham Expelling Hagar and Ishmael

Abraham Expelling Hagar and Ishmael
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 6 1/2 x 8 1/2in. (16.5 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26326. Caricature of a Seated Man with Long Nose

Caricature of a Seated Man with Long Nose
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
ca. 1740
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 5/8 x 8in. (29.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26327. Landscape with Tobias and the Angel

Landscape with Tobias and the Angel
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26328. St. Magdalene in Penitence

St. Magdalene in Penitence
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 16 5/8 x 10in. (42.2 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26329. Landscape with Lake and Herd of Deer

Landscape with Lake and Herd of Deer
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26330. St. Paul Preaching at Athens

St. Paul Preaching at Athens
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 8 1/8 x 10 1/2in. (20.6 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26331. Adoration of the Shepherds

Adoration of the Shepherds
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/4 x 10 1/2in. (21 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26332. View Across the Tiber with the Dome of St. Peter

View Across the Tiber with the Dome of St. Peter
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 3/4 x 10 5/8in. (22.2 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26333. Landscape with Cattle Herder under a Tree

Landscape with Cattle Herder under a Tree
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/2 x 11 3/4in. (21.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26334. Mother Bundle in a Rage or Too late for the Stage

Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1809
Materials & Techniques:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26335. Rest on the Flight to Egypt

Rest on the Flight to Egypt
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26336. Coast View with Aeneas Hunting

Coast View with Aeneas Hunting
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 9 3/4 x 12in. (24.8 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26337. The Raising of Tabitha, St. Peter Kneeled and Praying

The Raising of Tabitha, St. Peter Kneeled and Praying
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 7/8 x 8 1/2in. (20 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26338. The Tomb of Cecilia Metella

The Tomb of Cecilia Metella
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 5/8 x 12 5/8in. (19.4 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26339. The Cloisters of a Monastery

The Cloisters of a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26340. Seascape

Seascape
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 8 1/4 x 12in. (21 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26341. A Sea Port at Sunset with Four Figures

A Sea Port at Sunset with Four Figures
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 5/8 x 11in. (21.9 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26342. An Artist's Studio

An Artist's Studio
Creator:
Thomas Rowlandson, 1756–1827
Date:
1814
Materials & Techniques:
Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26343. A Livery Stable

A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26344. A Timber Waggon

A Timber Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26345. Norwich Market Place

Norwich Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26346. Quakers' Meeting

Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26347. An Officer and his Servant

An Officer and his Servant
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26348. The Bookmaker and his Client outside the Ram Inn, Newmarket

The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26349. Falls on the River Conwy, North Wales

Falls on the River Conwy, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26350. Kitty Overcome

Kitty Overcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26351. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26352. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26353. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26354. Bathers in a Landscape

Bathers in a Landscape
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite; verso: graphite with watercolor stain on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 15/16 inches (15.2 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26355. Alterations in the Ale Cellar at Bullstrode

Alterations in the Ale Cellar at Bullstrode
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26356. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26357. Death and the Debauchee

Death and the Debauchee
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1814 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 8 1/2 inches (13.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26358. The Family of Children

The Family of Children
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26359. The Mausoleum

The Mausoleum
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 x 8 11/16 inches (12.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26360. Death Turned Pilot

Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26361. The Woolpack Inn

The Woolpack Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26362. A Road by a Farm

A Road by a Farm
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/8 inches (14.9 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26363. Two Girls Tippling

Two Girls Tippling
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26364. The Elopement

The Elopement
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26365. Selling Fish on a Beach

Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26366. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26367. Unidentified Castle

Unidentified Castle
Creator:
unknown artist
Date:
ca. 1824
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26368. Study of the Head of a Young Man

Study of the Head of a Young Man
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26369. Leiston Abbey, Suffolk England

Leiston Abbey, Suffolk England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 × 7 3/4 inches (15.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26370. Bungay Castle

Bungay Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26371. Leiston Abbey, Suffolk, England

Leiston Abbey, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, crea, laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26372. Newark Castle, Nottinghamshire

Newark Castle, Nottinghamshire
Creator:
James Moore, 1762–1799
Date:
ca. 1790
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26373. Rumburgh Priory Church, Suffolk, England

Rumburgh Priory Church, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26374. Jedburgh Abbey

Jedburgh Abbey
Creator:
James Moore, 1762–1799
Date:
ca. 1790
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26375. Mettingham Castle, Suffolk, England

Mettingham Castle, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26376. Wingfield Castle

Wingfield Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26377. Walsingham Priory, Norfolk, England

Walsingham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26378. Wingfield Castle

Wingfield Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26379. Refectory of Walsingham

Refectory of Walsingham
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 15/16 inches (15.9 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26380. Ely Cathedral

Ely Cathedral
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 7 15/16 inches (16 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26381. Castle Acre Priory, Norfolk, England

Castle Acre Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26382. Binham Priory, Norfolk, England

Binham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 7 15/16 inches (16.4 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26383. Thetford Priory, Norfolk, England

Thetford Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26384. Walsingham Priory, Norfolk, England

Walsingham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26385. Hadleigh Castle, Essex, England

Hadleigh Castle, Essex, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26386. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26387. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26388. Hadleigh Castle, Essex, England

Hadleigh Castle, Essex, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26389. Stonehenge

Stonehenge
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26390. Study of Sections from the Church of the Holy Ghost

Study of Sections from the Church of the Holy Ghost
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26391. Weymouth Harbour

Weymouth Harbour
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26392. The Esplanade, Weymouth

The Esplanade, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26393. Sandsfoot Castle, Weymouth

Sandsfoot Castle, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26394. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26395. Amsbury Abbey, Wiltshsire, England

Amsbury Abbey, Wiltshsire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26396. Part of Weymouth Harbour, Dorset, England

Part of Weymouth Harbour, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26397. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26398. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26399. Salisbury Cathedral

Salisbury Cathedral
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26400. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection