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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre architectural subject

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Work Type watercolor

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Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
Sir William Nicholson Canterbury Gate, Christ Church, Oxford
Sir William Nicholson, 1872–1949
Canterbury Gate, Christ Church, Oxford
1903
Michel Van Overbeek Water-mill, Kingston, Surrey
Michel Van Overbeek, active 1650–1680
Water-mill, Kingston, Surrey
undated
William James Muller Near the Caravan Bridge, Smyrna
William James Muller, 1812–1845
Near the Caravan Bridge, Smyrna
1843
Thomas Collier Pentre Ddu Bridge, North Wales
Thomas Collier, 1840–1891
Pentre Ddu Bridge, North Wales
1863
John Piper Cottage at Deane, Hants.
John Piper, 1903–1992
Cottage at Deane, Hants
1938
John Piper Windsor Castle
John Piper, 1903–1992
Windsor Castle
1942
John Piper Selborne Church
John Piper, 1903–1992
Selborne Church
1961
Augustus William Reeve A Fort Near Montmartre
Augustus William Reeve, active 1831–1888
A Fort Near Montmartre
undated
Hugh William "Grecian" Williams View of the Forum in Rome
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
David Charles Read Landscape with two figures beside an old building
David Charles Read, 1790–1851
Landscape with two figures beside an old building
undated
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
James Holland The Tower of the Clergy, Oporto
James Holland, 1799–1870
The Tower of the Clergy, Oporto
undated
George Jones Chantrey's Studio
George Jones, 1786–1869
Chantrey's Studio
undated
Thomas Sandby Receipt for a Set of Six London Views
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
Samuel Scott Ludlow Castle
Samuel Scott, ca. 1702–1772
Ludlow Castle
between 1765 and 1769
John Piper Rievaulx Abbey, Yorkshire
John Piper, 1903–1992
Rievaulx Abbey, Yorkshire
1942
Richard Parkes Bonington Abbey St-Amand, Rouen
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
Thomas Jones The Grotto at Posillipo
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
John Skinner Prout The Church of St. Laurent, Rouen
John Skinner Prout, 1806–1876
The Church of St. Laurent, Rouen
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
William Leighton Leitch Porta S. Giovanni, Rome
William Leighton Leitch, 1804–1883
Porta S. Giovanni, Rome
1837
Thomas Rowlandson Place des Victoires, Paris
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
Paul Sandby View of Richmond Castle, Yorkshire
Paul Sandby, 1731–1809
View of Richmond Castle, Yorkshire
undated
Edward Kennion A View of Hall-head Sugar Plantation, Jamaica
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
Emily Calmady Sir Thomas Lawrence's Painting Room in 1824
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
Carlo Labruzzi Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
Carlo Labruzzi, 1748–1817
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
undated
Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
Carlo Labruzzi Sepulchre on the Via Nomentana in the Roman Campagna
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna
undated
Carlo Labruzzi The Baths of Caracalla, Rome
Carlo Labruzzi, 1748–1817
The Baths of Caracalla, Rome
undated
Carlo Labruzzi A Panoramic View toward St. Peter's from the Palace of the Caesars
Carlo Labruzzi, 1748–1817
A Panoramic View toward St. Peter's from the Palace of the Caesars
undated
Unknown artist (Company style) Indo-Classical Residential Compound
Unknown artist (Company style)
Indo-Classical Residential Compound
between 1795 and 1810
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
James Thomson Grittleton, East Front Elevation, No.7
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
James Thomson Grittleton, West Front Elevation, No.5
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831