Credit Line: Yale Center for British Art, Paul Mellon Fund / Period: 18th century - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Period 18th century

Valentine Green Countess of Salisbury

Print made by Valentine Green, 1739–1813

Countess of Salisbury

1781

Thomas Watson Georgiana Lady Viscountess Spencer

Print made by Thomas Watson, 1743–1781

Georgiana Lady Viscountess Spencer

1772

Valentine Green Viscountess Townshend

Print made by Valentine Green, 1739–1813

Viscountess Townshend

1780

James McArdell Maria, Countess Waldegrave

Print made by James McArdell, ca. 1729–1765

Maria, Countess Waldegrave

undated

John Dean Master Wynn in the Character of St. John

Print made by John Dean, 1754–1798

Master Wynn in the Character of St. John

1776

John Dean The Bird Cage

Print made by John Dean, 1754–1798

The Bird Cage

1786

John Dean Cupid in the Character of a Link Boy

Print made by John Dean, 1754–1798

Cupid in the Character of a Link Boy

1777

John Dean Mercury

Print made by John Dean, 1754–1798

Mercury

1777

John Dean The Schoolboy

Print made by John Dean, 1754–1798

The Schoolboy

1777

Thomas Watson The Strawberry Girl

Print made by Thomas Watson, 1743–1781

The Strawberry Girl

1774

Joseph Grozer Lady Charlotte Legge

Print made by Joseph Grozer, ca. 1755–1798

Lady Charlotte Legge

1794

John Dean Lady Gertrude Fitzpatrick as Collina

Print made by John Dean, 1754–1798

Lady Gertrude Fitzpatrick as Collina

1780

Thomas Watson Lucy Hardinge

Print made by Thomas Watson, 1743–1781

Lucy Hardinge

1780

William Dickinson Lydia

Print made by William Dickinson, 1746–1823

Lydia

1776

Valentine Green Jacob Blessing the Sons of Joseph

Valentine Green, 1739–1813

Jacob Blessing the Sons of Joseph

John Robert Cozens Aspin

Print made by John Robert Cozens, 1752–1797

Aspin

1789

John Robert Cozens Weeping Willows

Print made by John Robert Cozens, 1752–1797

Weeping Willows

1789

John Robert Cozens Cedar

Print made by John Robert Cozens, 1752–1797

Cedar

1789

John Robert Cozens Italian Pine and Cypress

Print made by John Robert Cozens, 1752–1797

Italian Pine and Cypress

1789

John Robert Cozens Birch

Print made by John Robert Cozens, 1752–1797

Birch

1789

John Robert Cozens Hawthorn

Print made by John Robert Cozens, 1752–1797

Hawthorn

1789

John Robert Cozens Poplar

Print made by John Robert Cozens, 1752–1797

Poplar

1789

John Robert Cozens Beech

Print made by John Robert Cozens, 1752–1797

Beech

1789

John Robert Cozens Horse Chestnut

Print made by John Robert Cozens, 1752–1797

Horse Chestnut

1789

Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

Stephen Riou, 1720–1780

Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

1762

Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'

Stephen Riou, 1720–1780

Design for a villa: `The Ground Plan and Elevations of a Villa'

1770

Stephen Riou Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.

Stephen Riou, 1720–1780

Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan

1763

Stephen Riou, 1720–1780

Design for a substantial villa. The `Forefront' and profile plan of the front elevation

1770

unknown artist The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

unknown artist

The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf

unknown artist The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

unknown artist

The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

unknown artist A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

unknown artist

A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

unknown artist A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

unknown artist

A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

unknown artist A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

unknown artist

A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

Joseph Grozer Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel

Print made by Joseph Grozer, ca. 1755–1798

Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel

1793

Thomas Frye A Man Leaning on a Staff

Thomas Frye, 1710–1762

A Man Leaning on a Staff

ca. 1760

Giovanni Battista Pittoni Study of a Page with a Dish Bearing an Instrument of Geometry

Giovanni Battista Pittoni, 1687–1767

Study of a Page with a Dish Bearing an Instrument of Geometry

undated

James McArdell Sir Isaac Newton

Print made by James McArdell, ca. 1729–1765

Sir Isaac Newton

1760

William Dickinson Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

Print made by William Dickinson, 1746–1823

Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

1778

John Smith, the mezzotinter Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina

Print made by John Smith, the mezzotinter, 1652–1743

Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina

1717

Joseph Strutt America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.

Print made by Joseph Strutt, 1749–1802

America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People

1781

Bernard Lens III Classical Landscape

Bernard Lens III, 1682–1740

Classical Landscape

1717

Taylor, Henry, 1825-1888. Collection of designs for Worcester porcelain,

Taylor, Henry, 1825–1888

Collection of designs for Worcester porcelain,

ca. 1770-ca. 1880

Upcott, William, 1779-1845. Extra-illustrated Life of Nollekens,

Upcott, William, 1779–1845

Extra-illustrated Life of Nollekens,

1708-1875,

Bainbridge family. Bainbridge deer park management archive,

Bainbridge family

Bainbridge deer park management archive,

1760-1821

Carr family. Carr family collection of travel sketches, scrapbooks, and genealogical material,

Carr family

Carr family collection of travel sketches, scrapbooks, and genealogical material,

1699-1981

Grey, Booth, 1740-1802. Botanical collages from the circle of Booth Grey.

Grey, Booth, 1740–1802

Botanical collages from the circle of Booth Grey

1790s

unknown framemaker Antique British concave 'Carlo Maratta' frame

unknown framemaker

Antique British concave 'Carlo Maratta' frame

4th quarter of 18th century