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William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
John Harris Fores's National Sports: Racing - Returning to Weigh
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
Richard James Lane Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
Richard James Lane Sir Thomas Lawrence
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
Alphonse Legros Alphonse Legros
Print made by Alphonse Legros, 1837–1911
Alphonse Legros
undated
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
unknown artist Thomas Lawrence, Late President of the Royal Academy
unknown artist
Thomas Lawrence, Late President of the Royal Academy
John Faber the Younger Sir Godfrey Kneller
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822
James McArdell
1771
Charles Baugniet Daniel Maclise
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
John Faber the Younger Philippe Mercier
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
John Faber the Younger A Girl Spinning Thread
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
John Faber the Younger The Swain's Amusement
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
John Faber the Younger Young Male Shearing a Sheep
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
Francesco Bartolozzi Ticket for the Theatre Royal, Haymarket
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Theatre Royal, Covent Garden
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Benefit of Mr. Sal Pietro
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
Francesco Bartolozzi Concert Ticket For The Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Francesco Bartolozzi Cupid and Psyche
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Francesco Bartolozzi For the Benefit of Mr. Borghi
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1770
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1778
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi For the Benefit of Mr. Guadagni
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
Francesco Bartolozzi Orpheus and Eurydice
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
Francesco Bartolozzi Hanover Square
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
Francesco Bartolozzi Francis Grose
Print made by Francesco Bartolozzi, 1728–1815
Francis Grose
1787
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Lady Gertrude, Marchioness of Halifax
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
Francesco Bartolozzi John Dunning
Print made by Francesco Bartolozzi, 1728–1815
John Dunning
1787
James Fittler Mail Coach
James Fittler, 1758–1835
Mail Coach
ca. 1787
McLean McLean's Scraps for Albums
McLean, active 1820s
McLean's Scraps for Albums
1826
McLean McLean's Scraps for Albums
McLean, active 1820s
McLean's Scraps for Albums
1826
McLean McLean's Scraps for Albums
McLean, active 1820s
McLean's Scraps for Albums
1826
McLean McLean's Scraps for Albums
McLean, active 1820s
McLean's Scraps for Albums
1826
S. W. Fores Hog Hunting: The Tired Pig
Print made by S. W. Fores, 1761–1838
Hog Hunting: The Tired Pig
ca. 1840
Richard Gilson Reeve Fox Hunting: The Death
Richard Gilson Reeve, 1803–1889
Fox Hunting: The Death
1808
Richard Gilson Reeve Fox Hunting: Full Cry
Richard Gilson Reeve, 1803–1889
Fox Hunting: Full Cry
1808
S. W. Fores Hog Hunting: The Charge
Print made by S. W. Fores, 1761–1838
Hog Hunting: The Charge
ca. 1840
S. W. Fores Hog Hunting: The Burst
S. W. Fores, 1761–1838
Hog Hunting: The Burst
ca. 1840
Richard Gilson Reeve Fox Hunting: Huntsman and hounds at inn-side
Richard Gilson Reeve, 1803–1889
Fox Hunting: Huntsman and hounds at inn-side
1808
T. J. Rawlins Jorrock's Sporting Lecture. Plate 2. Ah! Mon Ami! Prenez garde!
T. J. Rawlins, active 1837–1840
Jorrock's Sporting Lecture. Plate 2. Ah! Mon Ami! Prenez garde!
undated
Edward Bell Fox Hunting. 4. The Death
Edward Bell, active 1794–1847
Fox Hunting. 4. The Death
1800-1801
Edward Bell Fox Hunting. 2. Going into Cover
Edward Bell, active 1794–1847
Fox Hunting. 2. Going into Cover
1800-1801
T. Simpson 3. Duck Shooting
T. Simpson, active 1790–1814
3. Duck Shooting
1790
J. Wells 4. Snipe Shooting
J. Wells, active 1780–1791
4. Snipe Shooting
1789
T. Simpson 2. Hare Shooting
T. Simpson, active 1790–1814
2. Hare Shooting
1790
Edward Bell Fox Hunting. 3. The Check
Edward Bell, active 1794–1847
Fox Hunting. 3. The Check
1800-1801
Charles Turner Cock Fighting [a pair]: 2. The Trimm'd Cock
Charles Turner, 1774–1857
Cock Fighting [a pair]: 2. The Trimm'd Cock
1835 (re-issue of 1812)
Nicolas Beatrizet Pantheum Romanum nunc Mariae Cognomento
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
between 1546 and 1590
Crispyn de Passe the Elder Portrait of Queen Elizabeth I
Attributed to Crispyn de Passe the Elder, ca. 1565–1637
Portrait of Queen Elizabeth I
1596
Thomas Sutherland Set of four - 2. Partridge Shooting
Thomas Sutherland, ca. 1785–1838
Set of four - 2. Partridge Shooting
1817
Henry Thomas Alken Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
Thomas Sutherland Set of four - 3. Wild Duck Shooting
Thomas Sutherland, ca. 1785–1838
Set of four - 3. Wild Duck Shooting
1817
Henry Thomas Alken Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
Thomas Sutherland Set of four - 4. Bittern Shooting
Thomas Sutherland, ca. 1785–1838
Set of four - 4. Bittern Shooting
1817
Henry Thomas Alken Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
Henry Thomas Alken Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
Henry Thomas Alken Set of four: Comparative Sporting. 3. Partridge Shooters/The Right Sort
Henry Thomas Alken, 1785–1851
Set of four: Comparative Sporting. 3. Partridge Shooters/The Right Sort
Henry Thomas Alken Set of four: Comparative Sporting. 4. Partridge Shooters/The Wrong Sort.
Henry Thomas Alken, 1785–1851
Set of four: Comparative Sporting. 4. Partridge Shooters/The Wrong Sort
Henry Thomas Alken Set of four: Comparative Sporting. 2. Grouse Shooting/The Wrong Sort
Henry Thomas Alken, 1785–1851
Set of four: Comparative Sporting. 2. Grouse Shooting/The Wrong Sort