Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34141. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34142. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34143. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34144. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34145. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34146. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34147. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34148. An Album of twenty-five Agricultural Sketches

Creator:: Edward Duncan, 1803–1882
Date:: 1857
Materials & Techniques:: Each graphite, pen and brown ink, one with brown wash
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34149. Sketches 1861

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Album of drawings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34150. Sketches in Syria, by Robert Cockburn, Royal Artillery, Euphrates Expedition, 1835-1836

Creator:: Robert Cockburn, 1812–1836
Date:: 1835-1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34151. View of Amsterdam

Creator:: Johann Teyler, 1648–1697
Date:: ca. 1670
Materials & Techniques:: Engraving with watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34152. Volume 1, Drawings and Manuscripts

Creator:: James Moore, 1762–1799
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34153. Norfolk: Picturesque Scenery. Norwich 1834

Creator:: John Crome, 1768–1821
Date:: 1834
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34154. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34155. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34156. View Leading from St Stephen's Chapel to Speaker's Room &c.

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite, brown and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 8 inches (30.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34157. St Stephen's Chapel

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34158. Ruins at Westminster

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 5/8 inches (28.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34159. Gateway Leading into Dean's Yard

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34160. Constitutional Watchmen

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Dimensions:: Sheet: 21 7/8in. (55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34161. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34162. Coronation of Charles II, 1661

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1662
Materials & Techniques:: Etching and engraving
Dimensions:: Plate: 14 7/8 x 19 1/4in. (37.8 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34163. Coronation of Charles II, 1661

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1662
Materials & Techniques:: Etching and engraving
Dimensions:: Plate: 14 7/8 x 19 1/4in. (37.8 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34164. Coronation of Charles II, 1661

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1662
Materials & Techniques:: Etching and engraving
Dimensions:: Plate: 14 7/8 x 19 1/4in. (37.8 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34165. Views of India and Ceylon

Creator:: Charles Hamilton Smith, 1776–1859
Date:: between 1809 and 1820
Materials & Techniques:: Album of drawings in atercolor and graphite on moderately thick, moderately textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34166. Six Views on Clapham Common, London

Creator:: Joseph Powell, 1780–1834
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34167. Four Engravings of Landscape. London, 1815

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34168. Eight Engravings of Ruins. London, 1750.

Creator:: Francois Vivares, 1709–1780
Date:: 1750
Materials & Techniques:: Engravings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34169. [One of Six] Landscape. London, 1799.

Creator:: unknown artist
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34170. Six Landscapes from Original Paintings. Westminster, 1772-1773.

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: Westminster, 1772-1773
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34171. A Volume containing 10 soft ground etchings after Gainsborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint
Dimensions:: Spine: 12 5/16in. (31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34172. Etchings by R. C. Lucas

Creator:: Print made by Richard Cockle Lucas, 1800–1883
Date:: between 1837 and 1874
Materials & Techniques:: Bound album of 108 etchings and 3 photographs on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34173. A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs

Creator:: Prints made by Cecelia Lucy Brightwell, 1811–1875
Materials & Techniques:: Etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34174. A Collection of Plates of Classical Figures Dedicated to the Contess of Bessborough

Creator:: Carlo Labruzzi, 1748–1817
Date:: ca. 1790
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34175. The Knowsley Gallery

Creator:: Hamlet Winstanley, 1698–1756
Date:: 1728-1729
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34176. John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

Creator:: Print made by Joseph Strutt, 1749–1802
Date:: 1788 to 1791
Materials & Techniques:: Stipple engravings with etching bound in blue morocco on medium, slightly textured, cream laid paper
Dimensions:: Overall: 10 1/4 × 11 3/4 × 3/4 inches (26 × 29.8 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34177. The Mouse Trap

Creator:: Charles Rosenberg, active 1790–1820
Date:: between 1790 and 1820
Materials & Techniques:: Original aquatint copper-plate with two experimental prints in color
Dimensions:: Sheet: 13 11/16 x 10 1/2in. (34.8 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34178. Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker.

Creator:: Mary Dawson Turner, 1774–1850
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34179. Specimen Book of Proof Impressions from His Work

Creator:: William Tegg, 1816–1895
Date:: 1833-1837
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34180. Album of Twenty Etchings of Shakespearian Subjects

Creator:: Carolina Leighton, active 1796
Date:: 1796
Materials & Techniques:: Etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34181. Thirty-six ink and wash drawings of animals in one volume with manuscript text

Creator:: J. Unthank
Date:: Watermarked 1806
Materials & Techniques:: Pen and wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34182. Caricatures. London, 1782-1800.

Creator:: James Gillray, 1756–1815
Date:: 1782-1800
Materials & Techniques:: Engravings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34183. Published by Thomas Burford. Six Landscapes from Original Paintings. Westminster, 1772

Creator:: Thomas Burford, ca. 1710–after 1774
Date:: 1772
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34184. Boy with a Donkey and a Horse and a Rider

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34185. Young Northamptonshire

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34186. Plan of the Third battle of Serbraxos fought 23 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34187. Mill on a Canal

Creator:: T. Lewis
Materials & Techniques:: Proof
Dimensions:: Sheet: 8 x 11 3/4in. (20.3 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34188. Mill on a Canal

Creator:: T. Lewis
Materials & Techniques:: Proof
Dimensions:: Sheet: 8 x 11 3/4in. (20.3 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34189. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34190. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34191. Landscape with Watermill after a drawing attributed to Rembrandt by F.C. Lewis

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34192. A Prince of the Old School (Boothby Clopton)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 7 1/2in. (24.8 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34193. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Falls on the Passaick, or Second River, in the Province of New Jersey. The height of the Fall between Eighty and Ninety feet...

Creator:: Paul Sandby, 1731–1809
Date:: 1761
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 3/8 x 20 1/2in. (34 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34194. Views of Quebec: View of the River St. Lawrence, Falls of Montmorenci from the Island of Orleans

Creator:: John William Edy, 1760–1820
Date:: 1795
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 21 3/16 x 29 5/8in. (53.8 x 75.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34195. View of the City of New York: A South West View of the City of New York in North America

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1763
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/4 x 20 13/16in. (33.7 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34196. Four Aquatints of American Scenery: Hudsons River, from Chambers Creek looking thro' the High Lands

Creator:: Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/8 x 20 3/4in. (38.4 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34197. Four Aquatints of American Scenery: New York from the Hobuck Ferry House New Jersey

Creator:: Francis Jukes, 1747–1812
Date:: 1800
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 7/8 x 19 3/4in. (40.3 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34198. A View in the Island of Jamaica of the Bridge crossing the Cabaritta River on the Estate of William Beckford Esqr.

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving
Dimensions:: Image: 13 3/4 x 20 1/2in. (34.9 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34199. A View in the Island of Jamaica, of the Bridge crossing the River Cobre near Spanish Town

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34200. Scenographia Americana: A South West View of Port Royal in the Island of Guadaloupe

Creator:: Peter P. Benazech, 1767–1794
Date:: 1758-1760
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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34101. Scenographia Americana: A View of Miramichi, a French Settlement in the Gulf of St. Lawrence, destroyed by Brigadier Murray detached by General Wolfe for that purpose, from the Bay of Gaspe

34102. Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758

34103. Scenographia Americana: A View of the City of Quebec, the Capital of Canada, Taken partly from Pointe des Peres, and partly on Board the Vanguard Man of War by Captain Hervey Smyth

34104. Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks

34105. Scenographia Americana: A North View of Port Royal in the Island of Guadaloupe, when in Possession of his Majesty's Forces in 1759

34106. Western Views: Saline Camp and Phantom City (Kansas)

34107. Western Views: Gang of Elk. - Saline River.

34108. Western Views: Buffalo Hunt, Oct. 18th, 1866 (Soloman & Saline Divide)

34109. Western Views: Cheyennes, Arapehoes, Comanches [a council with Col. Wine Coope, Indian Commissioner, U.S.A., with J. Smith, interpreter.]

34110. Western Views: Arapehoes and Cheyennes (Pawnee Fork) "Buffaloe Surround"

34111. Western Views: North Forks of Soloman, "Indians"

34112. Western Views: Fort Riley (showing an early railway train)

34113. Western Views: Little Raven's Tent

34114. Western Views: An Unexpected Return. "We Gues't You Was Gobbled By Injuns".

34115. Western Views: Great Bend of Arkansaw River (Arapehoe Camp)

34116. Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

34117. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34118. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34119. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34120. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34121. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34122. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34123. Illustrations to C. J. Apperley ('Nimrod'), "Memoirs of the Life of the late John Mytton, Esq."

34124. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34125. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34126. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34127. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34128. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34129. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34130. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34131. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34132. Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"

34133. "Mr. Sponge's Sporting Tour"

34134. "Mr. Sponge's Sporting Tour"

34135. "Mr. Sponge's Sporting Tour"

34136. "Mr. Sponge's Sporting Tour"

34137. "Mr. Sponge's Sporting Tour"

34138. "Mr. Sponge's Sporting Tour"

34139. "Mr. Sponge's Sporting Tour"

34140. An Album of twenty-five Agricultural Sketches

34141. An Album of twenty-five Agricultural Sketches

34142. An Album of twenty-five Agricultural Sketches

34143. An Album of twenty-five Agricultural Sketches

34144. An Album of twenty-five Agricultural Sketches

34145. An Album of twenty-five Agricultural Sketches

34146. An Album of twenty-five Agricultural Sketches

34147. An Album of twenty-five Agricultural Sketches

34148. An Album of twenty-five Agricultural Sketches

34149. Sketches 1861

34150. Sketches in Syria, by Robert Cockburn, Royal Artillery, Euphrates Expedition, 1835-1836

34151. View of Amsterdam

34152. Volume 1, Drawings and Manuscripts

34153. Norfolk: Picturesque Scenery. Norwich 1834

34154. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

34155. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

34156. View Leading from St Stephen's Chapel to Speaker's Room &c.

34157. St Stephen's Chapel

34158. Ruins at Westminster

34159. Gateway Leading into Dean's Yard

34160. Constitutional Watchmen

34161. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

34162. Coronation of Charles II, 1661

34163. Coronation of Charles II, 1661

34164. Coronation of Charles II, 1661

34165. Views of India and Ceylon

34166. Six Views on Clapham Common, London

34167. Four Engravings of Landscape. London, 1815

34168. Eight Engravings of Ruins. London, 1750.

34169. [One of Six] Landscape. London, 1799.

34170. Six Landscapes from Original Paintings. Westminster, 1772-1773.

34171. A Volume containing 10 soft ground etchings after Gainsborough

34172. Etchings by R. C. Lucas

34173. A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs

34174. A Collection of Plates of Classical Figures Dedicated to the Contess of Bessborough

34175. The Knowsley Gallery