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Credit Line Yale Center for British Art, Paul Mellon Fund

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Work Type watercolor

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Height [cm] 19

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George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Alexander Marshal St. Jerome in his Study
Alexander Marshal, active 1651–died 1682
St. Jerome in his Study
1650
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
James Johnson Granby Hill, Bristol
James Johnson, 1803–1834
Granby Hill, Bristol
undated
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
unknown artist Commemorative Portrait of a Racehorse called Othello
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
Helen Allingham The Last House in Lynmouth
Helen Allingham, 1848–1926
The Last House in Lynmouth
1874
Richard Parkes Bonington Abbey St-Amand, Rouen
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
Adelaide Claxton Christmas Belles
Adelaide Claxton, 1858–1905
Christmas Belles
undated
Adelaide Claxton London Damsels
Adelaide Claxton, 1858–1905
London Damsels
undated
Florence Claxton Innocence
Florence Claxton, active 1855–1889
Innocence
undated
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Bernard Lens III Classical Landscape
Bernard Lens III, 1682–1740
Classical Landscape
1717