The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
27702
James Gillray, 1756–1815
The Castle in the Moon
1782
27703
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
27704
James Gillray, 1756–1815
The Fall of Phaeton
1788
27705
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
27706
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
27707
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
27708
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
27709
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
27710
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
27711
James Gillray, 1756–1815
Patience on a Monument
1791
27712
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
27713
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
27714
James Gillray, 1756–1815
Brisk Cathartic
1804
27715
James Gillray, 1756–1815
Wha Wants Me?
1792
27716
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
27717
James Gillray, 1756–1815
National Conveniences
1796
27718
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
27719
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
27720
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
27721
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
27722
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
27723
James Gillray, 1756–1815
Fashionable Jockeyship
1796
27724
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
27725
James Gillray, 1756–1815
The Grand - Signior retiring
1796
27726
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
27727
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
27728
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
27729
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
27730
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
27731
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
27732
James Gillray, 1756–1815
Evacuation of Malta
1803
27733
James Gillray, 1756–1815
Duke William's Ghost
1799
27734
James Gillray, 1756–1815
Playing in Parts
1801
27735
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
27736
James Gillray, 1756–1815
Palemon and Lavinia
1805
27737
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
27738
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
27739
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
27740
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
27741
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
27742
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
27743
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
27744
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
27745
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
27746
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
27747
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
27748
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
27749
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
27750
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
27751
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
27752
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
27753
Benjamin Robert Haydon, 1786–1846
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
27754
Amos Green, 1735–1807
Views in England, Scotland and Wales
1803
27755
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies
27756
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
27757
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
27758
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
27759
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
27760
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
27761
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
27762
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
27763
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
27764
unknown artist
Sky study
undated
27765
unknown artist
The Pottery Shop
undated
27766
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
27767
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
27768
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
27769
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
27770
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
27771
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
27772
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
27773
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
27774
Thomas Rowlandson, 1756–1827
A Death-Bed Scene
undated
27775
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
27776
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
undated
27777
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
27778
Thomas Rowlandson, 1756–1827
Chess Players
undated
27779
Thomas Rowlandson, 1756–1827
Jack Bannister in his Dressing Room
1783
27780
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
27781
Thomas Rowlandson, 1756–1827
Sleeping Woman Watched by a Man
undated
27782
Robert Smirke, 1752–1845
Smirke [Shakespeare] Album
27783
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
27784
Thomas Rowlandson, 1756–1827
Shipwrecked Sailors
undated
27785
Robert Smirke, 1752–1845
Olivia and Maria
1822
27786
George Vertue, 1684–1756
Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour
1742
27787
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
27788
Thomas Rowlandson, 1756–1827
Dr O'Meara Preaching
1809
27789
Thomas Rowlandson, 1756–1827
A Park Scene
undated
27790
Sir Richard Colt Hoare, 1758–1838
Album B1977.14.9345-9394.Select Views in Saxony, France, Spain, Elba, Italy, Sicily, from original Drawings made on the spot by Sir Richard Colt Hoare, Bart., reduced and coloured by John Smith
ca. 1817
27791
Thomas Rowlandson, 1756–1827
A Mother and Child
undated
27792
Sir Richard Colt Hoare, 1758–1838
One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"