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28301. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28302. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28303. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28304. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28305. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28306. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28307. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28308. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28309. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28310. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28311. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28312. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28313. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28314. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28315. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28316. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28317. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28318. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28319. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28320. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28321. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28322. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28323. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28324. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28325. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28326. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28327. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28328. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28329. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28330. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28331. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28332. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28333. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28334. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28335. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28336. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28337. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28338. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–ca. 1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28339. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28340. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28341. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28342. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28343. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28344. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28345. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28346. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28347. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28348. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28349. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28350. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28351. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28352. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28353. Frontispiece: Hercules Fighting the Hydra

Frontispiece: Hercules Fighting the Hydra
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28354. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28355. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28356. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28357. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28358. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28359. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28360. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28361. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28362. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28363. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28364. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28365. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28366. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28367. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28368. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28369. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28370. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28371. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28372. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28373. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28374. Three Deer

Three Deer
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/4 × 10 3/4 inches (31.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28375. Buck and Doe

Buck and Doe
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/16 inches (16.2 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28376. The Escurial

The Escurial
Creator:
unknown artist
Date:
1809
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28377. Judith, or Cowper's Oak

Judith, or Cowper's Oak
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1803-1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28378. Lion Lying Down

Lion Lying Down
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28379. Mountainous landscape with winding river and castle

Mountainous landscape with winding river and castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with pale brown wash
Dimensions:
Sheet: 11 3/8 x 15 1/2in. (28.9 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28380. Fir Trees in a Mountain Landscape

Fir Trees in a Mountain Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 3/8 x 9 7/8 inches (16.2 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28381. Classical Landscape with Two Figures on Lake Shore

Classical Landscape with Two Figures on Lake Shore
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/4 inches (13.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28382. Landscape with Two Figures on a Road

Landscape with Two Figures on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28383. Newcastle Cathedral

Newcastle Cathedral
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Pastel and black chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/4 × 12 3/4 inches (21 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28384. Study of Rocks

Study of Rocks
Creator:
John Brett, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium, textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28385. A Ruined Castle

A Ruined Castle
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Black chalk and pastel on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28386. The Lake at Holkham, Norfolk

The Lake at Holkham, Norfolk
Creator:
Henry Bright, 1810–1873
Date:
1836
Materials & Techniques:
Pastel and black chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/2 inches (24.8 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28387. Cottages at Oxford

Cottages at Oxford
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Graphite with stumping on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28388. St. Paul's Church, Covent Garden, after the fire

St. Paul's Church, Covent Garden, after the fire
Creator:
Edward Dayes, 1763–1804
Date:
1795
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28389. Brechin Cathedral and round tower, Forfarshire, Scotland

Brechin Cathedral and round tower, Forfarshire, Scotland
Creator:
Edward Dayes, 1763–1804
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28390. Jedburgh Abbey, Roxburghshire

Jedburgh Abbey, Roxburghshire
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28391. Melrose Abbey, Roxburghshire

Melrose Abbey, Roxburghshire
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor and graphite and pen and black ink on medium slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28392. Llanthony Abbey, Monmouthshire

Llanthony Abbey, Monmouthshire
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28393. A Cottage near Southampton

A Cottage near Southampton
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 11 3/8 inches (21.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28394. Buildwas Abbey, Shropshire

Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28395. Hedingham Castle, Essex

Hedingham Castle, Essex
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1791
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28396. Exeter Cathedral and neighboring buildings

Exeter Cathedral and neighboring buildings
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28397. Appleby, Westmoreland

Appleby, Westmoreland
Creator:
Edward Dayes, 1763–1804
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28398. Conway Castle, Caernarvonshire

Conway Castle, Caernarvonshire
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured cream laid paper mounted to thick beige card
Dimensions:
Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28399. Durham Cathedral

Durham Cathedral
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 15 3/8 inches (26.4 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28400. Elgin Cathedral, Moray

Elgin Cathedral, Moray
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection