Credit Line: Yale Center for British Art, Paul Mellon Fund / Image Available: Unavailable / Width [cm]: 22 - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Image Available Unavailable

Width [cm] 22

1. Two Women at a Fountain

No cover image available

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 9/16 inches (16.5 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Mary Robinson

No cover image available

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Abraham Lincoln

No cover image available

Creator:: Print made by Otto J. Schneider, 1875–1946
Date:: 1908
Materials & Techniques:: Etching (fourth proof) on vellum
Dimensions:: Sheet: 18 1/8 × 12 7/8 inches (46 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Shakespeare with his Family, at Stratford, Reciting the Tragedy Hamlet

No cover image available

Creator:: unknown artist
Materials & Techniques:: Stipple engraving and etching
Dimensions:: Sheet: 6 x 8 1/2in. (15.2 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. East End Night

No cover image available

Creator:: William M. Larkins, 1901–1974
Date:: 1925
Materials & Techniques:: Etching and drypoint; 3rd state of 5 on wove paper
Dimensions:: Sheet: 11 1/2 x 8 11/16in. (29.2 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Horses of St. Mark's

No cover image available

Creator:: Walter Richard Sickert, 1860–1942
Materials & Techniques:: Etching, unrecorded proof
Dimensions:: Image: 5 5/8 x 4 3/8in. (14.3 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Mrs. Braddyll

No cover image available

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 23 3/8 × 18 1/2 inches (59.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Mrs. Braddyll

No cover image available

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint; proof before letters on moderately thick, slightly textured, cream wove paper with chine-collé
Dimensions:: Sheet: 24 1/4 × 18 1/4 inches (61.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Main Rigging

No cover image available

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. The Judgement of Paris

No cover image available

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Portrait of a Nobleman's Wife

No cover image available

Creator:: Edmund Ashfield, active 1669–1690?
Date:: between 1670 and 1675
Materials & Techniques:: Pastel and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 8 3/4in. (27.3 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund