The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
2903
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
2904
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
2905
Print made by William Blake, 1757–1827
Illustrations of The Book of Job
1826
2906
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
2907
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
2908
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
2909
Text by William Blake, 1757–1827
A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
2910
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
2911
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
2912
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
2913
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
2914
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
2915
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
2916
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
2917
Print made by William Blake, 1757–1827
Pericles, Frontispiece
1800
2918
Print made by William Blake, 1757–1827
The Death of Demosthenes
1800
2919
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
2920
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
2921
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2922
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2923
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
2924
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
2925
Edward Lear, 1812–1888
Gozo, near Malta
1866
2926
Edward Lear, 1812–1888
Albania
between 1848 and 1849
2927
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
2928
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
2929
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
2930
Edward Lear, 1812–1888
A Weasel
1832
2931
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
2932
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
2933
Edward Lear, 1812–1888
Turin, Italy
after 1872
2934
Edward Lear, 1812–1888
View near Palermo
1847
2935
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
2936
Edward Lear, 1812–1888
Catania
1847
2937
Edward Lear, 1812–1888
A View of the Harbour at Cannes
1869
2938
Edward Lear, 1812–1888
Jericho, 7 May 1858
1858
2939
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
2940
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
2941
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
2942
Edward Lear, 1812–1888
New Harbour, Malta
1866
2943
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
2944
Edward Lear, 1812–1888
Oasis Village
1854
2945
Edward Lear, 1812–1888
A Study of Ferns, Civitella
1842
2946
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
2947
Edward Lear, 1812–1888
Palermo
2948
Edward Lear, 1812–1888
Palermo
2949
Edward Lear, 1812–1888
Palermo
2950
Edward Lear, 1812–1888
Vignette
2951
Edward Lear, 1812–1888
Rocca di Falconiera
2952
Edward Lear, 1812–1888
Borghetto
2953
Edward Lear, 1812–1888
Cefalù
2954
Edward Lear, 1812–1888
Monte Pellegrino
2955
Edward Lear, 1812–1888
Segesta
2956
Edward Lear, 1812–1888
Cefalù
2957
Edward Lear, 1812–1888
Termini
2958
Edward Lear, 1812–1888
Segesta
2959
Edward Lear, 1812–1888
Landscape Study
2960
Edward Lear, 1812–1888
Sommantino
2961
Edward Lear, 1812–1888
Favara
2962
Edward Lear, 1812–1888
Agrigento
2963
Edward Lear, 1812–1888
Pantalica
2964
Edward Lear, 1812–1888
Landscape Study with Ancient Ruins
2965
Edward Lear, 1812–1888
Agrigento
2966
Edward Lear, 1812–1888
Pantalica
2967
Edward Lear, 1812–1888
Syracuse
ca. 1845
2968
Edward Lear, 1812–1888
Agrigento
2969
Edward Lear, 1812–1888
Catania
2970
Edward Lear, 1812–1888
Taormina
2971
Edward Lear, 1812–1888
Castel D'Aci
2972
Edward Lear, 1812–1888
Syracuse
2973
Edward Lear, 1812–1888
Taormina
2974
Edward Lear, 1812–1888
Syracuse
2975
Edward Lear, 1812–1888
Mola
2976
Edward Lear, 1812–1888
Graphite sketch on loose sheet
2977
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
2978
Edward Lear, 1812–1888
Sketchbook of Shipping Scenes, from August 1845 to July 1846
1845 to 1846
2979
Edward Lear, 1812–1888
Views of Sicily
2980
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
2981
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
2982
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
2983
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
2984
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
2985
George Romney, 1734–1802
A Seated Woman
early 1770s
2986
George Romney, 1734–1802
Achilles Wounded
undated
2987
George Romney, 1734–1802
Learning to Walk
undated
2988
George Romney, 1734–1802
Study of a Lady Standing
undated
2989
George Romney, 1734–1802
The Wave
undated
2990
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
late 1780s-early 1790s
2991
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
2992
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
2993
George Romney, 1734–1802
A Pensive Lady
early 1770s
2994
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
2995
George Romney, 1734–1802
Studies of a Seated Woman
undated
2996
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet, Frontispiece; Imitation of Eclogue I
1821, reprinted 1977
2997
Wood block engraved by William Blake, 1757–1827
Thenot Remonstrates with Colinet; Imitation of Eclogue I
1821, reprinted 1977
2998
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I
1821, reprinted 1977
2999
Wood block engraved by William Blake, 1757–1827
Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I
1821, reprinted 1977
3000
Wood block engraved by William Blake, 1757–1827
Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I