Credit Line: Yale Center for British Art, Paul Mellon Fund / Work Type: drawing / Height [cm]: 19

George Romney, 1734–1802

Study of a Horse's Hooves

undated

George Romney, 1734–1802

Study of Two Figures and a Face

undated

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

ca. 1830

Alexander Marshal, active 1651–died 1682

St. Jerome in his Study

1650

Sir John Frederick William Herschel, first Baronet, 1792–1871

Antwerp Cathedral

1824

Jean B. C. Chatelain, 1710–1771

View with a Cart and Figures in a Wooded Landscape

undated

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

undated

John Flaxman, 1755–1826

The Reverend Anthony Stephen Mathew

undated

John Evelyn, 1620–1706

Italian Landscape (after Titian)

1656

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

undated

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

undated

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

undated

James Johnson, 1803–1834

Granby Hill, Bristol

undated

John Varley, 1778–1842

John Sell Cotman

1810

George Cruikshank, 1792–1878

Macbeth and the Witch

undated

unknown artist

Commemorative Portrait of a Racehorse called Othello

undated

Jean B. C. Chatelain, 1710–1771

View with Figures in a Classical Landscape with Ruins

undated

Helen Allingham, 1848–1926

The Last House in Lynmouth

1874