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Credit Line Yale Center for British Art, Paul Mellon Fund

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Width [cm] 63

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Image Use Under Certain Circumstances

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1. 4A: Marries an Old Maid from A Rake's Progress

4A: Marries an Old Maid from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. 5: The Election Campaign (with Dark Message) from A Rake's Progress

5: The Election Campaign (with Dark Message) from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Study for the South East Corner, Jerusalem

Study for the South East Corner, Jerusalem
Creator:
David Bomberg, 1890–1957
Date:
1923
Materials & Techniques:
Black chalk and white chalk on thin, slightly textured, brown modern laid paper
Dimensions:
Sheet: 19 × 24 7/8 inches (48.3 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. 6: Death in Harlem from A Rake's Progress

6: Death in Harlem from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. 6A: The Wallet Begins to Empty from A Rake's Progress

6A: The Wallet Begins to Empty from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. 8A: Bedlam from A Rake's Progress

8A: Bedlam from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 12 x 15 13/16in. (30.5 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. 2: Meeting the Good People (Washington) from A Rake's Progress

2: Meeting the Good People (Washington) from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 12 x 15 15/16in. (30.5 x 40.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. 3A: The 7 Stone Weakling from A Rake's Progress

3A: The 7 Stone Weakling from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. 4: The Drinking Scene from A Rake's Progress

4: The Drinking Scene from A Rake's Progress
Creator:
David Hockney, born 1937
Date:
1963
Materials & Techniques:
Color-printed etching and aquatint
Dimensions:
Plate: 11 13/16 x 15 7/8in. (30 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Lear in the Storm

Lear in the Storm
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:
Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1993
Materials & Techniques:
Screen print on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 18 × 24 7/8 inches (45.7 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund