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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 19th century

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Subject Terms sailboats

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View on the Hudson River
Creator:
Thomas Creswick, 1811–1869
Date:
ca. 1843
Materials & Techniques:
oil on mahogany panel
Dimensions:
8 x 12 inches (20.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Carnarvon Castle
Creator:
Cornelius Varley, 1781–1873
Date:
1802
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 12 5/8 inches (23 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund