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Credit Line Yale Center for British Art, Paul Mellon Collection
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![John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte](/assets/not_available1-cc1bd2f8edc5bcb82cb88424295cf375a9258383b6c72f37ec36bb6c3fbb9020.png)
33601
- [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
- 1802-1804
33602
- 2. A rowing eight at Oxford
- 1824
33603
- Set of four: Sporting Illustrations. 2. The Moor
- 1837
33604
- Set of four: Sporting Illustrations. 4. The Field
- 1837
33605
- Set of four: Sporting Illustrations. 3. The Water
- 1837
33606
- Set of four: 2. Mounting
- ca. 1817
33607
- Set of four: 4. Racing
- ca. 1817
33608
- Set of four: 3. Starting
- ca. 1817
33609
- Set of six: The High Mettled Racer
- 1821
33610
- Set of six: The High Mettled Racer
- 1821
33611
- Set of six: The High Mettled Racer
- 1821
33612
- Set of four [Steeple-chasing]: 4. Towards the Winning Post
- 1837
33613
- Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
- 1827
33614
- Set of four: 3. Pheasant Shooting
- 1825
33615
- Fox Hunting [set of four]: 2. Breaking Cover
- 1838
33616
- Fox Hunting [set of four]: 3. Full Cry
- 1838
33617
- Coursing [a pair]: 2. Coursing, a View in Hatfield Park
- 1824
33618
- Shooting [set of four]: 1. Pheasant Shooting
- 1822
33619
- Shooting [set of four]: 3. Partridge Shooting
- 1822
33620
- Plan of the Proposed Improvements in Westminster
- undated
33621
- Elements of Drawing
33622
- 75 Etchings of Landscape and Genre Scenes
33623
- Shooting [set of four]: 2. Shooters Refreshing
- 1822
33624
- Racing [set of four]: Coursing. Plate 4. View near Epsom
- 1821
33625
- [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
- ca. 1835
33626
- [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
- ca. 1835
33627
- [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
- 1836
33628
- [Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
- undated
33629
- [Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
- undated
33630
- Fox Chase. Plate 2
- 1817
33631
- Plate 2. Hounds coursing a hare
- 1807
33632
- Plate 4. Snipe Shooting, November
- 1836
33633
- Plate 2. Partridge Shooting, September
- 1836
33634
- Shooting: 4. Grouse
- 1852
33635
- Set of six: The High Mettled Racer
- 1821
33636
- Set of six: The High Mettled Racer
- 1821
33637
- Set of four: 4. The Race: Coming in
- 1824
33638
- Set of four: 3. Weighing and Rubbing Down
- 1824
33639
- Set of four: 2. Starting
- 1824
33640
- [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale
- 1844
33641
- [Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale
- 1844
33642
- Set of four [Steeple-chasing]: 3 Over the Brook
- 1837
33643
- Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
- 1826
33644
- Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
- 1827
33645
- Set of four: 4. Wild Duck Shooting
- 1825
33646
- Set of three: Kangaroo Hunting. No 2. The Chase
- 1858
33647
- Set of four: 3. Woodcock Shooting
- undated
33648
- Set of four: 2. Pheasant Shooting
- undated
33649
- Set of four: 4. Duck Shooting
- undated
33650
- Ticket for the Benefit of Mr. Giardini
33651
- Ticket for the Benefit of Mr. Giardini
33652
- Wood-Cock Shooting
- 1808
33653
- Red Grouse
- 1808
33654
- Pheasant Shooting
- 1807
33655
- Puffin Shooting
- 1810
33656
- Fox Chase. Plate 3
- 1817
33657
- Plate 3. Pheasant Shooting, October
- 1836
33658
- Plate 5. Woodcock Shooting, December
- 1836
33659
- Plate 6. Water Fowl Shooting, January
- 1836
33660
- Shooting: 3. Black Game
- 1852
33661
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33662
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33663
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33664
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33665
- Olney Church
- 1803-1804
33666
- The Peasant's Nest
- 1803-1804
33667
- Gymnastics for Youth
- 1800
33668
- Gymnastics for Youth
- 1800
33669
- Gymnastics for Youth
- 1800
33670
- Gymnastics for Youth
- 1800
33671
- Gymnastics for Youth
- 1800
33672
- Gymnastics for Youth
- 1800
33673
- Gymnastics for Youth
- 1800
33674
- Gymnastics for Youth
- 1800
33675
- Gymnastics for Youth
- 1800
33676
- Portrait of Master Cornelius Stovey, at Doncaster
- 1810
33677
- Cowper's Summer House
- 1803-1804
33678
- Gymnastics for Youth
- 1800
33679
- The Elms
- 1803-1804
33680
- The Shrubbery
- 1803-1804
33681
- The Temple in the Wilderness
- 1803-1804
33682
- The Rustic Bridge
- 1803-1804
33683
- Weston Lodge
- 1803-1804
33684
- The Alcove from the Avenue
- 1803-1804
33685
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33686
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33687
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33688
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33689
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33690
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33691
- Belah Viaduct
- 1869
33692
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33693
- Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
- 1796
33694
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33695
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33696
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33697
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33698
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33699
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
33700
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796