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Credit Line Yale Center for British Art, Paul Mellon Fund

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Andrew Geddes Charles Lennox Cumming-Bruce in Turkish Dress
Andrew Geddes, 1783–1844
Charles Lennox Cumming-Bruce in Turkish Dress
1817
Not on view
James Duffield Harding The Great Exhibition of 1851
James Duffield Harding, 1798–1863
The Great Exhibition of 1851
1851
Not on view
Walter Richard Sickert The Camden Town Murder, or What Shall We Do for the Rent?
Walter Richard Sickert, 1860–1942
The Camden Town Murder, or What Shall We Do for the Rent?
ca. 1908
Not on view
Vanessa Bell Design for Omega Workshops Fabric
Vanessa Bell, 1879–1961
Design for Omega Workshops Fabric
1913
Giuseppe Marchi Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
Print made by Giuseppe Marchi, ca. 1735–1808
Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
1770
Samuel Cousins Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
Print made by Samuel Cousins, 1801–1887
Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
1832
John Young A Woman Swearing her Child to a Grave Citizen
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
Frederik Christiaan Bierweiler De Geboorten
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Geboorten
ca. 1820
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
James Watson A Storm
Print made by James Watson, 1740–1790
A Storm
undated
George Price Boyce A Road Near Bettws-y-Coed
George Price Boyce, 1826–1897
A Road Near Bettws-y-Coed
1851
C. R. W. Nevinson The Wave
C. R. W. Nevinson, 1889–1946
The Wave
1917
William James Muller Near the Caravan Bridge, Smyrna
William James Muller, 1812–1845
Near the Caravan Bridge, Smyrna
1843
William Dickinson Mrs. Pelham
Print made by William Dickinson, 1746–1823
Mrs. Pelham
1775
David Cox Penmanmawr
David Cox, 1783–1859
Penmanmawr
1855
John Copley A Lavatory
John Copley, 1875–1950
A Lavatory
1909
John Robert Cozens Willow
Print made by John Robert Cozens, 1752–1797
Willow
1789
Sir Eduardo Paolozzi The Spirit of the Snake
Sir Eduardo Paolozzi, 1924–2005
The Spirit of the Snake
1965
Sawrey Gilpin Death on a Pale Horse
Sawrey Gilpin, 1733–1807
Death on a Pale Horse
undated
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
Thomas Rowlandson Place des Victoires, Paris
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
Katherine Read Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)
Katherine Read, 1723–1778
Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)
ca. 1751
Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
Unknown artist (Company style) Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad
Unknown artist (Company style)
Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad
between 1795 and 1810
Valentine Green The Return of Tobias
Print made by Valentine Green, 1739–1813
The Return of Tobias
1805
Valentine Green The Children of Joseph Bradshaw of Holbrook
Print made by Valentine Green, 1739–1813
The Children of Joseph Bradshaw of Holbrook
1769
unknown artist Shakespeare's Seven Ages
unknown artist
Shakespeare's Seven Ages
1796
John Robert Cozens Poplar
Print made by John Robert Cozens, 1752–1797
Poplar
1789
John Robert Cozens Horse Chestnut
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762