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Credit Line Yale Center for British Art, Paul Mellon Fund

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Creator Ward, William, 1766–1826

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1. Thoughts on Matrimony

Thoughts on Matrimony
Creator:
Print made by William Ward, 1766–1826
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 9 3/16 inches (31.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Bridge of the Sambre at Namur

Bridge of the Sambre at Namur
Creator:
Print made by William Ward, 1766–1826
Date:
1821
Materials & Techniques:
Mezzotint with etching (proof) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. The Snake in the Grass

The Snake in the Grass
Creator:
Print made by William Ward, 1766–1826
Date:
1802
Materials & Techniques:
Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:
Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. John Philip Kemble as Cato

John Philip Kemble as Cato
Creator:
Print made by William Ward, 1766–1826
Date:
between 1800 and 1820
Materials & Techniques:
Mezzotint (before any letters) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 32 3/8 × 21 9/16 inches (82.2 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Henry Callender

Henry Callender
Creator:
Print made by William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 33 7/16 × 23 3/8 inches (84.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Her Royal Highnes the Princess Elizabeth

Her Royal Highnes the Princess Elizabeth
Creator:
Print made by William Ward, 1766–1826
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Herself the Fairest Flower

Herself the Fairest Flower
Creator:
Print made by William Ward, 1766–1826
Date:
1815
Materials & Techniques:
Mezzotint (proof) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 11 1/4 inches (37.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Mrs. Pope as Juliet

Mrs. Pope as Juliet
Creator:
Print made by William Ward, 1766–1826
Date:
ca. 1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Alinda

Alinda
Creator:
Print made by William Ward, 1766–1826
Date:
1787
Materials & Techniques:
Stipple engraving (2nd state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 10 1/8 inches (28.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Louisa

Louisa
Creator:
Print made by William Ward, 1766–1826
Date:
1786
Materials & Techniques:
Stipple engraving and softground etching (1st state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/16 × 10 1/2 inches (38.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. The Daughters of Sir Thomas Frankland

The Daughters of Sir Thomas Frankland
Creator:
Print made by William Ward, 1766–1826
Date:
1797
Materials & Techniques:
Mezzotint on thick, rough, cream wove paper
Dimensions:
Sheet: 22 7/8 × 19 inches (58.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Elizabeth, Countess of Mexborough

Elizabeth, Countess of Mexborough
Creator:
Print made by William Ward, 1766–1826
Date:
1784
Materials & Techniques:
Mezzotint (first state) on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 16 inches (51.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. The Sleeping Nymph

The Sleeping Nymph
Creator:
Print made by William Ward, 1766–1826
Date:
1808
Materials & Techniques:
Mezzotint (only state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 × 24 13/16 inches (52.5 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. George Marquess of Buckingham

George Marquess of Buckingham
Creator:
Print made by William Ward, 1766–1826
Date:
after 1813
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 16 7/8 inches (67 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Filho da Puta and Sir Joshua

Filho da Puta and Sir Joshua
Creator:
Print made by William Ward, 1766–1826
Date:
1818
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/2 × 23 1/4 inches (49.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Suspence

Suspence
Creator:
Print made by William Ward, 1766–1826
Date:
1788
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 14 1/4 inches (32.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. The Pledge of Love

The Pledge of Love
Creator:
Print made by William Ward, 1766–1826
Date:
1788
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 11/16 × 13 13/16 inches (47.5 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund