Edward IV King of England and France, Lord of Ireland
1732
5305
unknown artist
Gray
5306
James Heath, 1757–1834
Portrait of a Man (Duke of Bridgewater ?)
undated
5307
Henry Hulsberg, active 1700s–died 1729
Bulstrodus Whitlocke, Eques. Aurat
undated
5308
Print made by James Hopwood, ca. 1752–1819
Thomas Gray
5309
George Vertue, 1684–1756
Queen Mary I
1732
5310
George Vertue, 1684–1756
Philip II King of Spain
1735
5311
unknown artist
Monument of Francis Earl of Huntington, at Ashbly, taken in 1800
5312
Joseph Sympson, active 1725–died 1736
Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster
undated
5313
John Raphael Smith, 1752–1812
Joseph Warton, D.D. Master of Winchester College
1777
5314
George Vertue, 1684–1756
His Excellency Thomas Earl of Strafford
1714
5315
George Vertue, 1684–1756
King Henry VI
1732
5316
Robert Blyth, 1750–1784
Caius Marius Sitting on the Ruins of Carthage
1781
5317
William Camden Edwards, 1777–1855
Study of a Head of a Man
5318
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
5319
Jacob Hogg, active 1751
Canterbury Tales: The Sompnour Devil and the Old Woman (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
5320
John Keyse Sherwin, c.1751–1790
Lancelot Brown Esq
ca. 1769
5321
James S. Storer, 1771–1853
Burnham Abbey, Bucks
5322
Print made by Charles Heath, 1785–1848
Thomas Gray
undated
5323
George Vertue, 1684–1756
King William the Conquerer
1745
5324
James S. Storer, 1771–1853
Eton College, Bucks
5325
John Le Keux, 1783–1846
Salisbury Cathedral Church. View of the North Aisle Looking West
5326
George Vertue, 1684–1756
Edward III, King of England and France
1732
5327
Print made by James Basire, 1730–1802
Mr. Thomas Gray
ca. 1771
5328
Jacob Hogg, active 1751
Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
5329
John Keyse Sherwin, c.1751–1790
Canterbury Tales: January and May (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
5330
George Vertue, 1684–1756
Richard III, King of England
1732
5331
Print made by George Vertue, 1684–1756
King Henry VII and Elizabeth of York, Queen of England
5332
Jacob Hogg, active 1751
Canterbury Tales: The Frere and Thomas (Notes to number 77-78 of Catalogue Mortimer Exhibition 1968)
1787
5333
George Vertue, 1684–1756
Edward I, King of England, Lord of Ireland and Duke of Aquitaine
undated
5334
William Holl II, 1807–1871
Adam Smith
5335
George Vertue, 1684–1756
Edward Prince of Wales and Aquitaine, Duke of Cornwall
undated
5336
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
5337
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
5338
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
5339
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
5340
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
5341
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
5342
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
5343
Edward Scriven, 1775–1841
Mary Queen of Scots
5344
Edward Scriven, 1775–1841
Sir Frederick William Herschel
ca.1830
5345
Print made by George F. Schmidt, 1712–1775
Felice Salimbeni
1751
5346
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
5347
Giovanni Battista Cipriani, 1727–1785
John Milton
5348
George Dawe, 1781–1829
Francis Blomefield A.M. F.S.A
1805
5349
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
5350
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
5351
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
5352
Charles Howard Hodges, 1764–1837
Rev. Thomas Warton
1784
5353
Print made by Robert Blyth, 1750–1784
The Captive
1781
5354
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
5355
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
5356
unknown artist
Birthplace of John Gibson R.A. Near Conway, North Wales
undated
5357
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
5358
unknown artist
A Cavalier
undated
5359
Charleton Nesbit, 1775–1838
Prospectus for the largest engraving on wood ever attempted
5360
John Hamilton Mortimer, 1740–1779
Tragedy
1778
5361
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
5362
unknown artist
West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
1805
5363
unknown artist
Two Greyhounds Chasing a Hare
undated
5364
unknown artist
Court Dress of the Duchess of Orleans and a Spanish Lady 1690, n.d
undated
5365
Henry Ninham, 1793–1874
Bridge and Mill
1875
5366
John Buckler FSA, 1770–1851
Title page for: Drawings of Droitwich and its Environs
undated
5367
Henry Ninham, 1793–1874
At Hellesdon
1831
5368
Henry Ninham, 1793–1874
The Old Mill - Composition
5369
Henry Ninham, 1793–1874
Cottage and River Scene
5370
unknown artist
North West View of Richmond, (from Eastby Abbey)
1812
5371
Henry Ninham, 1793–1874
On Charing Cross, Norwich
1842
5372
Joseph Constantine Stadler, active 1780–1812
The Pump Room at Bath
1801
5373
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
5374
Henry Ninham, 1793–1874
View at Sherrignham, Norfolk
1830
5375
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
5376
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
5377
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
5378
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
5379
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
5380
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787
5381
Charles Mosley, c.1720–c.1770
An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751
5382
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
5383
Robert Havell, 1769–1832
Peckwater Quadrangle, Christ Church, Oxford
5384
George Bernard O'Neill, 1828–1917
Group inspecting boy's Drawing
5385
after Henry William Brewer, 1836–1903
Aldgate A.D. 1531
undated
5386
Isaac Taylor, 1759–1829
The Murder of David Rizzio on the 9th of March 1566
1803
5387
Samuel William Reynolds, 1773–1835
Louisa Catherine, Marchioness of Sligo
5388
Benjamin Cole, 1697–1783
The Navy Office in Broad Street
undated
5389
unknown artist
Georgina, Lady Leicester
5390
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
5391
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
5392
John Buckler FSA, 1770–1851
Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr
undated
5393
unknown artist
Back of Saracen's Head Inn, Aldgate
1911
5394
John Bluck, active 1791–1831
Launch of H.M.S. Hibernia at Plymouth
1804
5395
unknown artist
30 Fenchurch Street
1911
5396
John Harris, 1811–1865
Panoramic View of Sheffield
5397
John Thomas Smith, 1766–1833
Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion
1812
5398
Francis Jukes, 1747–1812
Pontysyllte Aqueduct, North Wales
1806
5399
Print made by William S. Barnard, 1774–1849
A Correct View of the Golden Lake Genuine Brewery
1807
5400
John Thomas Smith, 1766–1833
Sacred Architecture: the South Entrance of Dukes Place