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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre figure study

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Subject Terms nudes

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The Apple Tree
Creator:
Print made by John Copley, 1875–1950
Date:
1950
Materials & Techniques:
Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 13 9/16 inches (39.7 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nymphs Bathing
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 11 11/16 inches (25.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nymphs Bathing
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 11 11/16 inches (25.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Morning on a Hillside
Creator:
Print made by John Copley, 1875–1950
Date:
1936
Materials & Techniques:
Etching with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 14 7/16 x 11 7/16 inches (36.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Prospero Watching Ferdinand and Miranda
Creator:
Theodor von Holst, 1810–1844
Date:
ca. 1840
Materials & Techniques:
Graphite with black chalk and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study of Two Frenzied Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund