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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1849

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Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
Creator:
John S. Clifton, active 1852–1869
Date:
1849
Materials & Techniques:
Oil on panel
Dimensions:
30 x 24 inches (76.2 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Bords de la Seine
Creator:
Print made by Louis Francais, 1814–1897
Date:
between 1849 and 1862
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/8 x 17 5/8 inches (31.4 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
Creator:
Sir John Everett Millais, 1829–1896
Date:
1849
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 5 1/8 inches (17.5 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for The Woodman's Daughter
Creator:
Sir John Everett Millais, 1829–1896
Date:
1849
Materials & Techniques:
Pen and gray ink, pen and black ink, gray wash, graphite and scraping on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 x 5 inches (17.8 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Shakespeare
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1849
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/4 x 17 1/8 inches (56.5 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Composition of Three Figures in a Garden
Creator:
William Morris, 1834–1896
Date:
undated
Materials & Techniques:
Black chalk heightened with white chalk, and graphite on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 24 3/4 x 14 1/2 inches (62.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund