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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 19th century

Remove constraint Period: 19th century

Height [cm] 18

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Search Results

Benjamin Barker A Landscape at Wick, Gloucestershire, 'Below the Rocks'
Benjamin Barker, 1776–1838
A Landscape at Wick, Gloucestershire, 'Below the Rocks'
ca. 1824
Not on view
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
David Lucas River Stour, Suffolk
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
David Lucas River Stour, Suffolk
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
Samuel Cousins Master Henry Thomas Hope
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
William Greatbach Falstaff and his Friends
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
Edward Radclyffe Calais Pier
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
Thomas Uwins Festa di San Antonio, Bay of Naples
Thomas Uwins, 1782–1857
Festa di San Antonio, Bay of Naples
ca. 1840
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Sir John Everett Millais Study for The Woodman's Daughter
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
Sir John Everett Millais Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
Sir John Everett Millais, 1829–1896
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
Florence Claxton Miss Mac - Gardening
Florence Claxton, active 1855–1889
Miss Mac - Gardening
undated
unknown artist Miserable Sinners
unknown artist
Miserable Sinners
undated
Florence Claxton Gentleman with Whiskers
Florence Claxton, active 1855–1889
Gentleman with Whiskers
undated
William Mulready The Disobedient Prophet
William Mulready, 1786–1863
The Disobedient Prophet
1848, retouched 1863
unknown artist Gateway to the Flower Garden at Farnley
Print made by unknown artist
Gateway to the Flower Garden at Farnley
1814
 Shakespeare
Shakespeare
1807
 Shakspeare
Shakspeare
1827
 Shakspeare
Shakspeare
1827
William Henry Fox Talbot Ancient Doorway, Magdalen College, Oxford
William Henry Fox Talbot, 1800–1877
Ancient Doorway, Magdalen College, Oxford
1843
Calvert Richard Jones Bay of Baia
Calvert Richard Jones, 1802–1877
Bay of Baia
1846
Peter DeWint Study for 'Elijah'
Peter DeWint, 1784–1849
Study for 'Elijah'
1828
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
John Scarlett Davis Street Scene in Calais
John Scarlett Davis, 1804–1845
Street Scene in Calais
undated
Myles Birket Foster Sketchbook I
Myles Birket Foster, 1825–1899
Sketchbook I
unknown artist The Spa
unknown artist
The Spa
undated
Myles Birket Foster Page 2: Study of a Cottage
Myles Birket Foster, 1825–1899
Page 2: Study of a Cottage
Myles Birket Foster Page 1: Landscape Sketch with Boat
Myles Birket Foster, 1825–1899
Page 1: Landscape Sketch with Boat
Myles Birket Foster Page 3
Myles Birket Foster, 1825–1899
Page 3
Myles Birket Foster Page 5: Sktech of the Town of Berwick and its Viaduct
Myles Birket Foster, 1825–1899
Page 5: Sktech of the Town of Berwick and its Viaduct
Myles Birket Foster Page 6: Study of Unidentified Fruit Hanging to Dry
Myles Birket Foster, 1825–1899
Page 6: Study of Unidentified Fruit Hanging to Dry
Myles Birket Foster Page 8: Study of a Rural Landscape
Myles Birket Foster, 1825–1899
Page 8: Study of a Rural Landscape
Myles Birket Foster Page 7: Study of a Town and Viaduct
Myles Birket Foster, 1825–1899
Page 7: Study of a Town and Viaduct
Myles Birket Foster Page 11: Study of a Country Cottage alongside a Road
Myles Birket Foster, 1825–1899
Page 11: Study of a Country Cottage alongside a Road
Myles Birket Foster Page 10: Sketch of a Beach
Myles Birket Foster, 1825–1899
Page 10: Sketch of a Beach
Myles Birket Foster Page 19
Myles Birket Foster, 1825–1899
Page 19
Myles Birket Foster Page 22: Children on a Beach
Myles Birket Foster, 1825–1899
Page 22: Children on a Beach
Myles Birket Foster Page 16: Young Girl Dancing in the Wind
Myles Birket Foster, 1825–1899
Page 16: Young Girl Dancing in the Wind
Myles Birket Foster Page 27: Landscape Study
Myles Birket Foster, 1825–1899
Page 27: Landscape Study
Myles Birket Foster Page 17
Myles Birket Foster, 1825–1899
Page 17
Myles Birket Foster Page 26: Studies of Roof, Rafters, and Round Unidentified Object
Myles Birket Foster, 1825–1899
Page 26: Studies of Roof, Rafters, and Round Unidentified Object
Myles Birket Foster Page 4: Study of Two Chairs
Myles Birket Foster, 1825–1899
Page 4: Study of Two Chairs
Myles Birket Foster Page 14: Study of a Country Church
Myles Birket Foster, 1825–1899
Page 14: Study of a Country Church
Myles Birket Foster Page 13: Sketch of a Lake
Myles Birket Foster, 1825–1899
Page 13: Sketch of a Lake
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810